‘I Am the Ultimate Challenge’

This article aims to demonstrate that the concept of the ‘dialogical self’ is an identity theory that provides useful tools for studying intersectionality. In terms of the dialogical self, the formation of identity is a process of orchestrating voices within the self that speak from different I-positions. Such voices are embedded in field-specific repertoires of practices, characters, discourses and power relations specific to the various groups to which individuals simultaneously belong. By telling one's life-story, the individual intones these voices and combines them in new ways, thus reshaping them as they use them. The article applies the theoretical concept of the dialogical self to the analysis of the life-story of a relatively well-known female Dutch politician of Moroccan background whose explanation of why she wears a headscarf allows her to combine the religious and political voices in her story with her more hesitant female voice. The words, images and self-evaluations used in her self-narratives demonstrate the ways in which her religious, ethnic and gender identifications are formed and are in dialogue

Stepping in the footsteps of Hajar to bring home the hajj:dialogical positioning in Asra Nomani's memoir 'Standing Alone'

This paper discusses the hajj memoir Standing Alone (2006) by the journalist Asra Nomani to demonstrate how before, during and after her hajj performance, the author moves back and forth between various moral discourses that inform her daily life in order to make sense of her multiple senses of belonging and to claim more space for women participation and in today’s global and local Umma (community of Muslims). Using ‘Dialogical Self theory’ (DST) (Hermans & Hermans-Konopka) to analyze ‘dialogues’ between the various temporally and spatially situated ‘voices’ that populate Nomani’s hajj memoir, it is argued that what the author experiences as literally ‘stepping in the footsteps of Hajar’, like herself a single mother whose faith in and rescue by God is played out during the Hajj, Nomani finds a strong female Muslim role model to identify with. Thus appropriating Islam as an empowering moral discourse, Nomani takes the extraordinary experience of the hajj back home to her everyday life to become an activist in order to claim Muslim women’s rights as equal citizens in the various communities that she belongs

Rearticulating the Conventions of Hajj Storytelling:Second Generation Moroccan-Dutch Female Pilgrims’ Multi-Voiced Narratives about the Pilgrimage to Mecca

This article explores the interplay between content, narrator, and lifeworld in narrative constructions concerning the meanings of pilgrimage to Mecca by studying the hajj stories of second-generation Moroccan-Dutch women. By adopting a ‘dialogical approach’ to self-storytelling, it is asked how the pilgrimage experiences of these women and the meanings they attribute to them are shaped by different intersecting discursive traditions that inform their daily lives. It is demonstrated that by creative re-articulation and mixing of vocabularies from different discursive traditions to make sense of their hajj experiences, the women contribute to a modern reconfiguration of the genre of hajj accounts. Since gender is the site par excellence where the public debate about the (in)compatibility of being Muslim and being European/Dutch is played out, specific attention will be paid to how the women negotiate conceptions of female Muslim personhood in their stories