Volume 69, Number 09 (September 1951)

Students Must Help Themselves Get Rid of Your Stage Fright Eddie Has Ears Orchestra in Education What TV Opera Needs (interview with Peter Herman Adler) Don\u27t Imitate Your Teacher: Vocal Students Often Copy the Mannerisims, Rather than the Virtues, of More Experienced Singers Nebraska Farm Woman Takes Piano Lessons Man Behind the Fiddler Broadcasting a Student Workshop Accompanist Sets the Moodhttps://digitalcommons.gardner-webb.edu/etude/1135/thumbnail.jp

Volume 69, Number 10 (October 1951)

Can Your Marching Band March?: Poor Band Performance Results form Inefficient Organization by the Director and His Bandsmen Role of Harmonics in Music You\u27re an Army Organist Now Bring Music Into Your Practice Orchestra in Education, Part 2 How High the Mountains! Technique of Conducting: The Best Conducting Achieves Maximum Musical Results with Minimum Effort Springboard is Faith (interview with Jan Peerce) Our Family Makes Music Rigoletto at Indiana University Singer\u27s Breathhttps://digitalcommons.gardner-webb.edu/etude/1134/thumbnail.jp

Volume 68, Number 09 (September 1950)

Audiences I Have Known Arnold Schoenberg\u27s New World of Dodecaphonic Music Tuner\u27s Tantrum Music is My Hobby I Learned Piano at 50 Master Lesson on Shostakovitch\u27s Polka from The Golden Agehttps://digitalcommons.gardner-webb.edu/etude/1146/thumbnail.jp

Volume 69, Number 05 (May 1951)

Music at the Festival of Britain: Performers and Listeners Will Gather in England this Month for a Gala Once-in-a-Century Celebration Singing Patrolmen: New York\u27s Finest Sing to Prevent Traffic Accdients, to Welcome Visiting Dignitaries, and Just for the Fun of Singing There\u27s Music in Your Piano Singer\u27s Voice and the Sinuses of the Nose Teaching is Selling Planning a Choral Rehearsal: For Best Results, Each Step Should be Carefully Mapped Out in Advance Immortal Trifles, of Gilbert & Sullivan Master Lesson on Beethoven\u27s Sonata Pathétique Program Note for Aaron Copland\u27s Appalachian Spring How Sweet Adeline Got Its Name: America\u27s Favorite Barber-shop Quartets Began as a Salute to a Touring Prima Donnahttps://digitalcommons.gardner-webb.edu/etude/1139/thumbnail.jp

Volume 68, Number 07 (July 1950)

Johann Sebastian Bach . . . His World What Bach Edition Shall I Play? What Sort of Man Was J.S. Bach? Johann Sebastian Bach: The Teacher Draft for a Well-Appointed Church Music (from The Bach Reader) Search for Bach\u27s Grave Heirs to Bach\u27s Genius Instruments of Bach\u27s Day I\u27ve Always Wanted to Play the Piano WQXR . . . Radio\u27s Wonder Stationhttps://digitalcommons.gardner-webb.edu/etude/1148/thumbnail.jp

Volume 68, Number 05 (May 1950)

Summer Music in Europe Rain, Rats and Red Tape Teen-Age Symphony: Fifty-five New York Youngsters, Ages 10-17,Play a Full-Scale Concert Season He Brought Us Orchestral Music Gaoler Played the Organ: Being a True and Faithful Account of Ye Versatile Doings of Peter Pelham, a Musician of Williamsburg in Ye Olden Time Come with Me to Antoine\u27s in Jacmal on the Island of Haiti Where the Mysterious Voodoo Drums are Made Operatic Daughter (interview with Claudia Pinza)https://digitalcommons.gardner-webb.edu/etude/1150/thumbnail.jp