An Early Black Cemetery on York Street

Many are familiar with William H. Tipton, a well-known local photographer who recorded iconic views of the town, battlefield, and monuments surrounding Gettysburg. What many people may not know is that Tipton built a house in the early 1900s right on top of Gettysburg’s first African-American cemetery. [excerpt

Capstone 2019 Art and Art History Senior Projects

This booklet profiles Art Senior Projects by Angelique J. Acevedo, Arin Brault, Bailey Harper, Sue Holz, Yirui Jia, Jianrui Li, Annora B. Mack, Emma C. Mugford, Inayah D. Sherry, Jacob H. Smalley, Laura Grace Waters and Laurel J. Wilson. This booklet profiles Art History Senior Projects by Gabriella Bucci, Melissa Casale, Bailey Harper, Erin O\u27Brien and Laura Grace Waters

[Review of] Lance Henson. Selected Poems, 1970-1983

A previously published Native American poet, Lance Henson, a Cheyenne, evokes traditional Native American characters, customs, and beliefs and demonstrates the tension between the new and the old, attempting to reconcile a traditional closeness to the land and to the past with apparently incongruent modern phenomena

Eshelbrenner, Albert H., Collection, 1939-2007

This collection focuses on Albert H. Eshelbrenner, of Fort Scott, Kansas, and his brother-in-law, Francis H. Pirnat, of Frontenac, Kansas. Albert H. Eshelbrenner served in the military during World War II, as did several of his brothers and brother-in-laws, including Pirnat. This collection contains correspondence, genealogical information, publications, maps, templets, advertisements, clippings, music, and photographs.https://digitalcommons.pittstate.edu/fa/1129/thumbnail.jp

James H. Lane and the Origins of the Kansas Jayhawk

This is the published version

Spartan Daily, March 8, 2017

Volume 148, Issue 18https://scholarworks.sjsu.edu/spartan_daily_2017/1017/thumbnail.jp

A Philosophical Account of Listening Musically

What is the distinctive character of musical experiences? An answer: musical experience is distinctive because it is of music. I argue, however, that the difference between musical and nonmusical experience cannot be explained with an ontological account of music per se. Instead, we have musical experiences of sounds whenever we listen and attend to sounds in a particular kind of way. I call this special kind of attention “musical listening.” One can explain why musical experiences are distinctive by explaining what makes musical listening distinctive. This account of musical listening suggests an anti-realist stance towards music; there is no kind of thing “music” and no musical works that are its instances. Ultimately, I give a kind of account of music as a function of an activity of listening that more fully explains our lives with music and sound than do accounts that focus on describing the ontological status of music

The Normal Schools

An article published in the Bourbon News announcing Morehead as the site for the new State Normal School on December 5, 1922.https://scholarworks.moreheadstate.edu/college_histories/1305/thumbnail.jp

A Philosophical Account of Listening Musically

What is the distinctive character of musical experiences? An answer: musical experience is distinctive because it is of music. I argue, however, that the difference between musical and nonmusical experience cannot be explained with an ontological account of music per se. Instead, we have musical experiences of sounds whenever we listen and attend to sounds in a particular kind of way. I call this special kind of attention “musical listening.” One can explain why musical experiences are distinctive by explaining what makes musical listening distinctive. This account of musical listening suggests an anti-realist stance towards music; there is no kind of thing “music” and no musical works that are its instances. Ultimately, I give a kind of account of music as a function of an activity of listening that more fully explains our lives with music and sound than do accounts that focus on describing the ontological status of music