2,535 research outputs found

    A Newsletter From The English Language Institute

    Full text link
    Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/98376/1/j.1467-1770.1966.tb00826.x.pd

    Paper 246-2009 Getting the Most out of the SAS ® Survey Procedures: Repeated Replication Methods, Subpopulation Analysis, and Missing Data Options in SAS ® v9.2

    Get PDF
    This paper presents practical guidance on three common survey data analysis techniques: repeated replication methods for variance estimation, subpopulation analyses, and techniques for handling missing data. A number of new features in the SAS ® 9.2 survey procedures are demonstrated: Jackknife and Balanced Repeated Replication methods for variance estimation, subpopulation analysis with use of the DOMAIN option and the subsetting approach and the use of the NOMCAR (not missing completely at random) and multiple imputation options for handling missing data. Descriptive statistics as well as logistic regression are demonstrated. The analytic techniques presented can be used on any operating system and are intended for an intermediate level audience

    Omry Ronen

    Get PDF
    Abstract. The main purpose in this paper is to offer some marginal notes having to do with the intertextual plane of Nabokov's prose and poetry so as to test whether the proper place of such entries ought indeed to be in the commentaries or remain in research papers. Key Words: Intertextuality, Parody, Anti-parody, Nabokov There is an old mystical tradition, stemming from Isaac the Syrian in the east and Scotus Erigena in the west, according to which afterlife is the same for all, but the sinners perceive the higher presence as hell and the righteous as paradise. In our lay field, too, in the face of a work of genius grateful admiration or an invidious proclamation of the author's death are a choice that depends on the moral character of the reader, or on the constructive (substantially monistic) or deconstructive (that is, dualistic, Manichaean and "Bogumil") attitude of the philosophically minded critic, or, finally, on the purpose of the scholar. If the scholar's purpose is a commentary, the presence of the creator's design in the creation is a necessary presupposition, and the task of the commentator is to provide the reader with the wherewithal required for the understanding of this design. The question that has a less certain answer, at least, in the case of those writers whose poetics is contingent to a significant extent on enigmatic devices, is this: how far should the interpreter's assistance extend so as not to interfere with the riddle-solving delights of the reader? Such a contingency is sometimes acknowledged by movie thriller producers when they beg the gentle public not to disclose the ending to those friends who have not yet seen the picture. At a more serious plane of analysis, it should be conceded, moreover, that the author's intent may be to create an enigmatic effect per se, an aura of mystery. As Evgenii Toddes (1968: 93) suggested in regard to Pushkin's "Bronze Horseman," enigmatic mysteriousness may be perceived as an objective property of certain artistic structures, a means of author's aesthetic influence upon the reader, and insofar as thi

    English as a World Language

    Full text link
    Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/68363/2/10.1177_003368828601700107.pd

    Creep, Strength and Moisture Absorption of Adhesive Bonded FRP Joints*

    Get PDF
    ABSTRACT The effects of the environment on adhesive bonded single lap joints formed using XMC-3 and SMC-R50 composites were investigated. Tests were performed at temperatures of 23C and 93C with test coupons immersed in air, water, and 5% NaClwater mixture. The weight changes of both bonded joints (XMC-3 to SMC-R50 and SMC-R50 to SMC-R50) and unbonded materials were measured. Data were also obtained showing the effects of moisture, temperature, and applied load on changes in weight, on creep deformation, lap shear strength, and separation modes of the joints
    • …
    corecore