جدید ترک اور اردو نظم کی شعریات : ایک تقابلی مطالعہ

Comparative studies in world literature started in the early nineteenth century, but not considerable work has come out in this esteem in Urdu literature. Modern Turkish and Urdu poetry began more or less at the same time, but despite hundreds of years of cultural connections, no concerted effort was made to translate modern Turkish poetry into Urdu. In this paper, an effort has been made to compare modern Turkish poetry with modern Urdu poetry. In the above context, the translation work of Prof. Asuman Belen from Turkish to Urdu has been reviewed to explore the poetics of modern Urdu and Turkish poetry. It can be hoped that this paper will open new horizons of comparative studies in the modern Urdu literature

انجمنِ پنجاب کے نظمیہ مشاعرے: نوآبادیاتی سیاق میں (مشاعرہ بہ عنوان 'حبِ وطن' : خصوصی مطالعہ)

This article overviews the influence of the Anjuman-e Punjab, a colonial institution created to bring about social welfare, better education, as well as business etc. in 1865.  The author explores this influence—or its remnants, rather—in the modern Urdu poem, arguing that colonial elements can be seen in works of the period. The article further views the objectives of Anjuman-e Punjab.</p

Frantz Fanon: A Founder of Postcolnial Thinking

Frantz Omar Fanon(July 20,1925 - December 6,1961) is recokned one of the most influential theorist of Post-Colonial studies.In this article an effort has been made to highlight the colonial situation and intellectual framework of Fanon. The article enables the reader not only to have a better understanding of Colonial discourses but also to see his history in a correct perspective

احمد مشتاق کی غزل:جلا وطنی اور عصری آشوب کا اظہاریہ

Ahmed Mushtaq is reckoned one of the prominent poets of Modern UrduGhazal.In this article an effort has been made to highlight various phases of hiscontemporary consciousness and dillema of migration.This article takes into accountfrom his first collection of poetry title "Majmooa"(1966) to his second collection ofpoetry titled "Gard-e-Mahtab"(1981) in the same context.</p

شعریاتِ اخترالایمان: عصری شعور اور بیانیے کا تفاعل

Urdu poet and screenwriter, Akhtar-ul-Iman was an important contemporary of Rashed, Miraji and Faiz. He had a formative influence on Urdu nazm and won the Filmfare Award for Best Dialogue in 1963 and 1966. This article highlights the journey of his poetic consciousness as influenced by external factors, as well as his inner battles as a poet. The article takes into account the entire body of his poetic works, from the first collection published in 1941 to the last, published in 1997.</p

جدید اردو غزل: پاکستانی تناظر میں

After the partition of the subcontinent, there were clear signs of change in the poetics of Urdu Ghazal. Pakistani Ghazal poets transformed the tragedy of migration into verses from their point of view. The political and social landscape of Pakistan changed more rapidly than that of India, which had a direct impact on its literary genres. In this article, the poetics of Pakistani Ghazals till the nineties have been made the subject of a focused study, which will help in understanding the gradual evolution of respective genre

ترے فراق میں دِل روز گریہ کرتا ہے! (ذیشان ساحل کی شب نامہ : ایک مطالعہ)

Zeeshan Sahil is one of the most significant modern Urdu poets. His poem “Shabnama” is an excellent illustration of lyrical and romantic poetry in Urdu. In this article, an effort has been made to elaborate on the structure and style of “Shabnama” in the context of Zeeshan's poetics.</p

مابعد جدید حسؔیت اور معاصر اردو نظم

During the postmodern era, a number of phenomena have surfaced, that have left a far reaching impact on our sensory perceptive behaviour. Discourses of globalization, the corporate culture and a new world order have introduced a contemporary sensibility in a new context. This paper analyses the contemporary Urdu naẓm which appeared during the 8th and 9th decades of the 20th century and bore a profound impact of post modernism.</p

مجید امجد کی نظموں کا رنگِ آخر

'Late style' is a critical theory of the modern era in which the work done in the later years of an artist is analyzed. Majid Amjad is reckoned as one of the most prominent poets of Modern Urdu Poem. In this article, an effort has been made to throw light on his poems written in his later age in the context of the above-mentioned theory.</p