韓國의 假面 - 특히 處容과 河回假面에 대하여 -

假面은 隱蔽와 더불어 假裝性을 갖는 것이라야 하며, 信仰假面과 藝能假面으로 大別할 수 있다. 信仰假面에는 辟邪 · 醫術 · 靈魂 · 神聖 · 追噫 · 토오템 · 祈雨 狩獵 · 戰爭假面 등이 있고, 藝能假面에는 舞踊假面과 演劇假面을 들 수 있다. 假面에 대한 漢字表記는 「面 · 面具 · 假面 · 代面 · 大面 · 假頭 · 假首」 등이었고 우리말로는 「광대 · 곡도 · 초란이 · 탈 · 탈박(탈바가지)」등으로 불리웠다. 現在는 一般的으로 「탈」이 假面을 나타내는 우리 말이 되어있다. 「탈」의 語義에는 ⓵ 가면 ⓶ 사고(재앙) ⓷ 병 등이며, 탈의 語源說에 몇가지를 들 수 있는데, 鮎貝說과 이에 동조하는 의견은 Animism에 기초를 둔 見解로 탈(병)을 쫓기 위하여 辟邪에 사용한 假面(탈)에서 탈이라는 말이 由來되었다는 것이다. 이것은 「굿」이 굿것(鬼神)(((((杜詩諺鐸))>과 關聯이 있는 말에서 由來된 例로 보아 有力한 說이라고 할 수 있겠다

판소리는 潰劇이요 또 戲曲이다

文學 장르形態에서 元素的인 것으로 보통 抒情詩·﹒敘事詩﹒·劇(詩) 그리고 小話을 들 수 있으나, 自然界에 있어서와 마찬가지로 元素는 實際에 있어서는 純粹할 수 없고, 서로 다른 元素와 化合됨을 볼 수 있다

Brassware Contribution to the Shamans Instruments in the Initiation Rite

This paper studies the initiating process of a possessed female shaman called Kum-Hwa Kim from Hwanghae province(the North-West part of Korea), with particular focus on her clients' brassware contribution to her shamanistic instruments. It aims to analyze the ethnography of the shamanistic complex in Hwanghae province and to compare Korean shamanism with that of Siberia, North-East Asia and Eastern Asia by examining extant shamanistic instruments such as the mirror, sword and bell. In comparing the shamanism in these various regions, this study prefers to make use of concrete instruments, ethnographic data, historical data and archaeological specimens rather than deal in theoretical assumptions. The comparison shows striking similarities among these regional shamanisms. One interesting finding of this study is the resemblance of the Japanese 'Amano-iwaya-do' myth and the Korean shamanistic rite 'Ilwŏl-maji Kut'. It is recorded in the Japanese 'Kojiki' and 'Nihon-shoki' that the shamanistic rite was performed in front of 'Amanoiwaya' by many gods to please the sun goddess, 'Amaterasu", and was succeeded in presenting the sun goddess from the cave. This rite is comparable to 'Ilwŏl-maji Kut', the Sun-and-Moon-greeting rite, of the Hwanghae province and the eastern coast. In addition, it is argued, that the use of the Korean shamanistic mirror and sword was influenced by the Taoistic folk belief of ancient China. Especially, the use of sword shows the possibility of the close relation to Dumézils 'Three Functions' paradigm(i.e., the belief that the ancient king in the Indo-European race had three functions: priest, warrior and cultivator). The foundation myths of the Old Korean Kingdoms also show a close relation to Dumézil's paradigm. This relationship is further examined via the hereditary shaman and the blacksmith in the southern part of Korea.本 論文은 1986年度 서울大學校 硏究敎授로서의 硏究結果報告임

A Study of Theatrical Entertainments in the Funeral Rites of Korea with a Sepecial Reference to Dasiraegi Case in Chindo Island

It was customary that theatrical entertainments were performed in the funeral rites of Korea. This custom is recorded as early as the 3rd century in a Chinese history book, which describes the lives of the tribes in Korean peninsula at that time. Theatrical entertainments such as various plays and wrestling contests were also pictured on the tomb wall of Koguryo dynasty (B.C. 37~A.D. 668). This custom recalls Ridgeway's theory that tragedy is not originated in Dionysian rites but in mimetic dances and athletic contests as a periodical offering for the dead. It is noticable that funeral rites are also closely related with theatrical entertainments and further indicate a possible origin of theatre in Korea. The custom of performing theatrical entertainments in the funeral rites handed down from the early tribe societies to the Yi dynasty (1392~1910). An annals of the dynasty of Chosen in the 15th century 'records that songs, music and various plays were performed to entertain the dead. Until the mid 20th century, this custom was widespread in many provinces such as Hwanghae, Kyŏnggi, Chúngchŏng and Kyŏngsang. However, because the recent modernization of Korean society jeopardizes the existence of this custom, it is necessary to record. Dasiraegi of Chindo island is chosen as the representative of this custom in this research. It studies the origin and the history of Dasiraegi and transcribes the dramatic plays including the episode of a pretended mourner, the episode of a triangle love affair among a blind husband, his unfaithful wife and a monk, and the procession of carrying a bier. This research also studies the music, the songs, the dances, the properties, the actors and their personal histories of Dasiraegi.본 논문은 1984년도 문교부 학술연구 조성비에 의한 연구논문임

A Study on College Korean for the College Students

This study aims at solving the problem of College Korean by way of analysing it, and exammining its texts and groping for right methods of its estimate. As its main goal lies in gaining knowledge that is expected of persons of culture and life, College Korean focus its attention on the following points. 1. College Korean should emphasize both the practical and the general side. 2. The text of College Korean should be published so as to attain the goal of article NO l. 3. The workbook of College Korean and College Compostion should be published. 4. In the course of teaching , other various methods of it should be· developed rather than that of lecture. 5. As the methods of grading, test method should be averted. 6. In order to awaken the significance of College Korean, the number of its credits should be increased. Though this study stressed its theoretic sides, a study on practical sides for solving the problem of College Korean needs to be done in the future.본 논문은 1979년도 문교부 학술연구 조성비에 의한 연구논문임