10 research outputs found

    ν˜„λŒ€ κ΅­μ–΄μ˜ 쑰사 상당어에 λŒ€ν•œ 연ꡬ

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    ν•™μœ„λ…Όλ¬Έ(석사)--μ„œμšΈλŒ€ν•™κ΅ λŒ€ν•™μ› :κ΅­μ–΄κ΅­λ¬Έν•™κ³Ό ꡭ어학전곡,2004.Maste

    A Study on Self-Repair Speech by Native Korean Speakers

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    ν•™μœ„λ…Όλ¬Έ (박사) -- μ„œμšΈλŒ€ν•™κ΅ λŒ€ν•™μ› : μΈλ¬ΈλŒ€ν•™ κ΅­μ–΄κ΅­λ¬Έν•™κ³Ό, 2020. 8. μž₯μ†Œμ›.λ³Έ μ—°κ΅¬μ˜ λͺ©μ μ€ ν•œκ΅­μ–΄ ν™”μžμ˜ λ°œν™” μˆ˜μ •μ˜ νŠΉμ§•κ³Ό ꡬ쑰λ₯Ό μ‚΄ν”ΌλŠ” 데에 μžˆλ‹€. κ΅¬μ²΄μ μœΌλ‘œλŠ” λ°œν™” μˆ˜μ • κ³Όμ •μ—μ„œ μ‚½μž…λ˜λŠ” μˆ˜μ • ν‘œμ§€μ˜ κΈ°λŠ₯κ³Ό κ°œλ³„ μˆ˜μ • ν‘œμ§€λ“€μ˜ 변별적 νŠΉμ§•, λ°œν™” μˆ˜μ •μ˜ 산물인 λŒ€μ²΄ ν‘œν˜„μ˜ 양상을 κ³ μ°°ν•˜λŠ” 것이닀. μ΄λ•Œ 였λ₯˜ μœ ν˜•κ³Ό μˆ˜μ • ν‘œμ§€μ˜ 상관성, 였λ₯˜ μœ ν˜•κ³Ό λŒ€μ²΄ ν‘œν˜„μ˜ 상관성도 ν•¨κ»˜ μ‚΄ν•€λ‹€. μ•„μšΈλŸ¬ μˆ˜μ • ν‘œμ§€μ™€ λŒ€μ²΄ ν‘œν˜„μ— μ˜ν•΄ μˆ˜μ •λ˜μ–΄ κ°€λŠ” λ°œν™” μˆ˜μ •μ˜ ꡬ쑰λ₯Ό κ²€ν† ν•˜κ³  κ·Έ μœ ν˜•μ„ λΆ„λ₯˜ν•˜μ—¬ 속성을 밝히고자 ν•œλ‹€. λ°œν™” 였λ₯˜μ™€ μˆ˜μ •μ€ λͺ¨μ–΄ ν™”μžμ˜ λ°œν™”μ—μ„œ 빈번히 λ°œμƒν•œλ‹€. μ΄λŠ” μ‹€μ‹œκ°„μœΌλ‘œ μ˜μ‚¬μ†Œν†΅ν•˜λŠ” ꡬ어 μƒν™©μ—μ„œ λ¬Έμ–΄ μƒν™©μ—μ„œμ™€ 같은 μ •ν™•μ„±κ³Ό μœ μ°½μ„±μ„ 보μž₯ν•˜κΈ° μ–΄λ ΅κΈ° λ•Œλ¬Έμ΄λ‹€. λ°œν™”μ—λŠ” λΉˆλ²ˆν•œ νœ΄μ§€λ‚˜ 쀑단과 주저함, κ°νƒ„μ‚¬μ˜ μ‚½μž…κ³Ό 같이 μ–΄λŠ μ •λ„μ˜ λΉ„μœ μ°½μ„±μ΄ μ‘΄μž¬ν•˜κΈ° λ§ˆλ ¨μ΄λ‹€. μžμ—°μŠ€λŸ¬μš΄ λΉ„μœ μ°½μ„±μ΄ μ‘΄μž¬ν•˜λŠ” κ΅¬μ–΄μ—μ„œ λ°œν™” μˆ˜μ •μ€ ν•„μˆ˜μ μ΄λ‹€. λ°œν™” μˆ˜μ •μ΄λž€ ν™”μžκ°€ 자기 점검을 톡해 μžμ‹ μ˜ λ°œν™” μ˜λ„μ™€ μ‹€μ œ μ‚°μΆœν•œ λ°œν™”μ˜ 차이λ₯Ό μΈμ‹ν•˜κ³  λ°œν™”μƒμ˜ 문제λ₯Ό νƒμ§€ν•˜κ³  μ²˜λ¦¬ν•˜λŠ” 것을 λ§ν•œλ‹€. ꢁ극적으둜 λ°œν™” μˆ˜μ •μ€ ν™”μž μžμ‹ μ˜ λ°œν™” μ˜λ„μ— λΆ€ν•©ν•˜λŠ” μ΅œμ„ μ˜ λ°œν™”λ₯Ό μ‚°μΆœν•˜κΈ° μœ„ν•œ λ…Έλ ₯인 것이닀. λ°œν™” μˆ˜μ • κ³Όμ •μ—μ„œ μ‚½μž…λ˜λŠ” μˆ˜μ • ν‘œμ§€λŠ” ν™”μžμ—κ²ŒλŠ” μ‚°μΆœν•œ λ°œν™”λ₯Ό μ κ²€ν•˜κ³  μˆ˜μ •ν•  μ‹œκ°„μ„ 확보해 μ£Όκ³  μ²­μžμ—κ²ŒλŠ” ν™”μžμ˜ λ°œν™” λ‚΄μš©μ„ 보닀 μ‰½κ²Œ 해석할 수 μžˆλŠ” 언어적 λ‹¨μ„œλ₯Ό μ œκ³΅ν•΄ μ£ΌλŠ” 역할을 ν•œλ‹€. μˆ˜μ • ν‘œμ§€λŠ” 내적 μˆ˜μ •μ΄λƒ 외적 μˆ˜μ •μ΄λƒμ— 따라 κ·Έ μ‚¬μš© 양상에 차이λ₯Ό 보인닀. 내적 μˆ˜μ •μ˜ 77.2%κ°€ 내적 λ°œν™”λ₯Ό μ κ²€ν•˜λŠ” λ™μ•ˆμ— μˆ˜μ • ν‘œμ§€κ°€ μ‚¬μš©λ˜μ—ˆκ³ , 외적 μˆ˜μ •μ˜ 47.3%κ°€ μ‚°μΆœλœ μ™Έν˜„ λ°œν™”λ₯Ό μ κ²€ν•˜κ³  μˆ˜μ •ν•˜λŠ” λ™μ•ˆμ— μˆ˜μ • ν‘œμ§€κ°€ μ‚¬μš©λ˜μ—ˆλ‹€. 내적 μˆ˜μ •μΌ κ²½μš°μ—λŠ” μˆ˜μ • ν‘œμ§€ μ–΄κ°€ μƒλŒ€μ μœΌλ‘œ 많이 μ‚¬μš©λ˜μ—ˆκ³ , 외적 μˆ˜μ •μΌ κ²½μš°μ—λŠ” μˆ˜μ • ν‘œμ§€ κ·Έκ°€ 많이 μ‚¬μš©λ˜μ—ˆλ‹€. 또 μˆ˜μ •ν•˜λ €λŠ” 였λ₯˜κ°€ μ •ν™•μ„± 였λ₯˜λƒ μ μ ˆμ„± 였λ₯˜λƒμ— 따라 μˆ˜μ • ν‘œμ§€μ˜ μ‚¬μš© 양상이 λ‹€λ₯΄κ²Œ λ‚˜νƒ€λ‚¬λ‹€. μ •ν™•μ„± 였λ₯˜μ˜ μˆ˜μ •μΌ κ²½μš°μ—λŠ” μˆ˜μ • ν‘œμ§€ κ·Έκ°€ μƒλŒ€μ μœΌλ‘œ 많이 μ‚¬μš©λ˜μ—ˆκ³  μ μ ˆμ„± 였λ₯˜μ˜ μˆ˜μ •μ—μ„œλŠ” μˆ˜μ • ν‘œμ§€ κ·ΈκΉŒκ°€ ν˜„μ €ν•˜κ²Œ μ„ ν˜Έλ¨μ„ μ•Œ 수 μžˆμ—ˆλ‹€. λ³Έ μ—°κ΅¬μ—μ„œλŠ” μˆ˜μ • ν‘œμ§€λ₯Ό 크게 감탄사λ₯˜ μˆ˜μ • ν‘œμ§€(μ–΄, 음, μ•„), λŒ€λͺ…사λ₯˜ μˆ˜μ • ν‘œμ§€(뭐, κ·Έ), 뢀사λ₯˜ μˆ˜μ • ν‘œμ§€(그까, μ•„λ‹ˆ), ν‘œν˜„λ₯˜ μˆ˜μ • ν‘œμ§€(그게 뭐지?, λ­λž„κΉŒ?, N이 μ•„λ‹ˆλΌ, N이래 λ“±)둜 λ‚˜λˆ„μ–΄ κ·Έ νŠΉμ§•μ„ κ³ μ°°ν•˜μ˜€λ‹€. 이듀 μˆ˜μ • ν‘œμ§€λŠ” ν™”μžμ— μ˜ν•΄ μž„μ˜μ μœΌλ‘œ μ„ νƒλ˜κ³  일견 λ¬΄μ§ˆμ„œν•˜κ²Œ μ‚¬μš©λ˜λŠ” λ“―ν•˜μ§€λ§Œ κ°œλ³„ μˆ˜μ • ν‘œμ§€λ§ˆλ‹€μ˜ κ³ μœ ν•œ κΈ°λŠ₯이 있으며 였λ₯˜ μœ ν˜•κ³Ό μˆ˜μ • ν‘œμ§€ μ‚¬μš©μ˜ 상관관계가 μžˆλŠ” κ²ƒμœΌλ‘œ λ‚˜νƒ€λ‚¬λ‹€. 였λ₯˜ μˆ˜μ •μ˜ 산물인 λŒ€μ²΄ ν‘œν˜„μ€ μˆ˜μ • λ²”μœ„μ™€ 관련지어 λ³Ό λ•Œ λ‹€μŒκ³Ό 같은 μ„Έ 가지 λ°©μ‹μœΌλ‘œ μˆ˜μ •λœλ‹€. ν™”μžλŠ” 였λ₯˜κ°€ λ°œμƒν•œ ν•΄λ‹Ή λΆ€λΆ„λ§Œ μˆ˜μ •μ„ ν•˜κΈ°λ„ ν•˜κ³ (제자리 μˆ˜μ •), 였λ₯˜ λΆ€λΆ„μ˜ μ΄μ „κΉŒμ§€ 거슬러 μ˜¬λΌκ°€ 였λ₯˜κ°€ λ°œμƒν•˜μ§€ μ•Šμ€ λΆ€λΆ„λΆ€ν„° μˆ˜μ •μ„ μ‹œλ„ν•˜κΈ°λ„ ν•˜λ©°(νšŒκ·€μ  μˆ˜μ •), 기쑴의 톡사 κ΅¬μ‘°λ‚˜ λ©”μ‹œμ§€λ₯Ό ν¬κΈ°ν•˜κ³  μƒˆλ‘­κ²Œ μ‹œμž‘ν•˜λ©΄μ„œ μˆ˜μ •μ„ ν•˜κΈ°λ„ ν•œλ‹€(μƒˆλ‘­κ²Œ μ‹œμž‘ν•˜κΈ°). λŒ€μ²΄ ν‘œν˜„μ˜ μˆ˜μ • 방식과 였λ₯˜ μœ ν˜•μ€ 상관관계λ₯Ό λ³΄μ˜€λ‹€. ν™”μžκ°€ μ •ν™•μ„± 였λ₯˜λ₯Ό μˆ˜μ •ν•˜κ³ μž ν•˜λŠ” κ²½μš°μ—λŠ” ν•΄λ‹Ή 였λ₯˜ λΆ€λΆ„λ§Œμ„ μˆ˜μ •ν•˜λ €λŠ” 제자리 μˆ˜μ •μ΄ μ„ ν˜Έλ˜μ—ˆκ³ , μ μ ˆμ„± 였λ₯˜λ₯Ό μˆ˜μ •ν•˜κ³ μž ν•˜λŠ” κ²½μš°μ—λŠ” μƒˆλ‘­κ²Œ μ‹œμž‘ν•˜κΈ°κ°€ μ„ ν˜Έλ˜μ—ˆλ‹€. ν™”μžκ°€ 였λ₯˜λ₯Ό λŒ€μ²΄ ν‘œν˜„μœΌλ‘œ μˆ˜μ •ν•˜μ—¬ μ²­μžμ—κ²Œ μ œκ³΅ν•  λ•Œ 청자λ₯Ό μœ„ν•œ ν•΄μ„μ˜ λ‹¨μ„œλ„ ν•¨κ»˜ μ œκ³΅ν•˜κ²Œ λœλ‹€. κ·Έ λ‹¨μ„œλŠ” 동일 단어 κ·œμΉ™κ³Ό 동일 λ²”μ£Ό κ·œμΉ™μ΄λ‹€. ν™”μžκ°€ 동일 단어 κ·œμΉ™μ„ μ‚¬μš©ν•˜λ©΄ μ²­μžλŠ” 의미 쑰정을 μœ„ν•΄ λŒ€μ²΄ ν‘œν˜„μ˜ 첫 단어와 λ™μΌν•œ 단어λ₯Ό μ„ ν–‰ λ°œν™”μ—μ„œ 탐색해 κ·Έ λΆ€λΆ„μ—μ„œλΆ€ν„° 의미λ₯Ό μž¬ν•΄μ„ν•΄ λ‚˜κ°„λ‹€. 였λ₯˜κ°€ μ—†λŠ” λΆ€λΆ„μ—μ„œλΆ€ν„° μˆ˜μ •ν•΄ λ‚˜κ°€κΈ° λ•Œλ¬Έμ— μ²­μžμ—κ²ŒλŠ” λ‹€μ†Œ 인지적 μ—¬μœ λ₯Ό μ œκ³΅ν•  수 μžˆλ‹€. 반면 동일 λ²”μ£Ό κ·œμΉ™μ„ μ‚¬μš©ν•˜λ©΄ μ²­μžλŠ” 의미 쑰정을 μœ„ν•΄ λŒ€μ²΄ ν‘œν˜„μ˜ 첫 단어와 톡사 λ²”μ£Όκ°€ λ™μΌν•œ 단어λ₯Ό μ„ ν–‰ λ°œν™”μ—μ„œ 탐색해 κ·Έ λΆ€λΆ„μ—μ„œλΆ€ν„° 의미 μˆ˜μ •μ„ μ‹œμž‘ν•œλ‹€. 동일 λ²”μ£Ό κ·œμΉ™μ€ μΌμˆœκ°„μ— 였λ₯˜λ₯Ό 탐색해 μƒˆλ‘œμš΄ λŒ€μ²΄ ν‘œν˜„μœΌλ‘œ λ°”κΎΈμ–΄ 의미 해석을 μ‹œμž‘ν•΄μ•Ό ν•˜λ―€λ‘œ 동일 단어 κ·œμΉ™λ³΄λ‹€λŠ” μ²­μžμ—κ²Œ 인지적 뢀담이 크닀. μ •ν™•μ„± μˆ˜μ •μ€ 이 두 가지 κ·œμΉ™μ— μ˜ν•΄ μž¬ν•΄μ„μ΄ μš©μ΄ν•œ 반면, 내적 μˆ˜μ •κ³Ό μ μ ˆμ„± μˆ˜μ •μ˜ λŒ€λΆ€λΆ„μ€ 이 두 λ‹¨μ„œ(동일 단어 κ·œμΉ™, 동일 λ²”μ£Ό κ·œμΉ™)κ°€ 도움이 λ˜μ§€ λͺ»ν•  λ•Œκ°€ μžˆλ‹€. κ²½μš°μ— λ”°λΌμ„œ μ²­μžλŠ” μˆ˜μ • ν‘œμ§€λ‘œλ„ λŒ€μ²΄ ν‘œν˜„μ˜ μˆ˜μ • λ²”μœ„μ™€ μœ ν˜•μ— λŒ€ν•œ λ‹¨μ„œλ₯Ό μ œκ³΅λ°›κ²Œ λœλ‹€. μˆ˜μ • ꡬ쑰에 따라 λͺ‡ 가지 μœ ν˜•μœΌλ‘œ λΆ„λ₯˜ν•  수 μžˆλ‹€. λŒ€μ²΄λ‘œ λ°œν™” 였λ₯˜, μˆ˜μ • ν‘œμ§€, λŒ€μ²΄ ν‘œν˜„κ³Ό 같은 μš”μ†Œλ“€μ˜ μΆœν˜„ 여뢀와 κ·Έ μˆœμ„œμ— 따라 일곱 κ°€μ§€λ‘œ μœ ν˜•ν™”ν•  수 μžˆλ‹€. 제1 μœ ν˜•λΆ€ν„° 제4 μœ ν˜•μ€ 외적 μˆ˜μ •μ— ν•΄λ‹Ήν•˜κ³ , λ„€ μœ ν˜• 쀑 제1 μœ ν˜•μ΄ κ°€μž₯ 큰 λΉ„μœ¨μ„ μ°¨μ§€ν•˜μ˜€λ‹€. 제5 μœ ν˜•λΆ€ν„° 제7 μœ ν˜•μ€ 내적 μˆ˜μ •μ— ν•΄λ‹Ήν•˜κ³ , μ„Έ μœ ν˜• 쀑 제5 μœ ν˜•μ΄ κ°€μž₯ 큰 λΉ„μœ¨μ„ μ°¨μ§€ν•˜μ˜€λ‹€. λ³Έ μ—°κ΅¬λŠ” 일회적인 λ§μ‹€μˆ˜λ‚˜ λΉ„μœ μ°½ν•œ ν‘œν˜„μœΌλ‘œ μΈμ‹λ˜μ–΄ μ™”λ˜ λͺ¨μ–΄ ν™”μžμ˜ λ°œν™” μˆ˜μ •μ„ ꡬ어 μ˜μ‚¬μ†Œν†΅μ—μ„œ μžμ‹ μ˜ λ©”μ‹œμ§€λ₯Ό μ •κ΅ν™”ν•˜κ³  전달λ ₯을 높이기 μœ„ν•œ μ£Όμš”ν•œ μ „λž΅μœΌλ‘œ 보고 λ°œν™” μˆ˜μ •μ˜ ꡬ쑰와 νŠΉμ§•μ„ λ§λ­‰μΉ˜ μžλ£Œμ™€ μ‹€ν—˜ 전사 자료λ₯Ό 톡해 κ³ μ°°ν•˜μ˜€λ‹€.The purpose of this study is to explore the structure and features of self-repairs in spontaneous speech by native Korean speakers. It also investigates the function of editing markers inserted in the repairing process, their typical features, and alternations as a by-product of self-repairs. This paper discusses the correlation between the type of error and editing marker, as well as the type of error and alternation. In addition, I examine the structure of self-corrections that are corrected by editing markers and alternations, classify their types, and identify their properties. Speech errors and self-corrections are often found in the utterances of native speakers. It is largely because it is harder to guarantee the accuracy and fluency of spontaneous speech than it is with written language. As a result, speaking has some disfluencies such as pauses, interruptions, stutters, and interjections. Speech repair is essential to spoken language due to natural disfluencies. Self-repair is a process in which speakers monitor their speech to identify and handle errors when they notice a gap between what they say and what they intend to say. Ultimately, it means that self-speech correction is the effort to deliver appropriate speech as intended. Editing markers provide a speaker time to monitor and correct their utterances while also offering linguistic clues to help the listener understand. Editing markers also are used differently depending on whether there is a covert repair or an overt repair. For covert repairs, 77.2% of speakers used editing markers when they monitor their internal speech, whereas 47.3% of them produced editing markers in their overt speech. The editing marker eo is used relatively more often in covert repairs than the editing marker geu in overt repairs. The use of editing markers differs depending on whether it is an accuracy error or an appropriateness error. For accuracy error repairs, the editing marker geu is often used, whereas the editing marker geukka is used remarkably more to handle appropriateness errors. This paper classifies editing markers into interjectory editing markers (eo, eum, a), nominal editing markers (mwo, keu), adverbial editing markers (geukka, ani), and expression editing markers (geuge mwoji?, mworalkka?, N-anira, N-irae, etc.), and each feature is identified. Although it seems that these editing markers are randomly selected and used by speakers, editing markers contain unique characteristics and there is a correlation between the pattern of error and editing marker. Alteration as a product of error correction is used in three ways in terms of a range of words to be repaired: 1) the speaker directly repairs the error (instant repairs); 2) the speaker retraces to a point before the error was made and corrects the problem in their speech (anticipatory retracing); and 3) the speaker deserts the existing syntactic structure or message to repair erroneous utterances by newly starting speech again (fresh starts). Furthermore, we can identify a correlation between the repair pattern of alternation and the type of error. For accuracy, speakers prefer to use instant repairs, whereas fresh starts are preferred for fluency. Speakers offer listeners a clue to interpretation when they correct an error by using alternation, which is labeled as the word-identity convention or the category-identity convention. Listeners figure out a word that is the same as the first word of alternation in the original utterance, and they reinterpret the meaning when the speaker uses the word-identity convention. It gives listeners time to recognize the change as the repair starts from a point where there error is not found. On the other hand, listeners identify a word which is the same as the syntactic category of alternation in the preceding utterance and start the meaning repair from it when the speaker uses the category-identity convention. In the case of the category-identity convention, listeners feel more of a burden than with the word-identity convention as they must instantly detect errors, replace them as alternations, and understand the meaning. These two clues, the word-identity convention and the category-identity convention, do not directly help listeners understand in the case of covert repairs and appropriateness repairs; however, these two clues are helpful for reinterpretation in accuracy repairs. In some cases, listeners get a hint about the range and pattern of repair provided by the editing marker. Repair structure is classified into 7 types based on the presence of a speech error, the editing marker and alternation, and its sequence. Types related to overt repairs are from type 1 to type 4, and type 1 has the highest ratio among them. Types from 5 to 7 are linked with covert repairs, and type 5 has the largest ratio among them. Based on this analysis of utterance repairs treated as slips of the tongue or disfluencies found in corpus data and experimental data, this paper comes to the conclusion that self-repair is an essential strategy and communicative skill for sophisticated native speakers.1. μ„œλ‘  1 1.1. 연ꡬ λͺ©μ  1 1.2. 연ꡬ λŒ€μƒκ³Ό 방법 7 1.2.1. λ§λ­‰μΉ˜ 자료 9 1.2.2. μ‹€ν—˜ 전사 자료 12 1.2.2.1. μ‹€ν—˜ λͺ©μ  12 1.2.2.2. μ‹€ν—˜ 섀계 13 1.2.2. 자료 처리 방법 17 1.3. μ„ ν–‰ 연ꡬ κ²€ν†  17 1.4. λ…Όμ˜μ˜ ꡬ성 21 2. 기본적 λ…Όμ˜ 23 2.1. λΉ„μœ μ°½μ„±κ³Ό 였λ₯˜ 23 2.1.1. λΉ„μœ μ°½μ„± 23 2.1.2. 였λ₯˜ 26 2.1.2.1. 였λ₯˜μ˜ μ •μ˜ 26 2.1.2.2. 였λ₯˜μ˜ μœ ν˜• 32 2.2. 자기 점검과 λ°œν™” μˆ˜μ • 36 2.2.1. 자기 점검 36 2.2.2. λ°œν™” μˆ˜μ • 38 2.2.2.1. λ°œν™” μˆ˜μ •μ˜ μ •μ˜μ™€ λΆ„λ₯˜ 38 2.2.2.2. λ°œν™” μˆ˜μ •μ˜ λͺ©μ  41 2.2.2.3. λ°œν™” μˆ˜μ •μ˜ μœ ν˜• 44 2.3. λ°œν™” μˆ˜μ •κ³Ό λ©”νƒ€μ˜μ‚¬μ†Œν†΅ ν–‰μœ„ 62 2.4. μ†Œκ²° 65 3. λ°œν™” μˆ˜μ •κ³Ό μˆ˜μ • ν‘œμ§€ 68 3.1. μˆ˜μ • ν‘œμ§€μ˜ νŠΉμ§• 68 3.1.1. μˆ˜μ • ν‘œμ§€μ™€ λ‹΄ν™” ν‘œμ§€ 68 3.1.2. μˆ˜μ • ν‘œμ§€μ˜ νŠΉμ§• 72 3.2. μˆ˜μ • μœ ν˜•μ— λ”°λ₯Έ μˆ˜μ • ν‘œμ§€μ˜ μ‚¬μš© 양상 77 3.2.1. 전체 μˆ˜μ • ν‘œμ§€μ˜ μ‚¬μš© 양상 77 3.2.2. μˆ˜μ • μœ ν˜•μ— λ”°λ₯Έ μˆ˜μ • ν‘œμ§€μ˜ μ‚¬μš© 양상 78 3.2.2.1. 내적 μˆ˜μ •κ³Ό 외적 μˆ˜μ •μ˜ μˆ˜μ • ν‘œμ§€ 78 3.2.2.2. μ •ν™•μ„± μˆ˜μ •κ³Ό μ μ ˆμ„± μˆ˜μ •μ˜ μˆ˜μ • ν‘œμ§€ 83 3.3. κ°œλ³„ μˆ˜μ • ν‘œμ§€μ˜ νŠΉμ§•κ³Ό κΈ°λŠ₯ 85 3.3.1. 감탄사λ₯˜ μˆ˜μ • ν‘œμ§€ 86 3.3.2. λŒ€λͺ…사λ₯˜ μˆ˜μ • ν‘œμ§€ 94 3.3.3. 뢀사λ₯˜ μˆ˜μ • ν‘œμ§€ 99 3.3.4. ν‘œν˜„λ₯˜ μˆ˜μ • ν‘œμ§€λ₯˜ 103 3.4. μ†Œκ²° 106 4. λ°œν™” μˆ˜μ •κ³Ό λŒ€μ²΄ ν‘œν˜„ 111 4.1. λ°œν™”μ˜ 였λ₯˜ 탐지와 μˆ˜μ • 111 4.1.1. μˆ˜μ •ν•˜λŠ” 였λ₯˜μ™€ λ¬΄μ‹œν•˜λŠ” 였λ₯˜ 111 4.1.2. μˆ˜μ • κ°œμ‹œμ™€ λ°œν™” 쀑단 116 4.1.3. μˆ˜μ • μœ ν˜•κ³Ό λ°œν™” μ€‘λ‹¨μ˜ 상관성 120 4.2. λ°œν™” μˆ˜μ •κ³Ό λŒ€μ²΄ ν‘œν˜„ 122 4.2.1. λŒ€μ²΄ ν‘œν˜„μ˜ μˆ˜μ • λ²”μœ„ 122 4.2.2. μˆ˜μ • λ‚΄μš©κ³Ό λŒ€μ²΄ ν‘œν˜„μ˜ μˆ˜μ • λ²”μœ„μ™€μ˜ 상관성 126 4.3. λ°œν™” μˆ˜μ •κ³Ό 청자λ₯Ό μœ„ν•œ 해석 μž₯치 128 4.3.1. 동일 단어 κ·œμΉ™ 130 4.3.2. 동일 λ²”μ£Ό κ·œμΉ™ 132 4.3.3. μˆ˜μ • ν‘œμ§€μ˜ μ‚¬μš© 135 4.4. μ†Œκ²° 137 5. λ°œν™” μˆ˜μ •μ˜ ꡬ쑰와 μœ ν˜• 139 5.1. λ°œν™” μˆ˜μ •μ˜ ꡬ쑰 139 5.2. μˆ˜μ • ꡬ쑰에 λ”°λ₯Έ μœ ν˜•λ³„ κ²€ν†  142 5.2.1. 제1 μœ ν˜• 142 5.2.2. 제2 μœ ν˜• 143 5.2.3. 제3 μœ ν˜• 145 5.2.4. 제4 μœ ν˜• 146 5.2.5. 제5 μœ ν˜• 147 5.2.6. 제6 μœ ν˜• 148 5.2.7. 제7 μœ ν˜• 150 5.3. μ†Œκ²° 151 6. κ²°λ‘  153 6.1. μš”μ•½ 153 6.2. 남은 문제 162 μ°Έκ³ λ…Όμ € 163 뢀둝 179 Abstract 181Docto

    New Formalism, New Aestheticism, and Teaching English Poetry: in Search of the Poetic Event

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