6 research outputs found

    μž₯μ†ŒκΈ°λ°˜ 미술ꡐ윑의 ν™˜κ²½κ°μˆ˜μ„± μ¦μ§„νš¨κ³Ό 싀행연ꡬ

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    ν•™μœ„λ…Όλ¬Έ (석사)-- μ„œμšΈλŒ€ν•™κ΅ λŒ€ν•™μ› : ν˜‘λ™κ³Όμ •(λ―Έμˆ κ΅μœ‘μ „κ³΅), 2012. 2. κΉ€ν˜•μˆ™.이 μ—°κ΅¬μ˜ λͺ©μ μ€ μž₯μ†Œκ°κ³Ό ν™˜κ²½κ°μˆ˜μ„±μ΄ λ―Έμˆ κ΅μœ‘μ—μ„œ κ°€μ§€λŠ” 의미λ₯Ό μ‚΄νŽ΄λ³΄κ³ ,ν•™μŠ΅μžμ˜ ν™˜κ²½κ°μˆ˜μ„± 증진에 κΈ°μ—¬ν•˜λ„λ‘ κ΅¬μ„±λœ μž₯μ†ŒκΈ°λ°˜ 미술ꡐ윑 ν”„λ‘œκ·Έλž¨μ΄ ν•™μŠ΅μžμ˜ ν™˜κ²½κ°μˆ˜μ„± 증진에 κ°–λŠ” 효과λ₯Ό μ•Œμ•„λ³΄λŠ” 것이닀. 연ꡬ λŒ€μƒμžμ˜ ν™˜κ²½κ°μˆ˜μ„± λΆ€μ‘± ν˜„μƒμ„ λͺ©κ²©ν•˜κ³ , ν™˜κ²½κ°μˆ˜μ„±, ν™˜κ²½λ―Έμˆ κ΅μœ‘, μž₯μ†ŒκΈ°λ°˜ ꡐ윑과 μž₯μ†ŒκΈ°λ°˜ κ΅μœ‘μ— κ΄€ν•œ 이둠적 κ³ μ°°κ³Ό μ„ ν–‰ 연ꡬ 탐ꡬλ₯Ό 톡해 연ꡬ μ§ˆλ¬Έμ„ μž₯μ†ŒκΈ°λ°˜ λ―Έμˆ κ΅μœ‘μ„ ν†΅ν•œ ν™˜κ²½κ°μˆ˜μ„± μ¦μ§„μœΌλ‘œ κ΅¬μ²΄ν™”ν•˜μ˜€κ³ , 이λ₯Ό μœ„ν•œ ꡐ윑적 μ ‘κ·ΌμœΌλ‘œ μ€μœ λ₯Ό ν™œμš©ν•œ 톡합 ꡐ윑적 츑면이 κ³ λ €λ˜μ—ˆλ‹€. μ—°κ΅¬μžμ™€ ν•™μŠ΅μžμ˜ μΉœλ°€κ°κ³Ό ν™˜κ²½κ°μˆ˜μ„± ν˜•μ„±μ—μ˜ ν•„μš”μ„±μ„ κ³ λ €ν•˜μ—¬ 연ꡬ λŒ€μƒμžλŠ” λŒ€κ΅¬κ΄‘μ—­μ‹œ D ꡬ에 μ†Œμž¬ν•œ J μ΄ˆλ“±ν•™κ΅ 5 ν•™λ…„ ν•œ 학급이 λ˜μ—ˆλ‹€. μž₯μ†ŒκΈ°λ°˜ 미술ꡐ윑 ν”„λ‘œκ·Έλž¨μ˜ ꡬ성에 μ•žμ„œ κ·Έλ¦Ό, κΈ€μ“°κΈ°, ν™˜κ²½κ°μˆ˜μ„± 검사 도ꡬλ₯Ό ν†΅ν•œ ν™˜κ²½κ°μˆ˜μ„± 사전 진단을 μ‹€μ‹œν•˜μ˜€κ³ , 사전 μ§„λ‹¨μ—μ„œ 발견된 μ·¨μ•½ν•œ ν™˜κ²½κ°μˆ˜μ„± κ΅¬μ„±μš”μ†Œλ³„λ‘œ 3 차의 μˆ˜μ—…μ„ μ „κ°œν•˜μ˜€λ‹€. 4 κ°œμ›”κ°„ μ‹€μ‹œλœ 3 차의 μˆ˜μ—…μ„ 톡해 미술 μž‘ν’ˆ 62 개, κΈ€μ“°κΈ° 52 λΆ€ 외에, μ—°κ΅¬μžμ˜ μ°Έμ—¬κ΄€μ°°, 심측 λ©΄λ‹΄, μˆ˜μ—… μ΄¬μ˜μ„ ν†΅ν•œ λΆ€μˆ˜μ μΈ μžλ£Œκ°€ μˆ˜μ§‘λ˜μ—ˆλ‹€. 언어적 글쓰기와 μ°½μž‘ μ€‘μ‹¬μ˜ 미술 ν™œλ™μ΄ ν†΅ν•©λœ ꡐ윑적 μ ‘κ·Ό κ³Όμ •μ—μ„œ μˆ˜μ§‘λœ μžλ£ŒλŠ” μˆ˜μ—…μ˜ 맀 λ‹¨κ³„μ—μ„œ ν™˜κ²½κ°μˆ˜μ„±μ„ ν˜•μ„±ν•˜κ³  μ§„λ‹¨ν•˜λŠ” λ§€κ°œμ²΄κ°€ λ˜μ—ˆμœΌλ©°, 사전 진단과 사후 진단을 μ œμ™Έν•˜κ³  ν™˜κ²½κ°μˆ˜μ„± 진단은 그림을 λΉ„λ‘―ν•œ 미술 μž‘ν’ˆμ„ μ€‘μ‹¬μœΌλ‘œ μ΄λ£¨μ–΄μ‘Œλ‹€. 3 차의 μˆ˜μ—…μ„ μ‹€ν–‰ν•œ 이후, λ³€ν™”λœ ν™˜κ²½κ°μˆ˜μ„±μ˜ 양상을 νŒŒμ•…ν•˜κΈ° μœ„ν•˜μ—¬ 미술 μž‘ν’ˆ, ν™˜κ²½κ°μˆ˜μ„± 검사 도ꡬλ₯Ό ν†΅ν•œ 사후 진단을 μ‹€μ‹œν•˜μ˜€κ³ , ν™˜κ²½κ°μˆ˜μ„± 검사 λ„κ΅¬λŠ” 평균, ν‘œμ€€νŽΈμ°¨, λ…λ¦½ν‘œλ³Έ t 검증을 μ΄μš©ν•˜μ—¬ ν†΅κ³„μ²˜λ¦¬ λ˜μ—ˆλ‹€. μ—°κ΅¬μ˜ μ£Όμš” κ²°κ³Όλ₯Ό μš”μ•½ν•˜λ©΄ λ‹€μŒκ³Ό κ°™λ‹€. 첫째, ν™˜κ²½μ— κ΄€ν•œ λ―Έμˆ κ΅μœ‘μ—μ„œ μž₯μ†Œμ— κ΄€ν•œ λ…Όμ˜κ°€ 바탕이 λ˜μ–΄μ•Ό ν•œλ‹€. ν•™μŠ΅μžμ˜ 인식 λŒ€μƒμ΄μž 인식 μž‘μš©μΈ μž₯μ†Œμ— λŒ€ν•œ μœ λŒ€λŠ” 곧 ν™˜κ²½μ— κ΄€ν•œ κ°€μΉ˜κ΄€μ„ ν˜•μ„±ν•˜λ©° μ±…μž„ μžˆλŠ” ν™˜κ²½ν–‰λ™μ˜ μ‹€μ²œμœΌλ‘œ 연계될 수 μžˆλ‹€. λ‘˜μ§Έ, μž₯μ†ŒκΈ°λ°˜ λ―Έμˆ κ΅μœ‘μ€ ν•™μŠ΅μžμ˜ μž₯μ†Œκ° 증진에 νš¨κ³Όμ μ΄λ‹€. ν•™μŠ΅μž μ‚Άμ˜ μž₯μ†Œμ™€ 삢이 μ§μ ‘μ μœΌλ‘œ μΌμ–΄λ‚˜μ§€ μ•ŠλŠ” μž₯μ†Œμ— λŒ€ν•΄ μ˜λ„λœ 미술 ν™œλ™μ€ μž₯μ†Œμ— λŒ€ν•œ μ• μ°©κ³Ό 관심을 ν˜•μ„±ν•˜μ—¬ μž₯μ†Œκ°€ μœ μ§€λ˜κΈ°λ₯Ό λ°”λΌλŠ” νƒœλ„κ°€ ν™•μΈλ˜μ—ˆλ‹€. μ…‹μ§Έ, μž₯μ†ŒκΈ°λ°˜ λ―Έμˆ κ΅μœ‘μ€ ν•™μŠ΅μžμ˜ ν™˜κ²½κ°μˆ˜μ„± 증진에 νš¨κ³Όμ μ΄λ‹€. μ‹œκ°μ , 언어적 μ€μœ λ₯Ό ν™œμš©ν•œ μž₯μ†ŒκΈ°λ°˜ λ―Έμˆ κ΅μœ‘μ€ ν•™μŠ΅μžμ˜ μ‹œκ°μ  ν‘œν˜„μ— λŒ€ν•œ 거뢀감을 쀄이고 미술 ν™œλ™μ„ ν†΅ν•œ ν™˜κ²½κ°μˆ˜μ„± ν˜•μ„±κ³Ό 진단에 맀우 κΈμ •μ μœΌλ‘œ 기여함을 μ•Œ 수 μžˆμ—ˆλ‹€. λ„·μ§Έ, μž₯μ†ŒκΈ°λ°˜ λ―Έμˆ κ΅μœ‘μ€ ν•™μŠ΅μžμ˜ μΉœν™˜κ²½μ  행동 μ‹€μ²œ κ°€λŠ₯μ„± 증진에 νš¨κ³Όμ μ΄λ‹€. μž₯μ†Œκ°κ³Ό ν™˜κ²½κ°μˆ˜μ„±μ€ μž₯μ†Œμ™€ ν™˜κ²½μ— κ΄€ν•œ κ°μ •μ΄μž…μ  μ†μ„±μœΌλ‘œ μ±…μž„ μžˆλŠ” ν™˜κ²½ν–‰λ™ μ‹€μ²œμ˜ 동인이닀. 일련의 μž₯μ†ŒκΈ°λ°˜ 미술ꡐ윑 ν”„λ‘œκ·Έλž¨μ˜ 싀행은 ν•™μŠ΅μžκ°€ μ£Όλ³€ μž₯μ†Œλ₯Ό μ€‘μ‹¬μœΌλ‘œ, ν™˜κ²½ 보호λ₯Ό μœ„ν•œ 행동 닀짐을 λ“œλŸ¬λ‚΄μ–΄ μΉœν™˜κ²½μ  행동 μ‹€μ²œμ— 일쑰할 κ²ƒμž„μ΄ λ‚˜νƒ€λ‚¬λ‹€. 이 연ꡬλ₯Ό 톡해 ν™˜κ²½μ— κ΄€ν•œ 미술ꡐ윑적 μ ‘κ·Όμ—μ„œ μž₯μ†Œμ— κ΄€ν•œ λ…Όμ˜κ°€ 바탕이 λ˜μ–΄μ•Ό ν•œλ‹€λŠ” 점, μž₯μ†ŒκΈ°λ°˜ 미술ꡐ윑 싀행에 μ‹œκ°μ , 언어적 μ€μœ λ₯Ό ν™œμš©ν•œ 톡합 ꡐ윑적 츑면이 νš¨κ³Όμ μ΄λΌλŠ” 점, μž₯μ†ŒκΈ°λ°˜ 미술ꡐ윑의 싀행이 ν•™μŠ΅μžμ˜ μž₯μ†Œκ°κ³Ό ν™˜κ²½κ°μˆ˜μ„±, λ‚˜μ•„κ°€ μΉœν™˜κ²½μ  행동 μ‹€μ²œμ— 높은 상관관계가 μžˆμŒμ„ λ°ν˜€λ‚΄μ—ˆλ‹€. λ”μš±μ΄ 연ꡬ λŒ€μƒμžμ˜ ν™˜κ²½κ°μˆ˜μ„± λΆ€μ‘±μ΄λΌλŠ” 문제 상황 해결을 μœ„ν•΄ μž₯μ†ŒκΈ°λ°˜ 미술ꡐ윑의 이둠과 μ‹€μ²œμ— κ΄€ν•œ 이해λ₯Ό 싀행연ꡬλ₯Ό 톡해 μˆ˜ν–‰ν•˜μ—¬, μ—°κ΅¬μ˜ μˆ˜ν˜œμžκ°€ μ—°κ΅¬μžμ™€ 연ꡬ λŒ€μƒμž λͺ¨λ‘μ—κ²Œ μžˆλ‹€λŠ” μ μ—μ„œ ꡐ윑적 μ˜μ˜κ°€ μžˆλ‹€.This study explores the meaning and effectiveness of Place-based Art education (P-BAE) as a means of developing Environmental Sensitivity (ES), which correlates and predicts Responsible Environmental Behavior (REB). The concentration on P-BAE in this action research was motivated by current arts classes which are far from utilizing local surroundings as a source of inspiration for art. Art works inspired by places can create a meaningful experience bringing out ones ecological self and Sense of Place (SoP) such outcomes can increase ones ES. The research was carried out in two phases. The first phase was the understanding and researching on the background information on ES, Environmental Art Education, Place, SoP, P-BAE. Second phase was creating three P-BAE programs and analyzed its effect on the improvement of ES. As a result of the first programs, despite the fact that it was designed to improve the ES regarding the artificial environment and natural environment by experiencing local places, ES regarding the two environments failed to increase greatly. Students found more interest on their daily places than the local places. Learning from the prior attempt, a second program was carried out to improve the ES regarding the activities in natural environment. As a familiar daily places, school was chosen. Then metaphorical artworks were made by experiencing school nature, and the results showed high increase in ES regarding activities in natural environment. The third attempt was designed to increase the ES in the fields of environmental pollution and environmental destruction. Students were encouraged to imagine themselves in polluted and destroyed environment. The method of empathy, created an indirect experience for the students to be the inhabitants of the polluted and damaged environment created an effective improvement on ES. There are two main findings from the P-BAE programs. First, the SoP among students has increased. SoP is an emotional attachment, and since the environment comprise different places, an attachment to certain places can lead to increase in attachment to the whole environment. Secondly, the students ES have improved. Metaphorical artworks, writings, survey statements, and individual interviews confirmed the result. However, less improvements were made in ES other than the focused ES, artificial environment, activities in natural environment and environmental destruction. Places make up our lives. Our lives are created by meaningful experiences in various places. Through discussions among students on places, and allowing them to encounter different environments illustrated the possibilities of REB. In conclusion, the P-BAE has a positive effect on interaction between SoP and improvement of ES, and leads to REB among students.Maste
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