[Ḥāshiyat al-Kaffawī ʻalá al-Ḥāshiyah al-Fatḥīyah ʻalá al-Risālah al-Ḥanafīyah, late 18th or early 19th century].

Fine copy of the supergloss by al-Kaffawī (Kefevi, d.1754) on al-Ḥāshiyah al-Fatḥīyah by Abū al-Fatḥ Muḥammad ibn Amīn al-Ardabīlī (d.1543), itself a gloss upon al-Risālah al-Ḥanafīyah by Muḥammad al-Tibrīzī al-Ḥanafī (d.1494), a commentary on al-Ījī’s (d.1355) Risālat ādāb al-baḥth wa-al-munāẓarah, a work on dialectics. Seems to end abruptly with final leaves left blank.Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 110Origin: Lacks dated colophon ; paper suggests late 18th or early 19th century.Former shelfmark: British Museum, London "No. 159. Glosses on al-Risalat al-adudiyah." ; "۳" on interior of upper cover and 'title page' (p.1) ; "٥٢٠" on tail of textblock.Binding: Pasteboards covered in brown leather ; Type II binding (with flap) ; board linings in olive-tinted European laid paper ; upper and lower covers bear blind-stamped scalloped mandorla (with vegetal composition, compare Déroche class. NSd 7) along with tooled border in a series of s-shaped stamps ; sewn in dark blue thread, two stations with primaries, occasionally primaries only ; overall in fair condition with some abrasion, lifting and losses of leather, delamination of boards, minor spine slant (slightly cocked), detached at spine (effectively hollowback), etc. repairs in brown leather.Support: European laid paper in a few types ; one type with 8 laid lines per cm. (vertical) and chain lines spaced 26 mm. apart (horizontal) ; another type with 12-13 laid lines per cm. (vertical), chain lines spaced 25 mm. apart (horizontal), and watermark of grapes with small crown above ; another type much lighter in color, with 12 laid lines per cm. (vertical), chain lines spaced 17-19 mm. apart (horizontal), watermark of scrollwork with 'C S' ; another type with 10 laid lines per cm. (vertical), chain lines spaced 30 mm. apart (horizontal), and three hats (top hats) watermark.Decoration: Keywords and abbreviation symbols rubricated ; overlining in red.Script: Nastaʻlīq (talik) ; possibly two hands ; main hand with slight of effect of tilt to the right and words descending to baseline, virtually serifless, mainly closed counters, freely ligatured (point of final nūn very often assimilated with bowl, etc.), alif maqṣūrah mardūdah, and nūn of عن، من، etc. often reversed (re-curved).Layout: Written in 19 lines per page (beginning around p.118, some lines entered on the diagonal) ; frame-ruled.Collation: 6 V(60), III+2 (68), 3 V(98), III (104) ; chiefly quinions ; final leaves left blank ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization.Explicit: "وبالجملة لا محذور في بقاء الاعم والاخص على ما هو المشهور في تفسيرها"Incipit: "الحمد لله الذي ادبنا باداب المناظرين وفتح علينا ابواب البحث المفاكرة ... وبعد فيقول الفقير السيد الكفوى ان العلوم على شعب فنونها وتكثر شحونها ارفع المطالب وانفع المآدب ... ففحصت الكتب المصنفة العضدية وشرحها الفائق على الشروح الدائق وحاشية المشتملة على التحقيقات وهو حسبي ونعم الوكيل قوله الملائم للمسبوق ان الضمير راجع الى الشرح المذكور ..."Title supplied by cataloguer.Ms. codex.Brockelmann, C. GAL,Fine copy of the supergloss by al-Kaffawī (Kefevi, d.1754) on al-Ḥāshiyah al-Fatḥīyah by Abū al-Fatḥ Muḥammad ibn Amīn al-Ardabīlī (d.1543), itself a gloss upon al-Risālah al-Ḥanafīyah by Muḥammad al-Tibrīzī al-Ḥanafī (d.1494), a commentary on al-Ījī’s (d.1355) Risālat ādāb al-baḥth wa-al-munāẓarah, a work on dialectics. Seems to end abruptly with final leaves left blank.Mode of access: Internet.Acquired by purchase along with Abdul Hamid Collection (funds donated by Horace Rackham).Bookplate of British Museum, London on interior of upper cover, "British Museum, London. No. 159. Glosses on al-Risalat al-adudiyah." ; circular seal impression with figure of goat/gazelle in purple ink as well as inscription "387" in Western numerals on 'title page' (p.1) ; circular waqf-seal impression in black ink appears on 'title page' (p.1) and several places throughout, reads: "هذا وقف الراجي فيض الصمدي الشيخ احمد ضيا الدين ابن مصطفى الخالدي فمن بدله بعد ما سمعه فانما اثمه على الذين يبدلونه" in name of Aḥmad Ḍiyāʼ al-Dīn ibn Muṣṭafá al-Khālidī (i.e. Ahmed Ziyâüddîn Gümüşhanevî, d. 1893 or 4) ; occasional glosses and marginal corrections

Ḥāshiyat Ḥamzah Afandī wa-Ibn Chillī wa-Minqārīʻzādah, [1108, i.e. 1696 or 1697].

Fine copy of three superglosses by Hamza Efendi (d.1712), ʻUmar ibn Aḥmad al-Māʼī al-Chillī (fl. 17th cent.), and Minkarizade Yahya Efendi (d.1678) each on al-Ḥāshiyah al-Fatḥīyah by Abū al-Fatḥ Muḥammad ibn Amīn al-Ardabīlī (d.1543), itself a gloss upon al-Risālah al-Ḥanafīyah by Muḥammad al-Tibrīzī al-Ḥanafī (d.1494), a commentary on al-Ījī's (d.1355) Risālat ādāb al-baḥth wa-al-munāẓarah, a work on dialectics.Shelfmark: Ann Arbor, University of Michigan, Special Collections Library, Isl. Ms. 114Origin: As appears in colophons on p.126 and p.181, transcription of the second and third work finished in 1108 H [1696 or 1697 M]. Copyist for the second and third works may be the author of the statement on the 'title page' (p.1), ʻUmar ibn Muḥammad. All papers suggest 17th century.Accompanying materials: Scrap with notes, etc. (paginated pp.39-40).Former shelfmark: British Museum, London "No. 129. Adab al-bahth, with 3 commentaries."Binding: Pasteboards covered in laid marbled paper (in salmon, yellow, and green) with spine, fore-edge flap, and edges/turn-ins in brown leather ; Type II binding (with flap) ; board linings in laid paper ; envelope flap in different marbled paper ; sewn in once pink [?] thread, two stations ; worked endbands in red and yellow, fair condition ; overall in poor condition with significant abrasion, staining, some lifting and losses of leather, envelope flap detaching from fore-edge flap, fore-edge flap ill-fitting (small), some spine slant (slightly cocked), etc.Support: European laid paper of roughly three types ; first work supplied on a European laid paper with 11 laid lines per cm. (vertical), chain lines spaced 21-22 mm. apart (horizontal), three circles watermark with initials 'A R' [?] and cross above, only lightly burnished ; second and third works supplied on two papers, one a thick and burnished European laid paper with 7 laid lines per cm. (vertical), chain lines spaced 30 mm. apart (horizontal), and crown-star-crescent watermark (compare Heawood 1133) the other a European laid paper with 8 laid lines per cm. (vertical), chain lines spaced 27 mm. apart (horizontal), and three crescents watermark ; some staining.Decoration: Keywords and abbreviation symbols rubricated.Script: Naskh-nastaʻlīq ; two hands, with first work provided in one hand and second and third works provided in another hand ; both virtually serifless with mainly closed counters and slight effect of words descending to baseline (more exaggerated in second hand) ; some exaggeration in thickness of horizontal strokes (more so in bolder first hand).Layout: Written in 21 and 19 lines per page ; frame-ruled.Collation: V (10), V+1 (21), 4 V(61), I+1 (64), 2 V(84), IV (92) ; chiefly quinions ; leaves left blank between works and at close ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes insert and skips two pages between pp.33-34).Colophon: [Ḥāshiyat al-Chillī] "Scribal," rectangular, reads: "تمت الحاشية الشريفة لمولانا عمر بن احمد الجلي الامدي [؟] على حاشية الفتحية في الاداب سنة ۱۱۰۸" ; [Ḥāshiyat Minqārīʻzādah] "Scribal," triangular, reads: "تمت الاوراق بعناية الخلاق سنة ۱۱۰۸ م"Incipit: [Ḥāshiyat Ḥamzah Afandī ] "يا محسنا لمن نادب في مقام العبودية بخير الاداب ويا هاديا لمن جاهد في الطاعات سبيل الصواب ... لما كانت الفوائد مشتهرة بين العلماء ... علقت عليها ما يكشف عن وجوه فرائدها ..." ; [Ḥāshiyat al-Chillī] "يا من وفقنا لاداب البحث والمناظرة في الكلام وعصمنا من الخلل والقصور في تحرير المدعى والمرام ... فيقول الفقير الى الله الغني عمر بن احمد الشهير بالچلي ان الحاشية الفتحة في الاداب لما كانت لدلتها متوارية عن الاذهاب ... فضمت اليه ما يتمم به النقصان ..." ; [Ḥāshiyat Minqārīʻzādah] "الحمد لمن رفع قوله من تأدب لاظهار الصواب ... وبعد فيقول الراجي من ربه الفوز بالسعادة يحيى بن عمر المشتهر بمنقاري زاده تحرير التقرير ان صدرت على اداب مذاكرة الرسالة الحنفية وحاشيتها الفتحية في الاداب ..."Title from inscription on 'title page' (p.1).Ms. composite codex.6. p.182-p.184 : [blank].5. p.130-p.181 : [Ḥāshiyat Minqārīʻzādah ʻalá al-Ḥāshīyah al-Fatḥīyah fī al-ādāb] / Minkarizade Yahya Efendi.4. p.127-p.129 : [blank].3. p.44-p.126 : [Ḥāshiyat al-Chillī ʻalá al-Ḥāshiyah al-Fatḥīyah fī al-ādāb] / ʻUmar ibn Aḥmad al-Māʼī al-Chillī.2. p.42-43 : [blank].1. p.1-p.41 : [Ḥāshiyat Ḥamzah Afandī ʻalá al-Ḥāshiyah al-Fatḥīyah fī al-ādāb] / Hamza Efendi.Brockelmann, C. GAL,Fine copy of three superglosses by Hamza Efendi (d.1712), ʻUmar ibn Aḥmad al-Māʼī al-Chillī (fl. 17th cent.), and Minkarizade Yahya Efendi (d.1678) each on al-Ḥāshiyah al-Fatḥīyah by Abū al-Fatḥ Muḥammad ibn Amīn al-Ardabīlī (d.1543), itself a gloss upon al-Risālah al-Ḥanafīyah by Muḥammad al-Tibrīzī al-Ḥanafī (d.1494), a commentary on al-Ījī's (d.1355) Risālat ādāb al-baḥth wa-al-munāẓarah, a work on dialectics.Mode of access: Internet.Acquired by purchase along with Abdul Hamid Collection (funds donated by Horace Rackham).Bookplate of British Museum, London on interior of upper cover, "British Museum, London. No. 129. Adab al-bahth, with 3 commentaries." ; circular seal impression with figure of goat/gazelle in purple ink as well as inscription "188" in Western numerals on 'title page' (p.1) ; on blue-tinted paper pasted on ’title page’ (p.1), a detailed waqf statement in the name of al-Sayyid ʻAbd Allāh Adīb (Abdullah Edip), known as Jannatʹzādah (Cennet-zade), qāḍī of Erzurum, accompanied by his seal, reads: "وقفت وقفا صحيحا شرعيا بشرط ان لا يخرج من بيت الكتب الذي بنيته في اتصال داري ان احتاجوا اشد الاحتياج بكفيل مرعى اورهن قوي وانا الفقير اليه عز شانه السيد عبد الله اديب الشهير بجنت زاده القاضي بمدينة ارضروم عفى عنه في سنة اثنى وستين ومائتين والف" ; also on 'title page' (p.1) ownership statement reads "من عواري الزمان ومستودعات الملوان لدى الفقير اليه سبحانه عمر بن محمد احسن الله حالهما والى الفردوس مآلهما بمباركة شرعية ومقابلة مرعية في ۱۱۰۸" ; occasional marginal corrections and glosses

[Ḥāshiyat al-Chillī ʻalá al-Ḥāshiyah al-Fatḥīyah fī al-ādāb... etc., 18th century?].

Fine copy of the superglosses by ʻUmar ibn Aḥmad al-Chillī (fl. 17th cent.) and ʻAbd al-Raḥmān al-Kurdī on al-Ḥāshiyah al-Fatḥīyah by Abū al-Fatḥ Muḥammad ibn Amīn al-Ardabīlī (d.1543), itself a gloss upon al-Risālah al-Ḥanafīyah by Muḥammad al-Tibrīzī al-Ḥanafī (d.1494), a commentary on al-Ījī’s (d.1355) Risālat ādāb al-baḥth wa-al-munāẓarah, a work on dialectics. Followed by two brief treatises, Risālat Shāh Ḥusayn lil-Risālah al-Ḥanafīyah, perhaps another gloss on al-Tibrīzī al-Ḥanafī's commentary by ʻAbd al-Laṭīf Shāh Ḥusayn ʻAjamī (d.1514 or 5) [?] and Risālah ḥamdīyah attributed to Minkarizade Yahya Efendi.Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 115Origin: Lacks dated scribal colophon ; paper and date in what appears to be authorial colophon on p.137 (1090, i.e. 1679 or 1680) suggest early 18th century.Accompanying materials: Slip with notes (paginated pp.117-118).Former shelfmark: British Museum, London "No. 8. Glosses (Hashiyah) on Al-Iji's work on dialectics."Binding: Pasteboards covered in black leather ; Type II binding (with flap) ; board linings in marbled paper (in shades of salmon, blue, and yellow) with hinges in a different marbled paper ; upper and lower covers bear large blind-stamped scalloped mandorla with gold-painted accents, filled with floral vegetal composition (compare Déroche class. OAi 8) and accompanied by border in tooled and gold-painted fillets ; design continues with rosette and border on envelope flap ; sewn in pink thread, two stations ; worked endbands in white and pink, good condition ; overall in poor condition with paper label applied over upper cover design, some abrasion, staining, lifting and losses of leather (at board corners and fore-edge flap in particular), fore-edge flap completely detached from lower cover, etc. ; housed in box for protection.Support: European laid paper of perhaps two types ; mainly with 11 laid lines per cm. (vertical) and chain lines spaced 28 mm. apart (horizontal) ; thick and well-burnished ; crown with star and crescent above watermark (compare Heawood 1133) and countermark with initials and trefoil above ; some staining.Decoration: Keywords (such as قوله), section headings, and some notabilia rubricated ; a few textual dividers in the form of red discs.Script: Naskh, two main hands ; opening work in naskh, a fine, clear and compact Ottoman hand ; virtually serifless ; effect of tilt to the left ; many open counters ; kāf mashkūlah (masqūqah) preferred ; freely ligatured with pointing for many final letters assimilated with the letters themselves (see final nūn, fāʼ, etc.) ; remaining works in a naskh showing more influence of nastaʻlīq ; virtually serifless with slight effect of words descending to baseline ; extension of horizontal strokes.Layout: Written in 25 lines per page ; frame-ruled.Collation: ii, 6 V(60), IV (68), 3 V(98), IV (106) ; chiefly quinions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes front flyleaves and insert, mistakenly skips two pages between pp.103-104 and repeats pp.117-118 twice).Colophon: [Ḥāshiyat al-Chillī ] "Authorial," rectangular, reads: "تمت الحاشية الواقعة على مير ابي الفتح المنسوبة الى ابن مائى المشهور بچلى زاده في بلدة قسطنطنية في مدرسة ابراهيم پاشا في شهر رمضان المبارك سنة ۱۰۹۰"Explicit: "فصار الكل مضاعفا وهو اثنان وثلثون الوفا وستمائة واربعون احتمالا تمت رسالة حمدية تم تم تم"Incipit: [Ḥāshiyat al-Chillī] "يا من وفقنا لاداب البحث والمناظرة في الكلام وعصمنا من الخلل والتصور في تجريد [كذا] المدعى والمرام ... وبعد فيقول الفقير الى الله الغني عمر بن احمد الشهير بالچلي ان الحاشية الفتحية في الاداب لما كانت لدقتها متوارية عن الاذهاب ولتحجيبها عن العثور مفتقرة الى الايضاح والبيان ... فضمت اليه ما يتمم به النقصان ..." ; [Ḥāshiyat ʻAbd al-Raḥmān al-Kurdī] "نحمدك يا من فتح الابواب للمتفرع السائل ... وبعد فهذه حاشية لطيفة يليق ان تكتب باقلام الذهب على صحائف الفضة للفاضل المرحوم عبد الرحمن ... على الحواشي المنسوبة الى المحقق ابي الفتح الامير ... على شرح الرسالة العضدية للشيخ محمد الحنفي ... فكانت غير مدونة فجمعتها للاخوان الطلاب بعون الله الوهاب ..."Title supplied by cataloguer.Ms. codex.6. p.213-p.214 : [blank].5. p.209-p.212 : Risālah ḥamdīyah / Minkarizade Yahya Efendi.4. p.205-p.209 : Risālat Shāh Ḥusayn lil-Risālah al-Ḥanafīyah / ʻAbd al-Laṭīf Shāh Ḥusayn ʻAjamī [?].3. p.140-p.205 : [Ḥāshiyat ʻAbd al-Raḥmān al-Kurdī ʻalá al-Ḥāshiyah al-Fatḥīyah fī al-ādāb] / ʻAbd al-Raḥmān al-Kurdī.2. p.138-p.139 : [blank].1. p.6-p.137 : [Ḥāshiyat al-Chillī ʻalá al-Ḥāshiyah al-Fatḥīyah fī al-ādāb] / ʻUmar ibn Aḥmad al-Māʼī al-Chillī.Ghulāmī Muqaddam, BarātʻAlī. Fihrist-i kutub-i khaṭṭi-i Kitābʻkhānah-i Markazī-i Āstān-i Quds-i Raz̤avī : jild-i bīst va chahārum, manṭiq. Mashhad, 1383 [2004 or 5].Brockelmann, C. GAL,Fine copy of the superglosses by ʻUmar ibn Aḥmad al-Chillī (fl. 17th cent.) and ʻAbd al-Raḥmān al-Kurdī on al-Ḥāshiyah al-Fatḥīyah by Abū al-Fatḥ Muḥammad ibn Amīn al-Ardabīlī (d.1543), itself a gloss upon al-Risālah al-Ḥanafīyah by Muḥammad al-Tibrīzī al-Ḥanafī (d.1494), a commentary on al-Ījī’s (d.1355) Risālat ādāb al-baḥth wa-al-munāẓarah, a work on dialectics. Followed by two brief treatises, Risālat Shāh Ḥusayn lil-Risālah al-Ḥanafīyah, perhaps another gloss on al-Tibrīzī al-Ḥanafī's commentary by ʻAbd al-Laṭīf Shāh Ḥusayn ʻAjamī (d.1514 or 5) [?] and Risālah ḥamdīyah attributed to Minkarizade Yahya Efendi.Mode of access: Internet.Acquired by purchase along with Abdul Hamid Collection (funds donated by Horace Rackham).Bookplate of British Museum, London on upper cover, "British Museum, London. No. 8. Glosses (Hashiyah) on Al-Iji's work on dialectics." ; circular seal impression with figure of goat/gazelle in purple ink as well as inscription "375" in Western numerals on front flyleaf (p.1) ; waqf statement on 'title page' (p.5) in name of al-Sayyid al-Ḥājj ʻAbd Allāh, muftī in Erzincan reads "حاشية مير لابن چلي وقف السيد الحاج عبد الله المفتى بكتبخانه معموره بارزنجان" ; glosses and marginal corrections

[Majmūʻat rasāʼil, 1155, i.e. 1742].

Clear copy of a collection of treatises (majmūʻah / mecmua) on assorted topics. Contents listed on fore-edge flap label and 'table of contents' (p.7).Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 154Origin: All works appear to be in the hand of a single copyist, named in the colophons which appear following a few of the works (see p.24, p.119, p.144, and p.177) as Muḥammad al-Qāriṣī [al-Qarṣī] ibn Uways ibn Muḥammad ibn Ramaḍān (Mehmet Üveys Karsî) for or while in the service of Mevlana Mahmut müftü of Kars Erzurum. As appears in colophon on p.24, transcription of al-Tibrīzī al-Ḥanafī's Sharḥ al-Risālah al-ʻAḍudīyah fī al-ādāb [al-Risālah al-Ḥanafīyah] finished Rabīʻ II 1155 [June-July 1742]. As appears in colophon on p.119, transcription of Risālat Ḥallāl al-mushkilāt finished in the city of Kars, Erzurum (vilayet) 1 Rabīʻ I 1155 [ca. 6 May 1742]. As appears in colophon on p.144, transcription of Kāshifat ḥāl al-mawtá completed 8 Rabīʻ I 1155 [ca. 13 May 1742]. As appears in colophon on p.177, transcription of Risale-yi Hakanî completed in Rabīʻ I 1155 [May-June 1742].Accompanying materials: Slips carrying glosses tipped in (paginated pp.49-50, pp.55-56).Former shelfmark: British Museum, London "No. 74. Collection of tracts."Binding: Pasteboards covered in combed marbled paper (in red, blue, and yellow ; see interior of flap) with dark brown leather over spine, foreedge flap, and edges/turn-ins ; entire cover now fitted with custom textile jacket / detachable overcover (see p.246-247, 453 in Julia Miller, Books will speak plain) in light green-blue linen, stiched across board linings in heavy cream and blue thread (yarn) ; Type II binding (with flap) ; board linings in laid paper ; sewn in cream thread, two stations ; worked endbands in green and red, fair condition ; overall in fair condition with abrasion, staining, tearing, etc.Support: European laid paper with 11 laid lines per cm. (vertical) and major chain lines spaced roughly 23-24 mm. apart (horizontal) but spaced roughly 6-8 mm. from apparently minor chain lines (giving the effect of chain lines grouped in pairs) ; watermark with crown above fleur de lis, studded pendant and initials 'GB' 'MF' below ; well-sized and burnished ; some inclusions ; thin but sturdy ; moisture damage obscures text in upper inner corners of written area.Decoration: Titles, section headings, keywords, and abbreviation symbols rubricated ; overlining in red.Script: Naskh influenced by nastaʻlīq ; all works mainly in one fine Eastern Anatolian hand, virtually serifless with effect of tilt to the right, mainly closed counters, some elongation of descenders and horizontal strokes, slight effect of words descending to baseling, freely ligatured, point of final nūn often assimilated with bowl, final yāʼ often mardūdah, etc.Layout: Written mainly in 21 lines per page ; written area of a few texts divded to four and two columns to set off poetry ; frame-ruled.Collation: 6 V (60), V+1 (71), V (81), VI (93), V (103), IV+1 (112) ; chiefly quinions ; 'quire numbering' in the form of whole words roughly every ten leaves toward the middle of each quire (often the leaf following the middle bifolium, see p.35, p.57, p.77, p.97, etc.) ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes inserts).Title supplied by cataloguer.Ms. codex.25. p.224-p.228 : [blank].24. p.206-p.223 : [Risālah fī al-tajwīd]/ Muṣṭafá al-Anṭākī.23. p.205 : [blank].22. p.178-p.204 : Hilye-yi Hakanî / Hakanî Mehmet Bey.21. p.164-p.177 : Risale-yi Hakanî / Hakanî Mehmet Bey.20. p.163 : [blank].19. p.152-p.162 : Risālah fī al-kabāʼir wa-al-ṣaghāʼir min al-dhunūb / Ibn Nujaym.18. p.150-p.151 : [Risālah fī al-fiʻl al-iṣṭilāḥī] / Kadızade Mehmet [?].17. p.148-p.149 : [Risālah ṣaghīrat al-ḥajm fī mā istafadtu mimmā yataʻallaqu bil-Qurān al-ʻaẓīm] / Kadızade Mehmet [?].16. p.145-p.147 : [blank].15. p.122-p.144 : Kāshifat ḥāl al-mawtá / Kadızade Mehmet [?].14. p.120-p.121 : [blank].13. p.106-p.119 : Risālat Ḥallāl al-mushkilāt / Fatḥ Allāh ibn Maḥmūd al-Mawṣilī.12. p.78-p.105 : Kitāb al-Munabbihāt / Ibn Ḥajar al-ʻAsqalānī.11. p.76-p.77 : [assorted excerpts].10. p.42-p.75 : Risālat al-ʻadl fī bayān ḥāl al-Khiḍr / Numân Paşa bin Mustafa Paşa Köprülü.9. p.36-p.41 : [blank].8. p.26-p.35 : [Tafsīr Sūrat al-Mulk] / Kemalpaşazade.7. p.25 : [blank].6. p.18-p.24 : Risālah-yi ʻAḍudī fī al-ādāb [i.e. Sharḥ al-Risālah al-ʻAḍudīyah fī al-ādāb] / al-Tibrīzī al-Ḥanafī.5. p.17 : [originally left blank, now carries waqf statement].4. p.12-p.16 : al-Fāriqah bayna al-sāʻāt al-saʻīdah wa-al-naḥisah / Kadızade Mehmet Necip [?].3. p.8-p.11 : [blank].2. p.7 : [table of contents].1. p.1-p.6 : [blank].Miller, Julia. Books will speak plain : a handbook for identifying and describing historical bindings. Ann Arbor : The Legacy Press, 2010.Brockelmann, C. GAL,Brockelmann, C. GAL,Brockelmann, C. GAL,Brockelmann, C. GAL,Clear copy of a collection of treatises (majmūʻah / mecmua) on assorted topics. Contents listed on fore-edge flap label and 'table of contents' (p.7).Mode of access: Internet.Acquired by purchase (funds donated by Horace Rackham).Bookplate of British Museum, London on interior of upper cover, "British Museum, London. No. 74. Collection of tracts." ; circular seal impression with figure of goat/gazelle in purple ink as well as inscription "143" in Western numerals on opening leaf (p.1) ; on paper (blue-tinted) pasted on ’title page’ of second work (p.17), a detailed waqf statement in the name of al-Sayyid ʻAbd Allāh Adīb (Abdullah Edip), known as Jannatʹzādah (Cennet-zade), qāḍī of Erzurum, accompanied by his seal, reads: "وقفت وقفا صحيحا شرعيا على ان لا يخرج من بيت الكتب الملتصق بداري الا لعلماء سكنوا بارضروم بكفيل مرعى اورهن قوي وانا الفقير اليه عز شانه السيد عبد الله اديب الشهير بجنت زاده القاضي بمدينة ارضروم في سنة اثنى وستين ومائتين والف" ; numerous glosses and marginal corrections