Saving People From the Fiery Pits of Hell? A Review of “The Very Worst Missionary”

Excerpt: As a Christian college student several decades ago, I knew without a doubt that the holiest, most sanctified majors on campus where those preparing their graduates for overseas missions. This probably explains the small twinges of guilt I felt when others gushed about their longing to serve God on the mission field. Nothing about that vocation seemed appealing to me, nor did the yearly short-term missions trips the college hosted, when vanloads of students travelled to Mexico or flew to other far-away locales to offer children a week of Vacation Bible School, or to build an outdoor baño

Raising Spiritual Kids in the Age of Instagram

Excerpt: The call came in to our harvest-yellow kitchen when I was fourteen. I stood at the breakfast bar with my family\u27s also-yellow phone pressed to me ear, winding and unwinding the twisted cord while listening to Tamara, my erstwhile friend. She wanted me to know I was nice enough, but that everyone in my ninth-grade class agreed I needed to get some new clothes already. And that I definitely needed to get a new hairstyle, because my short curls were really ugly (except she used an expletive in place of really )

Kumataro Ito, Japanese Artist on Board the U.S. Bureau of Fisheries Steamer Albatross During the Philippine Expedition, 1907–1910

Kumataro Ito produced hundreds of beautiful color paintings of fishes and invertebrates during and after the 1907-10 Philippine Expeditin of the U.S. Bureau of Fisheries Steamer Albatross. The paintings are housed in the files of the Divisions of Fishes and Mollusks, United States National Museum of Natural History, and Smithsonian Institution Archives, Washington, D.C. Few of those paintings have been published in color, but many have been publishes in black and white. Two years after the expedition, Ito came to Washington, D.C., in 1912 for an extended period to render final paintings based on preliminary color sketches made during the expedition. He did not completly render all the sketches during his stay, probably because he was asked to produced a large number of black-and-white illustrations of Philippine fishes, and a few of North American fishes. Most of the black-and-white illustrations have been published. Few publications containing Ito's Philippine and North American illustrations have acknowledged him. The very little that is known about Ito's life is discussed, examples of his black-and-white and colored fish paintings are reproduced, and his previously unacknowledged illustrations in various publications are herein acknowledged. Another Japanese artist, Yasui, about whom almost nothing is known, joined the Albatross during Ito's second tour on board the ship. It appears, with few exceptions, that Yasui produced only preliminary color sketches of fishes, which, if rendered as final paintings, were done by Ito

Book Review: Walking Gently on the Earth

Excerpt: For that reason, I approached Walking Gently on the Earth with a healthy sense of skepticism, ready to be preached at again regarding the choices I’ve made about my family and lifestyle. Yet a few pages into Lisa Graham McMinn’s new book, I knew this exploration of sustainability would be different: more gentle, as the title itself suggests. McMinn, along with her daughter and co-writer Megan Anna Neff, examines the ways we can more readily nurture “God’s good gift”—that is, the earth and everything in it— through what McMinn calls “an ethic of care.” Although McMinn and Neff challenge readers to be more considerate of the earth and its people, their challenge is measured by the sense that living sustainably should not create a heavy burden to be suffered through, but instead provide a richer existence, one worth celebrating

Reigniting the Firebrand Heart

Excerpt: From the very first pages of her memoir, Assimilate or Go Home, I felt an affinity with D.L. Mayfield. Perhaps I recognized my students in Mayfield’s idealism and innocence, a missionary fervor that burns brightly in many undergraduates who attend Christian universities like the one where I teach. Perhaps I saw in her narrative my own youthful firebrand heart when, as a senior in college, I longed to get arrested protesting injustice; imagined sitting in a jail, even, believing such activism would show how deeply my convictions ran and how ardently I loved Jesus

Book Review: Bonnet Strings: An Amish Woman\u27s Ties to Two Worlds and Others

Excerpt: In Entering the Wild, Janzen narrates the process of crafting these hymns; and I found this chapter, titled “Three Women and the Lost Coin: How Three Women Found Me,” the memoir’s most compelling. In 1990, Janzen was asked to be on a committee to recreate a Mennonite hymnal that might “nourish . . . congregations for twenty years or more.” The committee, wanting to include several hymns honoring the feminine characteristics of God, turned to Janzen. Janzen describes encountering the work of three mystic women—Julian of Norwich, Hildegard von Bingen, and Mechtild of Magdeburg—and nding there “the possibilities of devotion and celebration that opened windows to my own imagination.