42,561 research outputs found

    Ecosystems as climate controllers – biotic feedbacks (a review)

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    There is good evidence that higher global temperature will promote a rise of green house gas levels, implying a positive feedback which will increase the effect of the anthropogenic emissions on global temperatures. Here we present a review about the results which deal with the possible feedbacks between ecosystems and the climate system. There are a lot of types of feedback which are classified. Some circulation models are compared to each other regarding their role in interactive carbon cycle

    Redefining the Economical Power of Nations

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    This paper is (over the formulas) self explaining . The measurement of economies no longer by GDP alone, but by an Index that includes other important factors as well, a So-cial factors relativized GDP. This index cuts out the part of the GDP that is long term fro-zen up by social transfers (using the highly aggregated GINI coefficient). Social factors relativized GDP: GDP – GDP x GINI = K_Index Written differently: (1 – GINI) x GDP = K_Index Inflation indexed Version: (1 – GINI – Inflation) x GDP = K_Index_Infl. Productivity Index: K_Index / Labor Force = K_PROD Inflation indexed Productivity Index: K_Index_Infl. / Labor Force = K_PROD_Infl. Debt-to-K_Index: National debt / K_Index = K_Debt Debt-to-K_Index_Infl: National debt / K_Index_Infl. = K_Debt_Infl

    The impact of marketing oriented product development on new product performance = A marketing orientĂĄlt termĂ©kfejlesztĂ©s hatĂĄsa az Ășj termĂ©k teljesĂ­tmĂ©nyre

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    In the new product innovation management literature a lot of empirical studies have supported the importance of marketing orientation as a key success factor of new products. The purpose of this paper is to examine on a Hungarian sample if there is a connection between marketing oriented product development and new product performance. Firms were clustered into two product performance categories. ANOVA analysis showed significant correlation between R&D/marketing interface and new product performance, while variables associated with costumer orientation were not significant. The study was based on data “In Global Competition 2004 – 2006” survey. This paper was presented at the INCODE conference (INCODE, 2008). = SzĂĄmos felmĂ©rĂ©s bizonyĂ­tja, hogy az Ășj termĂ©kek sikerĂ©t nagyban elƑsegĂ­ti a marketing orientĂĄlt fejlesztĂ©si gyakorlat. A „Versenyben a vilĂĄggal 2004-2006” felmĂ©rĂ©s adatbĂĄzisĂĄn ennek relevanciĂĄjĂĄt vizsgĂĄltuk. A vonatkozĂł szakirodalombĂłl kiindulva, a felmĂ©rĂ©s kĂ©rdƑívĂ©bƑl kivĂĄlasztottuk azokat a vĂĄltozĂłkat, amelyekkel a marketing orientĂĄlt termĂ©kfejlesztĂ©s leginkĂĄbb jellemezhetƑ. Öt vĂĄltozĂłval Ă­rtuk le a fogyasztĂł orientĂĄciĂłt, mĂ­g egy vĂĄltozĂłnk volt a K+F/marketing egyĂŒttmƱködĂ©sre. EredmĂ©nyeink szerint azok a vĂĄllalatok, amelyeknĂ©l a K+F Ă©s a marketing rĂ©szlegek szorosan egyĂŒttmƱködnek, jobb termĂ©kfejlesztĂ©si teljesĂ­tmĂ©nyt Ă©rnek el. Ugyanakkor a fogyasztĂł orientĂĄciĂł Ă©s a termĂ©kfejlesztĂ©si teljesĂ­tmĂ©ny között nem talĂĄltunk szignifikĂĄns kapcsolatot. A tanulmĂĄny megjelent a pĂ©csi INCODE konferencia kötetĂ©ben (INCODE, 2008)

    A note on Talagrand's variance bound in terms of influences

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    Let X_1,..., X_n be independent Bernoulli random variables and ff a function on {0,1}^n. In the well-known paper (Talagrand1994) Talagrand gave an upper bound for the variance of f in terms of the individual influences of the X_i's. This bound turned out to be very useful, for instance in percolation theory and related fields. In many situations a similar bound was needed for random variables taking more than two values. Generalizations of this type have indeed been obtained in the literature (see e.g. (Cordero-Erausquin2011), but the proofs are quite different from that in (Talagrand1994). This might raise the impression that Talagrand's original method is not sufficiently robust to obtain such generalizations. However, our paper gives an almost self-contained proof of the above mentioned generalization, by modifying step-by-step Talagrand's original proof.Comment: 10 page

    Intracellular mycoparasites in action: interactions between powdery mildew fungi and Ampelomyces

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    Pycnidial fungi of the genus Ampelomyces are widespread intracellular mycoparasites of powdery mildew fungi worldwide. Their pycnidia are produced in hyphae, conidiophores and immature ascomata of their mycohosts. Thus, they suppress both the asexual and the sexual reproduction of the invaded powdery mildew mycelia, and then destroy them completely. Conidia of Ampelomyces are released from the intracellular pycnidia by the rupture of the pycnidial wall; conidia then germinate on the host plant surfaces, penetrate the intact hyphae of powdery mildew mycelia found in their vicinity and invade them internally growing from cell to cell through the septal pores of the mycohost. The early stage of mycoparasitism is apparently biotrophic, but the invaded cytoplasm then begins to die and a necrotrophic interaction results. Toxin production has not been detected in Ampelomyces, so it might act directly by invasion and destruction of the host cytoplasm. Experimental data showed that parasitized powdery mildew colonies can continue their growth, but their sporulation is stopped soon after Ampelomyces penetrated their mycelia. It is concluded that these mycoparasites represent a stress factor in the life cycle of their mycohosts but their role in the natural control of powdery mildew infections requires further investigations

    How the Introduction of Streaming Has Changed the Financial Focal Points of the Music Industry

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    For this thesis, the gathered research will demonstrate how the introduction of music streaming has made a monumental impact on the music industry and the financial effect it has had on various aspects of the creation and distribution of recorded music. The areas of research will range from the music labels in charge of producing and providing the music to the streaming services in charge of distributing the music. Focus will be on how music streaming developed in the late 1990s and took the music media world by storm, devaluing and diluting the power of the physical music industry in the process. This thesis will also provide evidence of how the shift to music streaming has fractured the financial stability that an artist previously had in pursuing music as a full-time career, as well as the current legal troubles associated with creating and maintaining value in the digitalized industry
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