Reducing Model Complexity for DNN Based Large-Scale Audio Classification

Audio classification is the task of identifying the sound categories that are associated with a given audio signal. This paper presents an investigation on large-scale audio classification based on the recently released AudioSet database. AudioSet comprises 2 millions of audio samples from YouTube, which are human-annotated with 527 sound category labels. Audio classification experiments with the balanced training set and the evaluation set of AudioSet are carried out by applying different types of neural network models. The classification performance and the model complexity of these models are compared and analyzed. While the CNN models show better performance than MLP and RNN, its model complexity is relatively high and undesirable for practical use. We propose two different strategies that aim at constructing low-dimensional embedding feature extractors and hence reducing the number of model parameters. It is shown that the simplified CNN model has only 1/22 model parameters of the original model, with only a slight degradation of performance.Comment: Accepted by ICASSP 201

Adaptive Multi-Class Audio Classification in Noisy In-Vehicle Environment

With ever-increasing number of car-mounted electric devices and their complexity, audio classification is increasingly important for the automotive industry as a fundamental tool for human-device interactions. Existing approaches for audio classification, however, fall short as the unique and dynamic audio characteristics of in-vehicle environments are not appropriately taken into account. In this paper, we develop an audio classification system that classifies an audio stream into music, speech, speech+music, and noise, adaptably depending on driving environments including highway, local road, crowded city, and stopped vehicle. More than 420 minutes of audio data including various genres of music, speech, speech+music, and noise are collected from diverse driving environments. The results demonstrate that the proposed approach improves the average classification accuracy up to 166%, and 64% for speech, and speech+music, respectively, compared with a non-adaptive approach in our experimental settings

Audio Classification from Time-Frequency Texture

Time-frequency representations of audio signals often resemble texture images. This paper derives a simple audio classification algorithm based on treating sound spectrograms as texture images. The algorithm is inspired by an earlier visual classification scheme particularly efficient at classifying textures. While solely based on time-frequency texture features, the algorithm achieves surprisingly good performance in musical instrument classification experiments

Classification of Overlapped Audio Events Based on AT, PLSA, and the Combination of Them

Audio event classification, as an important part of Computational Auditory Scene Analysis, has attracted much attention. Currently, the classification technology is mature enough to classify isolated audio events accurately, but for overlapped audio events, it performs much worse. While in real life, most audio documents would have certain percentage of overlaps, and so the overlap classification problem is an important part of audio classification. Nowadays, the work on overlapped audio event classification is still scarce, and most existing overlap classification systems can only recognize one audio event for an overlap. In this paper, in order to deal with overlaps, we innovatively introduce the author-topic (AT) model which was first proposed for text analysis into audio classification, and innovatively combine it with PLSA (Probabilistic Latent Semantic Analysis). We propose 4 systems, i.e. AT, PLSA, AT-PLSA and PLSA-AT, to classify overlaps. The 4 proposed systems have the ability to recognize two or more audio events for an overlap. The experimental results show that the 4 systems perform well in classifying overlapped audio events, whether it is the overlap in training set or the overlap out of training set. Also they perform well in classifying isolated audio events

Proposing a hybrid approach for emotion classification using audio and video data

Emotion recognition has been a research topic in the field of Human-Computer Interaction (HCI) during recent years. Computers have become an inseparable part of human life. Users need human-like interaction to better communicate with computers. Many researchers have become interested in emotion recognition and classification using different sources. A hybrid approach of audio and text has been recently introduced. All such approaches have been done to raise the accuracy and appropriateness of emotion classification. In this study, a hybrid approach of audio and video has been applied for emotion recognition. The innovation of this approach is selecting the characteristics of audio and video and their features as a unique specification for classification. In this research, the SVM method has been used for classifying the data in the SAVEE database. The experimental results show the maximum classification accuracy for audio data is 91.63% while by applying the hybrid approach the accuracy achieved is 99.26%

Deep Learning of Human Perception in Audio Event Classification

In this paper, we introduce our recent studies on human perception in audio event classification by different deep learning models. In particular, the pre-trained model VGGish is used as feature extractor to process audio data, and DenseNet is trained by and used as feature extractor for our electroencephalography (EEG) data. The correlation between audio stimuli and EEG is learned in a shared space. In the experiments, we record brain activities (EEG signals) of several subjects while they are listening to music events of 8 audio categories selected from Google AudioSet, using a 16-channel EEG headset with active electrodes. Our experimental results demonstrate that i) audio event classification can be improved by exploiting the power of human perception, and ii) the correlation between audio stimuli and EEG can be learned to complement audio event understanding