Computer aided puzzle assembly based on shape and texture information /

Puzzle assembly’s importance lies into application in many areas such as restoration and reconstruction of archeological findings, the repairing of broken objects, solving of the jigsaw type puzzles, molecular docking problem, etc. Puzzle pieces usually include not only geometrical shape information but also visual information of texture, color, continuity of lines, and so on. Moreover, textural information is mainly used to assembly pieces in some cases, such as classic jigsaw puzzles. This research presents a new approach in that pictorial assembly, in contrast to previous curve matching methods, uses texture information as well as geometric shape. The assembly in this study is performed using textural features and geometrical constraints. First, the texture of a band outside the border of pieces is predicted by inpainting and texture synthesis methods. The feature values are derived by these original and predicted images of pieces. A combination of the feature and confidence values is used to generate an affinity measure of corresponding pieces. Two new algorithms using Fourier based image registration techniques are developed to optimize the affinity. The algorithms for inpainting, affinity and Fourier based assembly are explained with experimental results on real and artificial data. The main contributions of this research are: The development of a performance measure that indicates the level of success of assembly of pieces based on textural features and geometrical shape. Solution of the assembly problem by using of the Fourier based methods

Investigating the use of 3D digitisation for public facing applications in cultural heritage institutions

This thesis contains research into the use of 3D digitisation technologies by cultural heritage institutions in public facing applications. It is particularly interested in those technologies that can be adopted by institutions with limited budget and no previous experience in 3D digitisation. Whilst there has been research in the area of 3D imaging by museums and cultural heritage institutions, the majority is concerned with the use of the technology for academic or professional, curatorial purposes and on technical comparisons of the various technologies used for capture. Similarly, research conducted on the use of 3D models for public facing and public engagement applications has tended to focus on the various capture technologies, while little has been published on processing raw data for public facing applications – a time-consuming and potentially costly procedure. This research will investigate the issues encountered through the entire 3D digitisation workflow, from capture through processing to dissemination, focusing on the specific problems inherent in public facing projects and the heterogeneous and often problematic nature of museum objects. There has been little research published on the efficacy of 3D models both as providers of informational content and as public engagement tools used to fulfil a cultural heritage institution’s public facing remit. This research assesses the utility of interactive 3D models, as well as rendered animations of 3D content used as in-gallery exhibits and disseminated online. It finds that there is a prima facie case for believing that 3D models may be used to further a museum’s engagement and educational aims, and that there is an appetite among the general public for the use of this type of content in cultural heritage applications. The research will also compare a variety of methods for assessing the success of models