"It may or may not be true. It does not matter": (Magic) Realism and Jeanette Winterson’s The Passion

Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 dofinansowane zostało ze środków MNiSW w ramach działalności upowszechniającej nauk

The Lantern Vol. 32, No. 1, January 1965

• The Wise Man • Of Men and Lobsters • Deliberate-Beyond Conception • Villanelle • Villanelle: Interlude • Rune Green Stones • Redemption • John Ten • Torch Ends • The General and the Birdnest • Not Quite Free • Hymn to the Morning • Walking Togetherhttps://digitalcommons.ursinus.edu/lantern/1087/thumbnail.jp

オスカー・ワイルドの初・中期詩における音楽の表象

Oscar Wilde (1854-1900), an Anglo-Irish author of the nineteenth century, is known to have embraced music both as culture and as an idea. In examining his appreciation of music, musical representations in his earlier poetry should not be overlooked. As observed in this paper, Wilde’s appreciation of music as the supreme art form was almost synonymous with writing poetry. The paper explores how the idea and figure of music played a role throughout Wilde’s early career, and it unveils the process in which his references to Classical images were replaced by contemporary discourse over the course of time

Immorality and Irrationality

Does immorality necessarily involve irrationality? The question is often taken to be among the deepest in moral philosophy. But apparently deep questions sometimes admit of deflationary answers. In this case we can make way for a deflationary answer by appealing to dualism about rationality, according to which there are two fundamentally distinct notions of rationality: structural rationality and substantive rationality. I have defended dualism elsewhere. Here, I’ll argue that it allows us to embrace a sensible – I will not say boring – moderate view about the relationship between immorality and irrationality: roughly, that immorality involves substantive irrationality, but not structural irrationality. I defend this moderate view, and argue that many of the arguments for less moderate views turn either on missing the distinction between substantive and structural rationality, or on misconstruing it

Derek Mahon: “Soul, song and formal necessity”

Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 dofinansowane zostało ze środków MNiSW w ramach działalności upowszechniającej nauk

Natalie Barnaby, mezzo-soprano and Michelle Beaton, piano, April 28, 2018

This is the concert program of the Natalie Barnaby, mezzo-soprano and Michelle Beaton performance on Saturday, April 28, 2018 at 2:00 p.m., at the Opera Space, 808 Commonwealth Avenue. Works performed were "Parto, parto" from "La clemenza di Tito" by Wolfgang Amadeus Mozart, Absence and Villanelle from "Les nuits d'été" by Hector Berlioz, Die Mainacht, Op. 43 No. 2 by Johannes Brahms, Vergebliches Ständchen, Op. 84 No. 4 by J. Brahms, A Route to the Sky, from "Paper Wings" by Jake Heggie, Sure on this Shining Night by Samuel Barber, and Lime Jello Marshmallow Cottage Cheese Surprise by William Bolcom. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund