Mu-Tao Chang, viola and Ya-Lin Huang, piano, March 24, 2016

This is the concert program of the Mu-Tao Chang, viola and Ya-Lin Huang, piano performance on Friday, March 24, 2017 at 6:30 p.m., at the Marshall Room, 855 COmmonwealth Avenue. Works performed were Sonata No. 1 for Viola and Piano, H355 by Bohuslav Martinu, Sonata for Viola and Piano, Op. 11-4 by Paul Hindemith, and Rhapsody-Concerto for Viola and Orchestra by B. Martinu. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Symphony Orchestra and Symphonic Chorus, April 7, 2003

This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Monday, April 7, 2003 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue. Works performed were "Variationen für Orchester," Op. 31 by Arnold Schoenberg and "Ein deutches Requiem," Op. 45 by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Piano Ensemble, January 27, 1987

This is the concert program of the Piano Ensemble performance on Tuesday, January 27, 1987 at 12:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Sonata for Piano, four hands by Francis Poulenc, Andante und Variationen, Op. 46 in Bb by Robert Schumann, and Variations on a Theme by Haydn, Op. 56B by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Faculty recital: Michael Zaretsky, February 12, 1990

This is the concert program of the Faculty Recital: Michael Zaretsky performance on Monday, February 12, 1990 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata in A minor "Arpeggione" by Franz Schubert, Sonata, Op. 11, No. 4 by Paul Hindemith, Sonata in D minor "Unfinished" by Mikhail Glinka, and Sonata, Op. 47 by Dmitri Shostakovich. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Symphony Orchestra and Symphonic Chorus, Tuesday, October 3, 2000

This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Tuesday, October 3, 2000 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were J.S. Bach Chorale-Variationen uber das Weihnachtslied "Vom himmel hoch da komm' ich her" by Igor Stravinsky, Symphony No. 1 by Christopher Rouse, and Symphony No. 8 in G major, Op. 88 by Antonin Dvorak. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Lenore Engdahl, piano, March 31, 1983

This is the concert program of Lenore Engdahl, piano performance on Thursday, March 31, 1983 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Variationen, F minor (Hoboken XVII: 6) by Franz Joseph Haydn, Sonata in C-sharp minor, Op. 27, No. 2 by Ludwig van Beethoven, Mazurka, Op. 41 No. 1 by Frederic Chopin, Mazurka, Op. 17, No. 4 by F. Chopin, Scherzo, Op. 20 by F. Chopin, and Sonata in F minor, Op. 5 by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Guest artist recital: James Winn and Greg Neil, April 29, 2001

This is the concert program of the Guest artist recital of James Winn and Greg Neil on Sunday, April 29, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata in D Major, Wq. 83 by Carl Philip Emanuel Bach, Introduktion und Variationen, Op. 160 by Franz Schubert, Syrinx by Claude Debussy, Density 21.5 by Edgar Varèse, Paraphrases by Mark Zuckerman, and First Sonata by Bohuslav Martinu. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Linguistische Modellierung zur Erkennung Anatomischer Objekte

Eine neue Methode wird vorgestellt, die es erlaubt unscharfes Vorwissen uber Objektkonturen in ein Modell Aktiver Konturen ("Snakes") zu integrieren. Das neue Konzept der Fuzzy Snakes wurde entwickelt, um die Eigenschaften einer Objektkontur in intuitiver Weise beschreiben zu konnen. Zu diesen Eigenschaften zahlen neben der durch das bildgebende Verfahren bestimmten Erscheinung eines Objektes im Bild auch Formmerkmale. Dies wird erreicht, indem unscharfe Energiefunktionen eingefuhrt werden, die zusammen mit einer linguistischen Regelbasis jeden Abschnitt einer Fuzzy Snake beschreiben. Weiterhin kann die ungefahre Lange jedes Abschnittes angegeben werden, was sowohl die Segmentation verbessert, als auch die Komplexitat des Algorithmus verringert. Die abschnittsweise linguistische Beschreibung von Konturen ist besonders zur Erkennung starrer, aber auch verformbarer, anatomischer Objekte geeignet. Der Beitrag beschreibt ein Beispiel dafur, wie Fuzzy Snakes genutzt werden konnen, um Konturen anatomischer Objekte wie Handgelenksknochen in MRT- bzw. Rontgenbildfolgen detektieren zu konnen

Variations on a Theme: A Bibliography on Approaches to Theorem Proving Inspired From Satchmo

This articles is a structured bibliography on theorem provers, approaches to theorem proving, and theorem proving applications inspired from Satchmo, the model generation theorem prover developed in the mid 80es of the 20th century at ECRC, the European Computer- Industry Research Centre. Note that the bibliography given in this article is not exhaustive