Neural Fast Full-Rank Spatial Covariance Analysis for Blind Source Separation

This paper describes an efficient unsupervised learning method for a neural source separation model that utilizes a probabilistic generative model of observed multichannel mixtures proposed for blind source separation (BSS). For this purpose, amortized variational inference (AVI) has been used for directly solving the inverse problem of BSS with full-rank spatial covariance analysis (FCA). Although this unsupervised technique called neural FCA is in principle free from the domain mismatch problem, it is computationally demanding due to the full rankness of the spatial model in exchange for robustness against relatively short reverberations. To reduce the model complexity without sacrificing performance, we propose neural FastFCA based on the jointly-diagonalizable yet full-rank spatial model. Our neural separation model introduced for AVI alternately performs neural network blocks and single steps of an efficient iterative algorithm called iterative source steering. This alternating architecture enables the separation model to quickly separate the mixture spectrogram by leveraging both the deep neural network and the multichannel optimization algorithm. The training objective with AVI is derived to maximize the marginalized likelihood of the observed mixtures. The experiment using mixture signals of two to four sound sources shows that neural FastFCA outperforms conventional BSS methods and reduces the computational time to about 2% of that for the neural FCA.Comment: 5 pages, 2 figures, accepted to EUSIPCO 202

Adversarial Semi-Supervised Audio Source Separation applied to Singing Voice Extraction

The state of the art in music source separation employs neural networks trained in a supervised fashion on multi-track databases to estimate the sources from a given mixture. With only few datasets available, often extensive data augmentation is used to combat overfitting. Mixing random tracks, however, can even reduce separation performance as instruments in real music are strongly correlated. The key concept in our approach is that source estimates of an optimal separator should be indistinguishable from real source signals. Based on this idea, we drive the separator towards outputs deemed as realistic by discriminator networks that are trained to tell apart real from separator samples. This way, we can also use unpaired source and mixture recordings without the drawbacks of creating unrealistic music mixtures. Our framework is widely applicable as it does not assume a specific network architecture or number of sources. To our knowledge, this is the first adoption of adversarial training for music source separation. In a prototype experiment for singing voice separation, separation performance increases with our approach compared to purely supervised training.Comment: 5 pages, 2 figures, 1 table. Final version of manuscript accepted for 2018 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). Implementation available at https://github.com/f90/AdversarialAudioSeparatio