Transferring neural speech waveform synthesizers to musical instrument sounds generation

Recent neural waveform synthesizers such as WaveNet, WaveGlow, and the neural-source-filter (NSF) model have shown good performance in speech synthesis despite their different methods of waveform generation. The similarity between speech and music audio synthesis techniques suggests interesting avenues to explore in terms of the best way to apply speech synthesizers in the music domain. This work compares three neural synthesizers used for musical instrument sounds generation under three scenarios: training from scratch on music data, zero-shot learning from the speech domain, and fine-tuning-based adaptation from the speech to the music domain. The results of a large-scale perceptual test demonstrated that the performance of three synthesizers improved when they were pre-trained on speech data and fine-tuned on music data, which indicates the usefulness of knowledge from speech data for music audio generation. Among the synthesizers, WaveGlow showed the best potential in zero-shot learning while NSF performed best in the other scenarios and could generate samples that were perceptually close to natural audio.Comment: Submitted to ICASSP 202

Knowledge-and-Data-Driven Amplitude Spectrum Prediction for Hierarchical Neural Vocoders

In our previous work, we have proposed a neural vocoder called HiNet which recovers speech waveforms by predicting amplitude and phase spectra hierarchically from input acoustic features. In HiNet, the amplitude spectrum predictor (ASP) predicts log amplitude spectra (LAS) from input acoustic features. This paper proposes a novel knowledge-and-data-driven ASP (KDD-ASP) to improve the conventional one. First, acoustic features (i.e., F0 and mel-cepstra) pass through a knowledge-driven LAS recovery module to obtain approximate LAS (ALAS). This module is designed based on the combination of STFT and source-filter theory, in which the source part and the filter part are designed based on input F0 and mel-cepstra, respectively. Then, the recovered ALAS are processed by a data-driven LAS refinement module which consists of multiple trainable convolutional layers to get the final LAS. Experimental results show that the HiNet vocoder using KDD-ASP can achieve higher quality of synthetic speech than that using conventional ASP and the WaveRNN vocoder on a text-to-speech (TTS) task.Comment: Submitted to Interspeech 202

CycleDRUMS: Automatic Drum Arrangement For Bass Lines Using CycleGAN

The two main research threads in computer-based music generation are: the construction of autonomous music-making systems, and the design of computer-based environments to assist musicians. In the symbolic domain, the key problem of automatically arranging a piece music was extensively studied, while relatively fewer systems tackled this challenge in the audio domain. In this contribution, we propose CycleDRUMS, a novel method for generating drums given a bass line. After converting the waveform of the bass into a mel-spectrogram, we are able to automatically generate original drums that follow the beat, sound credible and can be directly mixed with the input bass. We formulated this task as an unpaired image-to-image translation problem, and we addressed it with CycleGAN, a well-established unsupervised style transfer framework, originally designed for treating images. The choice to deploy raw audio and mel-spectrograms enabled us to better represent how humans perceive music, and to potentially draw sounds for new arrangements from the vast collection of music recordings accumulated in the last century. In absence of an objective way of evaluating the output of both generative adversarial networks and music generative systems, we further defined a possible metric for the proposed task, partially based on human (and expert) judgement. Finally, as a comparison, we replicated our results with Pix2Pix, a paired image-to-image translation network, and we showed that our approach outperforms it.Comment: 9 pages, 5 figures, submitted to IEEE Transactions on Multimedia, the authors contributed equally to this wor

Using Cyclic Noise as the Source Signal for Neural Source-Filter-based Speech Waveform Model

Neural source-filter (NSF) waveform models generate speech waveforms by morphing sine-based source signals through dilated convolution in the time domain. Although the sine-based source signals help the NSF models to produce voiced sounds with specified pitch, the sine shape may constrain the generated waveform when the target voiced sounds are less periodic. In this paper, we propose a more flexible source signal called cyclic noise, a quasi-periodic noise sequence given by the convolution of a pulse train and a static random noise with a trainable decaying rate that controls the signal shape. We further propose a masked spectral loss to guide the NSF models to produce periodic voiced sounds from the cyclic noise-based source signal. Results from a large-scale listening test demonstrated the effectiveness of the cyclic noise and the masked spectral loss on speaker-independent NSF models in copy-synthesis experiments on the CMU ARCTIC database.Comment: Submitted to Interspeech 202