To be or not to be a part of Europe: appropriations of the symbolic borders of Europe in Slovenia

The post-Cold-War transformation of Central and Eastern Europe involved a complex reconfiguration of existing collective identifications, territorial attachments and borders, which included both establishing new attachments and borders and dispensing with the old ones. This article traces this reconfiguration by looking at the case of Slovenia. After briefly sketching the transformation of symbolic attachments and borders during the disintegration of Yugoslavia, the article analyses the appropriations of this new symbolic mapping in the public debates and immigration and citizenship policies related to the two major instances of immigration in Slovenia after the establishment of an independent Slovenian state in 1991: the arrival of Bosnian war refugees in 1992, and the increase in undocumented immigration in 2000-2001. Particular attention is paid to the conceptualisation of borders, especially the relationships between symbolic and institutionalised borders. It is argued that state borders are far from being the sole institutional vehicle of the symbolic borders separating the Self from its Others. Policy measures regulating immigration function as an additional vehicle for these borders, and thus provide a complement to the institution of state borders: if the state border marks the perceived territorial borders of the Self, the immigration-related policy measures serve to maintain the perceived population borders distinguishing the Self from its Other(s)

To Be Unfree

To Be Unfree is a collection of essays investigating how political unfreedom has been and can be articulated within the republican tradition of political thought. The book combines a theoretical discussion of how freedom and its opposites have been conceptualized in the republican tradition with a broader perspective on this tradition's impact on the representation of unfreedom in Western literature and cultural history. It thus complicates our understanding of what it means to be unfree and unveils a series of distinctions which also shape our modern notions of freedom

In what sense can instruments and bodies be said to form spaces?

My recent work is an exploration of the physical and conceptual mechanisms that interface people with instruments. Central to this investigation is a conception of the performer/instrument assemblage as a symbiosis of two parallel and interdependent systems: one – the performer – moves through space established by the other – the instrument. Each system possesses its own intrinsic properties and characteristics; each possesses capacities to affect and be affected by one another. The music emanates from this contiguous interaction. Instrument surface is understood as a compositional resource itself, a topological façade, defined by ordinal distances, that guides gestures along its contours. Within these fluctuating constellations of spatial coordinates, I consider all the relevant ways a body can move, and establish some general combinatory rules that inform the convergence of forces within the body. The traditional subjects of compositional contemplation such as form, duration, dynamic, etc. are not attributing features to the work per se but emerge as results from spatiotemporal relations of (bodily) movement’s correspondence with (instrumental) surface and mechanism. This liberation of movement is understood as a liberation of timbre, and the inherent indeterminacy of this relationship is embraced. As such, I would hypothesize that sound is, to an extent, freed from the subtractive tendencies of perception that might otherwise subvert it into generalized typological categories. Once liberated from the imagination, sound can bypass the brain and directly engage the nervous system

Constructing programs or processes

We define interacting sequential programs, motivated originally by constructivist considerations. We use them to investigate notions of implementation and determinism. Process algebras do not define what can be implemented and what cannot. As we demonstrate it is problematic to do so on the set of all processes. Guided by constructivist notions we have constructed interacting sequential programs which we claim can be readily implemented and are a subset of processes

Finding The Lazy Programmer's Bugs

Traditionally developers and testers created huge numbers of explicit tests, enumerating interesting cases, perhaps biased by what they believe to be the current boundary conditions of the function being tested. Or at least, they were supposed to. A major step forward was the development of property testing. Property testing requires the user to write a few functional properties that are used to generate tests, and requires an external library or tool to create test data for the tests. As such many thousands of tests can be created for a single property. For the purely functional programming language Haskell there are several such libraries; for example QuickCheck [CH00], SmallCheck and Lazy SmallCheck [RNL08]. Unfortunately, property testing still requires the user to write explicit tests. Fortunately, we note there are already many implicit tests present in programs. Developers may throw assertion errors, or the compiler may silently insert runtime exceptions for incomplete pattern matches. We attempt to automate the testing process using these implicit tests. Our contributions are in four main areas: (1) We have developed algorithms to automatically infer appropriate constructors and functions needed to generate test data without requiring additional programmer work or annotations. (2) To combine the constructors and functions into test expressions we take advantage of Haskell's lazy evaluation semantics by applying the techniques of needed narrowing and lazy instantiation to guide generation. (3) We keep the type of test data at its most general, in order to prevent committing too early to monomorphic types that cause needless wasted tests. (4) We have developed novel ways of creating Haskell case expressions to inspect elements inside returned data structures, in order to discover exceptions that may be hidden by laziness, and to make our test data generation algorithm more expressive. In order to validate our claims, we have implemented these techniques in Irulan, a fully automatic tool for generating systematic black-box unit tests for Haskell library code. We have designed Irulan to generate high coverage test suites and detect common programming errors in the process

Soon To Be A Major Motion Picture

Soon To Be A Major Motion Picture is almost the first twenty thousand words of a novel. These five chapters detail Calvin Green\u27s discovery that his dreams are being shown at the Aztec Theater in Denver, CO. Clearly, the novel has supernatural elements, and it offers a voice in the magical realism genre. However, along with the fantastic aspects of the story are a series of probing questions into the nature of artifice, privacy, and celebrity