Pedagogical Experiment with Portrait Lighting in Combination with different Actor’s intent in the case of novice Actors

Portrait lighting and acting both carry substantial weight in creating character engagement by the viewer, but are rarely researched in conjunction.  At the same time both acting and portrait lighting have considerable canons that have developed within the craft system and realized through tacit knowledge. Thus, as both are fields with considerable amount of knowledge and skills, but not enough scientific research conducted yet, it makes sense that the first expansion of knowledge should be conducted through artistic research. In line with Root-Bernstein's ArtScience approach that calls for processes of invention and exploration (Root-Bernstein, 2011), the current study tested out a possible model for researching the interaction between portrait lighting and acting. The current article should be considered as an analytic report on the first interdisciplinary experiment that melded together cinematography, acting, portrait lighting and pedagogy

Pippo: An Italian Folklore Mystery of World War II

During the German occupation of Northern Italy (1943-45), the Italian populace lived under the grip of fear as Allied bombardments pummeled towns, Nazifascists raided villages looking for partisans, and food grew ever more scarce. When night fell many Italians had to contend with another menace, a mysterious aircraft that they were sure was specifically after them and their loved ones. So real and yet mysterious was this aircraft that they gave it a name: Pippo. No one was quite sure if it was German or Allied, single-engine or double-engine, if it dropped bombs, or what its primary mission was, but Pippo loomed as a nocturnal specter, instilling order and terror in the Italian towns below. Scant official documentation exists on Pippo, and references in literature are even scarcer. But Pippo lives in the popular memory of the World War II generation. In 1990 RAI Tre sponsored a television series called La mia guerra [My war] and invited Italians to send in letters documenting their memories; in these testimonials Pippo comes to life. Perry\u27s essay integrates oral histories of both Italian civilians and former American night fighter pilots, an analysis of over a hundred letters sent to the RAI Tre commission sponsoring La mia guerra, and a study of German propaganda. Finally, it weaves official U.S. Army Air Corps documents into the inquiry. All venues of analysis shed light on how Pippo served many Italians as a means to concretize their fears

Kenyon Collegian - January 24, 2008

https://digital.kenyon.edu/collegian/1093/thumbnail.jp

Extending Reach with Technology: Seattle Opera's Multipronged Experiment to Deepen Relationships and Reach New Audiences

This case study describes the Seattle Opera's four-year-long effort to test which kinds of technology channels work well in audience engagement. Its experiments with technology included a simulcast of Madama Butterfly at an 8,300-capacity sports arena, interactive kiosks in the opera house lobby and online videos that took viewers behind the scenes of the opera's signature production of Wagner's Ring cycle. Every season employed at least some winning engagement tools, driven in large part by the company's efforts to gather information before determining what applications to use. Although the majority of the tools were most effective at enhancing the experience of patrons who already had a deep connection with the company, the simulcast, in project's fourth year, also brought in opera newcomers. One important lesson from the work was that effective strategies required the involvement not just of the marketing department, but of the entire organization, including its union representatives

Writing Sample

Excerpt from the story “Today’s Modern Spirits

Spartan Daily, February 3, 2003

Volume 120, Issue 7https://scholarworks.sjsu.edu/spartandaily/9803/thumbnail.jp

Cannes 2003 Report

INTRODUCTIONCannes, like Paris for Hemingway, is a moveable feast. So if the Competition appears somewhat lacking, as it did this year, you spend more time viewing entries in Un Certain Regard. Or you pay a couple more visits to the Quinzaine des Réalisateurs. Or you check out entries at the Semaine Internationale de la Critique. Or you cue up at the Federico Fellini Retrospective to see Claudia Cardinale introduce 8 ½ (Italy, 1963). Or you marvel at Oliver Stone's adroit command of French at his Le Leçon de cinéma, the festival's annual "film master class." Or you relive a moment of Cannes history at a Soirée in memory of the late French producer Daniel Toscan du Plantier in the Salle Debussy, where a large French film delegation turned up for a special screening of Maurice Pialat's Sous le Soleil de Satan, the 1987 Palme d'Or winner produced by..

Life, Love, and Lost Smiles

This collection is a compilation of poetry, non-fiction and fiction writing. The works in this collection are inspired by many subjects including personal lifetime events, friends, dreams and more. This collection, entitled “Life, Love & Lost Smiles” symbolizes some of the many things that have personally shaped my life and helped me become not only the writer, but the person that I am today