Make Art Real

The Make Art Real project aims to introduce new audiences to the arts. It supports Theme II of VCU’s Quest for Distinction by promoting and fostering creative expression through innovative collaborations. The project involves displaying existing connections between art and non-art disciplines, as well as making new connections. These unusual pairings are then placed on exhibition through a lunch-time lecture series named “Unexpected_Connections,” which allow faculty, staff, and students to lead and participate in discussions about the reality of art. The lecture series is the first sustainable and reoccurring program to be held in the Depot building, a multidisciplinary facility which is intended to foster interdisciplinary collaborations. The targeted audience includes faculty, staff, students, and members of the greater VCU community

Focal Spot, Fall 1978

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Focal Spot, Spring 1976

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Faculty recital series: Long Night, April 11, 2008

This is the concert program of the Faculty recital series: Long Night performance on Friday, April 11, 2008 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Nocturne for violin and piano by John Cage, Six Melodies for violin and keyboard by J. Cage, Detour by Rodney Lister, Capriccio, Aria, and Rondo by Arthur Berger, Long Night by Lyle Gann, and The Fancy Blue Devil's Breakdown: A Quodlibet on American Folksongs by Ingolf Dahl. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Boston University Bulletin. School of Management; Graduate Programs, 1980-1981

Each year Boston University publishes a bulletin for all undergraduate programs and separate bulletins for each School and College, Summer Term, and Overseas Programs. Requests for the undergraduat e bulle tin should be addressed to the Admissions Office and those for other bulletins to the individual School or College. This bulletin contains current information regarding the calendar, admissions, degree requirements, fees, regulations, and course offerings. The policy of the University is to give advance notice of change, when ever possible, to permit adjustment. The University reserves the right in its sole judgment to make changes of any nature in its program, calendar, or academic schedule whenever it is deemed necessary or desirable, including changes in course content, the rescheduling of classes with or without extending the academic term, canceling of scheduled classes and other academic activities, and requiring or affording alternatives for schedul ed classes or other academic activities, in any such case giving such notice thereof as is reasonably practicable under the circumstances. Boston University Bulletins (USPS 061-540) are published twenty times a year: one in January, one in March, four in May, four in June, six in July, one in August, and three in September

ALEA III, All American, November 1, 1995

This is the concert program of the ALEA III, All American performance on Wednesday, November 1, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Invention for piano by Carlos Chávez, Kokoro by Roger Reynolds, History of Tango by Astor Piazzola, Quartettino by Rudolf Komorous, Duos Concertante by Juan Orrego-Salas, and Theme and Variations by Amy Marcy Beach. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Spartan Daily, October 22, 1993

Volume 101, Issue 39https://scholarworks.sjsu.edu/spartandaily/8467/thumbnail.jp

Spartan Daily, March 8, 2001

Volume 116, Issue 30https://scholarworks.sjsu.edu/spartandaily/9666/thumbnail.jp