Vol. 8, issue 2

kanopy streaming videos NEW magazines Stereographs Found Welcome to Bryant, Class of 2020 MAKE Fun & Games New Study Room Reservation System E-books from Ebrary Science Titles Free Ear Plugs! When it just can\u27t be TOO quiet... Bryant Land - Aerial View 1939 Open Educational Resources Banned Book Week 2016 Information Literacy at Bryan

Stereography using a single lens

In this paper we have put forth an innovative method of obtaining a stereographic image on a single frame using a single lens. This method has been verified experimentally. A preliminary prototype of the same is built with an optimized use of the material available in the laboratory. The prospective applications of this technique are also explored in brief. This method once commercialized, will reduce the expenses incurred in the stereo videography. We also propose a simplified method of obtaining anaglyph.Comment: 8 pages, 3 figures, This paper has been submitted to American Journal of Physic

Visualization--A method of instruction in the elementary school

Thesis (M.A.)--Boston Universit

Mapping the West: Nineteenth-Century American Landscape Photographs from the Boston Public Library

This is the catalogue of the exhibition "Mapping the West" at Boston University Art Gallery

MS-128: Papers of William C. Darrah

This collection consists of material retained by William Darrah as it related to his position as an administrator and a faculty member at Gettysburg College. It includes correspondence, primarily from students, former students and parents of students; a report of his administrative activities as director of a continuing education program attempted by the College in the mid-1950s; a review of the varied research and presentation interests of Mr. Darrah while a member of the faculty; and materials that preserves his legacy to his profession, to his interests in the history of photography, science and technology, and to Gettysburg College. Special Collections and College Archives Finding Aids are discovery tools used to describe and provide access to our holdings. Finding aids include historical and biographical information about each collection in addition to inventories of their content. More information about our collections can be found on our website http://www.gettysburg.edu/special_collections/collections/.https://cupola.gettysburg.edu/findingaidsall/1116/thumbnail.jp

Stereoscopy in Nineteenth Century Brazil: the case of Rio de Janeiro

This study presents a preliminary systematisation of the stereographs that are part of the public collections of Rio de Janeiro. We start with an investigation of the presence of optical devices in nineteenth century Brazil, especially in the city of Rio de Janeiro, examining both users and diffusers, as well as the forms of observation and social contexts of their use. Our original research was based on the studies of the first cinema, especially the work of Tom Gunning and Charles Musser, and on art history by Jonathan Crary, authors who helped us analyse, respectively, the re-contextualization process regarding the use of optical devices and the resizing of the observer of modernity. Our empirical work was based on the systematic study of advertisements published in the newspapers of the period in question, especially in the Jornal do Commercio, between the 1850s and the 1870s. We conducted a survey of the establishments that imported and marketed these devices during the period, using advertisements published in Almanak Laemmert, between the years 1844 and 1889. We place a special emphasis on the arrival of photography in Brazil and to the precocity with which stereoscopy was developed here by the photographer Revert Henrique Klumb. We mapped themes as a reference for Brazilian visuality, and made an inventory of the Brazilian photographers who developed this technique in their works. From the information gathered, we answered research questions about the presence of optical devices in the city of Rio de Janeiro in the nineteenth century, especially stereoscopy considering its particularities in the historical, economic and social context of the time

From the Observatory to the Classroom: Space Images in the Keystone “600 SET” and “1200 SET”

FROM THE OBSERVATORY TO THE CLASSROOM: SPACE IMAGES IN THE KEYSTONE “600 SET” AND “1200 SET”   CARMEN PÉREZ GONZÁLEZ IZWT (Interdisciplinary Centre for Science and Technology Studies) Bergische Universität Wupperta

Flora de Oliveira Lima’s Pictures: Stereography, the Picturesque, and the Romantic Sublime

This article analyzes late-nineteenth century stereographs unearthed from the Oliveira Lima Library archives in Washington, DC. The stereographs suggest the “I” behind the camera may have been Flora de Oliveira Lima, in her travels across the Swiss Alps and the North of Italy. Taking this hypothesis as a starting point, the article explores gendered constructions in early Lusophone photography and the ways in which Oliveira Lima, a “Victorian from the tropics” according to biographers, appropriates European pictorial and photographic conventions to revert the European gaze.Keywords: photography, stereographs, Lusophone, gender, Romanticism, the Picturesque___________ Las fotografías de Flora de Oliveira Lima. Estereografía, pintoresquismo y lo romántico sublimeResumen: Este artículo analiza una serie de vistas estereoscópicas de finales del XIX encontradas en los archivos de la Biblioteca Oliveira Lima en Washington, DC. Estas imágenes sugieren que el “yo” o la mirada detrás de la lente pudo haber sido la de Flora de Oliveira Lima en sus viajes por los Alpes suizos y el norte de Italia. Tomando esta hipótesis como punto de partida, el artículo explora las construcciones de género en la fotografía lusófona temprana y los modos en que Oliveira Lima, una “victoriana de los trópicos”, según sus biógrafos, se apropia de convenciones pictóricas y fotográficas europeas para invertir su mirada.Palabras clave: fotografía, estereografía, lusófono, género, romanticismo, pintoresquismo___________ As fotografias de Flora de Oliveira Lima. A estereografia, o pitoresco e o romântico sublimeResumo: Este artigo analisa estereografias do final do século XIX encontradas nos arquivos da Biblioteca Oliveira Lima em Washington, DC. As estereografias sugerem que o “eu”, ou olhar, por trás da lente pode ter sido o de Flora de Oliveira Lima, em suas viagens pelos Alpes suíços e norte da Itália. Tomando essa hipótese como ponto de partida, o artigo explora as construções de gênero na fotografia lusófona inicial e os modos como Oliveira Lima, uma “vitoriana dos trópicos” segundo seus biógrafos, se apropria das convenções pictóricas e fotográficas europeias para inverter seu olhar.Palavras chave: fotografia, estereografia, lusófona, gênero, romantismo, pitoresco.___________ Date of reception: 26th April 2022Date of acceptance: 28th October 2022___________ ARK CAICYT: http://id.caicyt.gov.ar/ark:/s24690767/a4zrmubneThis article analyzes late-nineteenth century stereographs unearthed from the Oliveira Lima Library archives in Washington, DC. The stereographs suggest the “I” behind the camera may have been Flora de Oliveira Lima, in her travels across the Swiss Alps and the North of Italy. Taking this hypothesis as a starting point, the article explores gendered constructions in early Lusophone photography and the ways in which Oliveira Lima, a “Victorian from the tropics” according to biographers, appropriates European pictorial and photographic conventions to revert the European gaze.Keywords: photography, stereographs, Lusophone, gender, Romanticism, the Picturesque___________ Las fotografías de Flora de Oliveira Lima. Estereografía, pintoresquismo y lo romántico sublimeResumen: Este artículo analiza una serie de vistas estereoscópicas de finales del XIX encontradas en los archivos de la Biblioteca Oliveira Lima en Washington, DC. Estas imágenes sugieren que el “yo” o la mirada detrás de la lente pudo haber sido la de Flora de Oliveira Lima en sus viajes por los Alpes suizos y el norte de Italia. Tomando esta hipótesis como punto de partida, el artículo explora las construcciones de género en la fotografía lusófona temprana y los modos en que Oliveira Lima, una “victoriana de los trópicos”, según sus biógrafos, se apropia de convenciones pictóricas y fotográficas europeas para invertir su mirada.Palabras clave: fotografía, estereografía, lusófono, género, romanticismo, pintoresquismo___________ As fotografias de Flora de Oliveira Lima. A estereografia, o pitoresco e o romântico sublimeResumo: Este artigo analisa estereografias do final do século XIX encontradas nos arquivos da Biblioteca Oliveira Lima em Washington, DC. As estereografias sugerem que o “eu”, ou olhar, por trás da lente pode ter sido o de Flora de Oliveira Lima, em suas viagens pelos Alpes suíços e norte da Itália. Tomando essa hipótese como ponto de partida, o artigo explora as construções de gênero na fotografia lusófona inicial e os modos como Oliveira Lima, uma “vitoriana dos trópicos” segundo seus biógrafos, se apropria das convenções pictóricas e fotográficas europeias para inverter seu olhar.Palavras chave: fotografia, estereografia, lusófona, gênero, romantismo, pitoresco.___________Fecha de recepción: 26 de abril de 2022Fecha de aceptación: 28 de ocubre de 2022___________ARK CAICYT: http://id.caicyt.gov.ar/ark:/s24690767/a4zrmubn