113,434 research outputs found

    The religious cults of thaumaturgical powers and the devotion towards St Nicholas of Bari in Malta

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    This paper explores the development of religious cult statues in Malta with particular reference to the use of the imagen a vestir statues. At first, the statues were of two types. The first were the small wooden statues about one metre in height. The second type was slightly bigger. The heads, and often the hands and lower part, were sculptured in wood whilst the rest of the body was dressed up. The use of the processional statues owes its origins to Birgu towards the end of the sixteenth century. Slowly the custom spread throughout the island. After Birgu, one of the first Maltese parishes to acquire a statue was Siggiewi. This paper will explain the diffusion of this cult and answer why such a rural parish, was one of the first parishes in Malta to have a processional cult statue.peer-reviewe

    The architecture of miracle-working statues in the Southern Netherlands

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    In the 17th century, the Southern Netherlands saw the erection or restoration of numerous sanctuaries dedicated to the Virgin Mary. In many cases, they housed a miracle-working statue. This essay analyzes the architecture of these sanctuaries through the histories that were written about their statues. It examines how the history of the statues, as recorded in contemporary textual and visual sources, represents and interprets their material surroundings, including the architecture, in order to understand how the statues were thought to relate to these surroundings. Three types of historical narratives are distinguished, each explaining the presence and actions of a statue on its site. These three types will, in turn, shed light on the characteristics and development of the material surroundings of the miracle-working statues

    Moving Beyond Gender Stereotypes: Reinterpreting Female Celtic Statues from Entremont, France

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    In the field of archaeology, male bias has been prevalent in both theory and practice. Female Celtic statues from Entremont, France are an example of how this bias can negatively affect the study of past peoples. Male archaeologists who have excavated or studied the site of Entremont have given little attention to the female statues found on the site, despite being a unique find. The few interpretations that they did provide were sexist, and the female statues were treated as secondary to male statues, reflecting the perceived inferiority of women to men in ancient societies. This can lead to not only incomplete but also likely incorrect narratives of the lives of Celtic women from Entremont and the larger Celtic world. The goals of this paper are to address these biases, and work beyond them in order to provide a more holistic perspective on Celtic women and their roles within society

    Rediscovering Sculptures from Tebtynis at the Museo Egizio in Turin

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    This article presents three case studies from an ongoing research project on the statues and sculptural fragments from Tebtynis, discovered by Carlo Anti in the years 1930-1936 in the temple dedicated to the god Soknebtynis. Specifically, it examines the following three statues: Alexandria, Graeco-Roman Museum inv. no. 22979, Turin, Museo Egizio S. 18176, and a non-royal statue which one of the authors has recently identified as Turin, Museo Egizio S. 19400+S. 19400/1. The authors combine stylistic analysis with a study of relevant archival records currently kept in Padua and Venice, Italy, to shed light on these sculptures and retrace their post-excavation history

    Monumental Queensland: signposts on a cultural landscape, by Lisanne Gibson and Joanna Besley [Book review]

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    Gibson and Besley's Monumental Queensland is a portmanteau of public art, depicting and examining iconic statues and monuments which refect the culture and region of their residency

    Micro-geophysics to assess the integrity of some statues in the Museo Egizio of Turin, Italy

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    On request of the Soprintendenza in charge of the Museo Egizio of Turin, a quite large number of tests have been performed on four statues of the museum to assess their integrity both for practical (moving the statue) and archaeological purposes. Ultrasonic tomography and georadar have been used with fine results on sub-decimeter scale. In this paper we present the main results on the statues of the Pharaons Ramses II (Fig.1 left) and Tuthmosis I. (Fig.2 left). Both the statues belong to the collection set up by Bernardino Drovetti, Console Generale of France in Egypt in the early XIX century. Ramses II statue was restored in the first half of the XIX century. Few documents can be found on these restoration works: very likely the statue arrived broken to Turin and was reassembled with cement mortar (Hartleben, 1909) No news can be found neither on the type of mortar nor on the quantity of mortar actually used. The statue of Ramses was probably found at Tebe in 1818. It is made by basanite exploited from a quarry in Uadi Hammamat. The basanite is a basaltic extrusive rock also known as Lydian stone or lydite. It was almost exclusively reserved to the crafting of statues of pharaons or divinities. In many parts of the statue the mortar (as dark as the stone) is clearly visible (Fig.1 right). The statue of Tutmosis I was found by J.J. Rifaud , a Drovetti 's agent, in 1818 in Tebe, very likely in the Karnak temple. The king sits on a throne with many scripts on both the sides of the seat. The statue is made by a dark diorite with some light pink plagioclase crystals sizing few centimeters. Its conservation seems fairly goo

    Composition and Coincidence

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    [First Paragraph] Suppose we take a pound of gold and mold it into the shape of Hermes. Then, it would seem, we shall have a golden statue of Hermes, beautiful to behold. We shall also have a lump of gold. And we have the makings of a well-known philosophical puzzle. Many people find it obvious that if we crushed the statue or melted it down, we should destroy the statue but not the lump of gold. The lump can be deformed and still continue to exist, but the statue cannot; that is the nature of lumps and statues. So the lump can outlive the statue. Since nothing can outlive itself, it is natural to conclude that the one-pound gold statue and the one-pound lump of gold in our example are numerically different. And as statues are to lumps, they say, so are brick houses to heaps of bricks, living organisms to masses of matter, and people to their bodies. More generally, certain atoms (or elementary particles or what have you) often compose two numerically different material objects at once. To put it another way, two different material objects may have all the same proper parts (the same parts except themselves) at once. Because of its many defenders and its intuitive attraction, I will call this the Popular View about lumps and statues and other familiar material objects

    Statues

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    Wood identification of Japanese Shinto deity statues in Matsunoo-taisha Shrine in Kyoto by synchrotron X-ray microtomography and conventional microscopy methods

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    Research on the wood species of Japanese Buddhist statues has an over 60 years’ history and recently many Buddhist “Ichiboku” statues carved out of a single bole made from the Nara to Heian periods were scientifically revealed to be made of Torreya nucifera. Shinto deity statues in Japan, however, have not yet been investigated scientifically. Because many Shinto deity statues are enshrined behind closed doors, there are fewer opportunities to investigate them. To examine the differences and similarities in wood selection between Buddhist and Shinto deity statues, wood identification was conducted on the 11 Shinto deity statues of Matsunoo-taisha Shrine, Kyoto, Japan, using synchrotron X-ray microtomography and conventional microscopy methods. The results indicated two female deity statues with the ink inscriptions indicating the production year of 1143 were of Torreya nucifera, one female deity statue of Zelkova serrata, and the other eight statues, i.e., two female deity statues, four male deity statues and two priestly attire deity statues of Prunus s.l. spp
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