Listen to Nice

In describing Humphrey Jennings’ wartime documentary propaganda film, 'Listen to Britain' (1942), a film with an overtly poetic sensibility and dominantly musical soundtrack, John Corner asserts that ‘through listening to Britain, we are enabled to properly look at it'. This idea of sound leading our attention to the images has underpinned much of the collaborative work between composer and sound designer, Geoffrey Cox, and documentary filmmaker, Keith Marley. It is in this context that the article will analyse an extract of A Film About Nice (Marley and Cox 2010), a contemporary re-imagining of Jean Vigo’s silent documentary, 'A propos de Nice' (1930). Reference will be made throughout to the historical context, and the filmic and theoretical influences that have informed the way music and creative sound design have been used to place emphasis on hearing a place, as much as seeing it

Sound

Sound, basically characterized as air in motion since ancient Greece, has been at the core of the theories of many philosophers, as well as musicians, poets, scientists, and theologians. Under the auspices of Hellenic thought, Renaissance scholars tried to define what sound is, unveiling its vibrating forces to understand its ability to shake the human body and soul. In such a way, the ever-present metaphors of harmony were much more than mere imagined, unreal thoughts: through them, Renaissance humanists shaped, organized, and understood the structure and passions of the world itself.Este trabajo forma parte del proyecto de investigación “La obra musical renacentista: fundamentos, repertorios y prácticas” HAR 2015-70181-P (MINECO/FEDER, UE

Discussion of the De Generatione Sonorum, a treatise on sound and phonetics by Robert Grosseteste

Here I am proposing a translation and discussion of the De Generatione Sonorum, one of the short scientific treatises written by Robert Grosseteste. The subject is the sound and the phonetics. In this treatise we find a discussion of oscillations and elasticity of materials and the description of some motions and their combinations to

Optimization of miRNA-seq data preprocessing.

The past two decades of microRNA (miRNA) research has solidified the role of these small non-coding RNAs as key regulators of many biological processes and promising biomarkers for disease. The concurrent development in high-throughput profiling technology has further advanced our understanding of the impact of their dysregulation on a global scale. Currently, next-generation sequencing is the platform of choice for the discovery and quantification of miRNAs. Despite this, there is no clear consensus on how the data should be preprocessed before conducting downstream analyses. Often overlooked, data preprocessing is an essential step in data analysis: the presence of unreliable features and noise can affect the conclusions drawn from downstream analyses. Using a spike-in dilution study, we evaluated the effects of several general-purpose aligners (BWA, Bowtie, Bowtie 2 and Novoalign), and normalization methods (counts-per-million, total count scaling, upper quartile scaling, Trimmed Mean of M, DESeq, linear regression, cyclic loess and quantile) with respect to the final miRNA count data distribution, variance, bias and accuracy of differential expression analysis. We make practical recommendations on the optimal preprocessing methods for the extraction and interpretation of miRNA count data from small RNA-sequencing experiments

Sound propagation through bone

Effect of perforation on structure borne sound propagation through rigid porous materials has been investigated. Experimental works has been carried out on rigid porous materials with and without perforations. A low frequency vibration has been applied to excite the material structure by using a force transducer connected a shaker to detect the changes in resulting response. Applied vibration on sample surface causes structure borne sound wave to propagate through the material. The resulting response of this structural borne vibration is detected by using an accelerometer. The results with and without perforation of the sample have been compared. The results show that changing the structure of the material has an effect on the amplitude, shape and arrival time of the transmitted acoustic wave

A hybrid keyboard-guitar interface using capacitive touch sensing and physical modeling

This paper was presented at the 9th Sound and Music Computing Conference, Copenhagen, Denmark.This paper presents a hybrid interface based on a touch- sensing keyboard which gives detailed expressive control over a physically-modeled guitar. Physical modeling al- lows realistic guitar synthesis incorporating many expres- sive dimensions commonly employed by guitarists, includ- ing pluck strength and location, plectrum type, hand damp- ing and string bending. Often, when a physical model is used in performance, most control dimensions go unused when the interface fails to provide a way to intuitively con- trol them. Techniques as foundational as strumming lack a natural analog on the MIDI keyboard, and few digital controllers provide the independent control of pitch, vol- ume and timbre that even novice guitarists achieve. Our interface combines gestural aspects of keyboard and guitar playing. Most dimensions of guitar technique are control- lable polyphonically, some of them continuously within each note. Mappings are evaluated in a user study of key- boardists and guitarists, and the results demonstrate its playa- bility by performers of both instruments

Sound shield

An improved test section for a supersonic or hypersonic wind tunnel is disclosed wherein the model tested is shielded from the noise normally radiated by the turbulent tunnel wall boundary layer. A vacuum plenum surrounds spaced rod elements making up the test chamber to extract some of the boundary layer as formed along the rod elements during a test to thereby delay the tendency of the rod boundary layers to become turbulent. Novel rod construction involves bending each rod slightly prior to machining the bent area to provide a flat segment on each rod for connection with the flat entrance fairing. Rods and fairing are secured to provide a test chamber incline on the order of 1 deg outward from the noise shield centerline to produce up to 65% reduction of the root mean square (rms) pressure over previously employed wind tunnel test sections at equivalent Reynolds numbers

Mountain Sound

Undergraduate Graphic Desig