Derelict architecture: Aesthetics of an unaesthetic space

The main focus of this article is the question of the aesthetics of an unaesthetic ruined space.The author also pays particular attention to the ambivalence that exists in contemporary derelict architecture, referred to as ‘modern ruins’, and tries to show that such locations can be viewed as an ‘in‑between’ space

Swimming against the tide: a study of a neighbourhood trying to rediscover its ‘reason for being’– the case of South Bank, Redcar and Cleveland.

Many of the programmes and initiatives to regenerate deprived neighbourhoods appear to have had limited lasting impact. It has been argued that one reason for this is that we still have little real understanding of the nature and scale of the problems some communities face (Bernt, 2009). This article attempts to add to our knowledge through close study of an area with multiple problems and a history of failed regeneration attempts. An in-depth case study, undertaken to explore the current situation and future prospects of South Bank, a small neighbourhood in the North East of England, highlights transferable knowledge which may be applied to other regeneration areas. The analysis considers the nature and consequences of industrial decline; entrenched deprivation; the stigmatization of communities; the value of community consultation and the potential impact of retail-led regeneration. We question whether negative stigma attached to places can be changed and we ask what the future may hold for deprived communities now that public sector funding has largely dried up, and we consider an alternative approach: the potential impacts of private sector retail-led regeneration in the absence of public sector funding

Deindustrialisation and the Historical Sociological Imagination: Making Sense of Work and Industrial Change

Following recent calls for a more self-aware and historically-sensitive sociology this article reflects on the concept of deindustrialisation and industrial change in this spirit. Using E.P. Thompson’s classic The Making of The English Working Class and his examination of industrialising culture with its stress on experience, the article asks how these insights might be of value in understanding contemporary processes of deindustrialisation and work. Drawing on a range of sociological, cultural and literary studies writers it conceptualises the differences and similarities between two historic moments of industrial change and loss. In particular it draws on the literary concept of the ‘half-life of deindustrialisation’ to explore these periods. The paper has important implications for how we think about contemporary and historical industrial decline

Beyond the aestheticization of modern ruins: the case of Incompiuto Siciliano

The modern Italian landscape includes a large number of public construction projects begun over the past 50 years but abandoned before completion—a testament to the misuse of public funds through political corruption and the influence of the Mafia. Since 2007, a group of artists named Alterazioni Video has been developing the project Incompiuto Siciliano, through which they have sought to counter the negative perception of these ruins by considering them as an aestheticized architectural style. The group’s approach is significant because visual arts, and especially photography, have in recent years been accused of pursuing a merely romanticizing objective that ignores the political, economic and social contexts in which modern ruins arise. Embedding the current paper within this discussion makes it possible to align Incompiuto Siciliano with literatures on contemporary archaeology that regard the aestheticization of ruins as a first step to a critical comprehension of the reasons behind their origination—which ultimately leads to their re-valorization and eventual re-activation

Consumption and excess in Spanish America (1700-1830)

It may be said without exaggeration, that the finest stuffs made in countries, where industry is always inventing something new, are more generally seen in Lima than in any other place; vanity and ostentation not being restrained by custom or law. With this grand overstatement the Spanish travellers Jorge Juan and Antonio de Ulloa summed up their account of fashion in 1740s Lima. Dress in the capital of colonial Peru, according to these men, differed from that of Europe only in its extravagance. European goods and clothing, they insisted, were widely available, which allowed the ladies of Lima to indulge their immoderate taste for Flemish lace and pearls, to the ruination of their husbands. Such was these women’s passion for finery that they often succumbed to uterine cancer, brought on, the travellers were certain, by ‘their excessive use of perfumes’

EDITORIAL: Aesthetics and participation …

Does it ever happen that a theoretical perspective is articulated, accepted and then sealed from further debate? There is a process of development, application, critique and assessment. Among other things, scholarly journals offer their communities of readers and writers a space for continuing debate about the implications of concepts and conversations