A Novel Method for Obtaining Diffuse Field Measurements for Microphone Calibration

We propose a straightforward and cost-effective method to perform diffuse soundfield measurements for calibrating the magnitude response of a microphone array. Typically, such calibration is performed in a diffuse soundfield created in reverberation chambers, an expensive and time-consuming process. A method is proposed for obtaining diffuse field measurements in untreated environments. First, a closed-form expression for the spatial correlation of a wideband signal in a diffuse field is derived. Next, we describe a practical procedure for obtaining the diffuse field response of a microphone array in the presence of a non-diffuse soundfield by the introduction of random perturbations in the microphone location. Experimental spatial correlation data obtained is compared with the theoretical model, confirming that it is possible to obtain diffuse field measurements in untreated environments with relatively few loudspeakers. A 30 second test signal played from 4-8 loudspeakers is shown to be sufficient in obtaining a diffuse field measurement using the proposed method. An Eigenmike is then successfully calibrated at two different geographical locations.Comment: Accepted to appear in IEEE ICASSP 202

Maximum length sequence and Bessel diffusers using active technologies

Active technologies can enable room acoustic diffusers to operate over a wider bandwidth than passive devices, by extending the bass response. Active impedance control can be used to generate surface impedance distributions which cause wavefront dispersion, as opposed to the more normal absorptive or pressure-cancelling target functions. This paper details the development of two new types of active diffusers which are difficult, if not impossible, to make as passive wide-band structures. The first type is a maximum length sequence diffuser where the well depths are designed to be frequency dependent to avoid the critical frequencies present in the passive device, and so achieve performance over a finite-bandwidth. The second is a Bessel diffuser, which exploits concepts developed for transducer arrays to form a hybrid absorber–diffuser. Details of the designs are given, and measurements of scattering and impedance used to show that the active diffusers are operating correctly over a bandwidth of about 100 Hz to 1.1 kHz. Boundary element method simulation is used to show how more application-realistic arrays of these devices would behave

Multizone wideband sound field reproduction

This thesis deals with the problem of multizone wideband sound field reproduction using an array of loudspeakers. A pressure matching approach is researched to control the sound field within the zones through the calculation of loudspeaker weights. The loudspeaker weights are computed first using a regularized least-squares (LS) approach and then a least-absolute shrinkage and selection operator (Lasso). It is demonstrated that the single-stage LS technique outperforms the single-stage Lasso in multizone wideband sound field reproduction, while the single-stage Lasso enables the judicious placement of loudspeakers. To improve the multizone sound reproduction performance of wideband sources using a limited number of loudspeakers, it is assumed that the virtual sources are fixed in positions. A new two-stage Lasso-LS pressure matching approach is then proposed to optimize both the loudspeaker locations and weights. In the first stage, a Lasso algorithm is used to select the loudspeakers' positions for all sources and frequency bands. A second stage then optimizes reproduction using all selected loudspeakers on the basis of a regularized LS algorithm. The results show that a horizontal array of limited number of loudspeakers (e.g. 52) can be used to effectively create personal audio spaces for multiple users of variable heights. The proposed method is then extended to a nested Lasso-LS method which employs harmonic nested arrays in the first stage Lasso to reduce the computational complexity. Effectively, the nested arrays provide a priori knowledge of prospective loudspeaker locations based on the frequency bands of interest. The final loudspeaker locations and weightings are then estimated during the two-stage Lasso-LS optimization

A room acoustics measurement system using non-invasive microphone arrays

This thesis summarises research into adaptive room correction for small rooms and pre-recorded material, for example music of films. A measurement system to predict the sound at a remote location within a room, without a microphone at that location was investigated. This would allow the sound within a room to be adaptively manipulated to ensure that all listeners received optimum sound, therefore increasing their enjoyment. The solution presented used small microphone arrays, mounted on the room's walls. A unique geometry and processing system was designed, incorporating three processing stages, temporal, spatial and spectral. The temporal processing identifies individual reflection arrival times from the recorded data. Spatial processing estimates the angles of arrival of the reflections so that the three-dimensional coordinates of the reflections' origin can be calculated. The spectral processing then estimates the frequency response of the reflection. These estimates allow a mathematical model of the room to be calculated, based on the acoustic measurements made in the actual room. The model can then be used to predict the sound at different locations within the room. A simulated model of a room was produced to allow fast development of algorithms. Measurements in real rooms were then conducted and analysed to verify the theoretical models developed and to aid further development of the system. Results from these measurements and simulations, for each processing stage are presented

Implementation of an Autonomous Impulse Response Measurement System

Data collection is crucial for researchers, as it can provide important insights for describing phenomena. In acoustics, acoustic phenomena are characterized by Room Impulse Responses (RIRs) occurring when sound propagates in a room. Room impulse responses are needed in vast quantities for various reasons, including the prediction of acoustical parameters and the rendering of virtual acoustical spaces. Recently, mobile robots navigating within indoor spaces have become increasingly used to acquire information about its environment. However, little research has attempted to utilize robots for the collection of room acoustic data. This thesis presents an adaptable automated system to measure room impulse responses in multi-room environments, using mobile and stationary measurement platforms. The system, known as Autonomous Impulse Response Measurement System (AIRMS), is divided into two stages: data collection and post-processing. To automate data collection, a mobile robotic platform was developed to perform acoustic measurements within a room. The robot was equipped with spatial microphones, multiple loudspeakers and an indoor localization system, which reported real time location of the robot. Additionally, stationary platforms were installed in specific locations inside and outside the room. The mobile and stationary platforms wirelessly communicated with one another to perform the acoustical tests systematically. Since a major requirement of the system is adaptability, researchers can define the elements of the system according to their needs, including the mounted equipment and the number of platforms. Post-processing included extraction of sine sweeps and the calculation of impulse responses. Extraction of the sine sweeps refers to the process of framing every acoustical test signal from the raw recordings. These signals are then processed to calculate the room impulse responses. The automatically collected information was complemented with manually produced data, which included rendering of a 3D model of the room, a panoramic picture. The performance of the system was tested under two conditions: a single-room and a multiroom setting. Room impulse responses were calculated for each of the test conditions, representing typical characteristics of the signals and showing the effects of proximity from sources and receivers, as well as the presence of boundaries. This prototype produces RIR measurements in a fast and reliable manner. Although some shortcomings were noted in the compact loudspeakers used to produce the sine sweeps and the accuracy of the indoor localization system, the proposed autonomous measurement system yielded reasonable results. Future work could expand the amount of impulse response measurements in order to further refine the artificial intelligence algorithms

Array signal processing algorithms for localization and equalization in complex acoustic channels

The reproduction of realistic soundscapes in consumer electronic applications has been a driving force behind the development of spatial audio signal processing techniques. In order to accurately reproduce or decompose a particular spatial sound field, being able to exploit or estimate the effects of the acoustic environment becomes essential. This requires both an understanding of the source of the complexity in the acoustic channel (the acoustic path between a source and a receiver) and the ability to characterize its spatial attributes. In this thesis, we explore how to exploit or overcome the effects of the acoustic channel for sound source localization and sound field reproduction. The behaviour of a typical acoustic channel can be visualized as a transformation of its free field behaviour, due to scattering and reflections off the measurement apparatus and the surfaces in a room. These spatial effects can be modelled using the solutions to the acoustic wave equation, yet the physical nature of these scatterers typically results in complex behaviour with frequency. The first half of this thesis explores how to exploit this diversity in the frequency-domain for sound source localization, a concept that has not been considered previously. We first extract down-converted subband signals from the broadband audio signal, and collate these signals, such that the spatial diversity is retained. A signal model is then developed to exploit the channel's spatial information using a signal subspace approach. We show that this concept can be applied to multi-sensor arrays on complex-shaped rigid bodies as well as the special case of binaural localization. In both c! ases, an improvement in the closely spaced source resolution is demonstrated over traditional techniques, through simulations and experiments using a KEMAR manikin. The binaural analysis further indicates that the human localization performance in certain spatial regions is limited by the lack of spatial diversity, as suggested in perceptual experiments in the literature. Finally, the possibility of exploiting known inter-subband correlated sources (e.g., speech) for localization in under-determined systems is demonstrated. The second half of this thesis considers reverberation control, where reverberation is modelled as a superposition of sound fields created by a number of spatially distributed sources. We consider the mode/wave-domain description of the sound field, and propose modelling the reverberant modes as linear transformations of the desired sound field modes. This is a novel concept, as we consider each mode transformation to be independent of other modes. This model is then extended to sound field control, and used to derive the compensation signals required at the loudspeakers to equalize the reverberation. We show that estimating the reverberant channel and controlling the sound field now becomes a single adaptive filtering problem in the mode-domain, where the modes can be adapted independently. The performance of the proposed method is compared with existing adaptive and non-adaptive sound field control techniques through simulations. Finally, it is shown that an order of magnitude reduction in the computational complexity can be achieved, while maintaining comparable performance to existing adaptive control techniques

Surround by Sound: A Review of Spatial Audio Recording and Reproduction

In this article, a systematic overview of various recording and reproduction techniques for spatial audio is presented. While binaural recording and rendering is designed to resemble the human two-ear auditory system and reproduce sounds specifically for a listener’s two ears, soundfield recording and reproduction using a large number of microphones and loudspeakers replicate an acoustic scene within a region. These two fundamentally different types of techniques are discussed in the paper. A recent popular area, multi-zone reproduction, is also briefly reviewed in the paper. The paper is concluded with a discussion of the current state of the field and open problemsThe authors acknowledge National Natural Science Foundation of China (NSFC) No. 61671380 and Australian Research Council Discovery Scheme DE 150100363