Conceptual Engineering, Topics, Metasemantics, and Lack of Control

Conceptual engineering is now a central topic in contemporary philosophy. Just 4-5 years ago it wasn’t. People were then engaged in the engineering of various philosophical concepts (in various sub-disciplines), but typically not self-consciously so. Qua philosophical method, conceptual engineering was under-explored, often ignored, and poorly understood. In my lifetime, I have never seen interest in a philosophical topic grow with such explosive intensity. The sociology behind this is fascinating and no doubt immensely complex (and an excellent case study for those interested in the dynamics of academic disciplines). That topic, however, will have to wait for another occasion. Suffice it to say that if Fixing Language (FL) contributed even a little bit to this change of focus in philosophical methodology, it would have achieved one of its central goals. In that connection, it is encouraging that the papers in this symposium are in fundamental agreement about the significance and centrality of conceptual engineering to philosophy. That said, the goal of FL was not only to advocate for a topic, but also to defend a particular approach to it: The Austerity Framework. These replies have helped me see clearer the limitations of that view and points where my presentation was suboptimal. The responses below are in part a reconstruction of what I had in mind while writing the book and in part an effort to ameliorate. I’m grateful to the symposiasts for helping me get a better grip on these very hard issue

The very same thing: Extending the object token concept to incorporate causal constraints on individual identity

The contributions of feature recognition, object categorization, and recollection of episodic memories to the re-identification of a perceived object as the very same thing encountered in a previous perceptual episode are well understood in terms of both cognitive-behavioral phenomenology and neurofunctional implementation. Human beings do not, however, rely solely on features and context to re-identify individuals; in the presence of featural change and similarly-featured distractors, people routinely employ causal constraints to establish object identities. Based on available cognitive and neurofunctional data, the standard object-token based model of individual re-identification is extended to incorporate the construction of unobserved and hence fictive causal histories (FCHs) of observed objects by the pre-motor action planning system. Cognitive-behavioral and implementation-level predictions of this extended model and methods for testing them are outlined. It is suggested that functional deficits in the construction of FCHs are associated with clinical outcomes in both Autism Spectrum Disorders and later-stage stage Alzheimer's disease.\u

Cognitive constraints and island effects

Competence-based theories of island effects play a central role in generative grammar, yet the graded nature of many syntactic islands has never been properly accounted for. Categorical syntactic accounts of island effects have persisted in spite of a wealth of data suggesting that island effects are not categorical in nature and that nonstructural manipulations that leave island structures intact can radically alter judgments of island violations. We argue here, building on work by Paul Deane, Robert Kluender, and others, that processing factors have the potential to account for this otherwise unexplained variation in acceptability judgments. We report the results of self-paced reading experiments and controlled acceptability studies that explore the relationship between processing costs and judgments of acceptability. In each of the three self-paced reading studies, the data indicate that the processing cost of different types of island violations can be significantly reduced to a degree comparable to that of nonisland filler-gap constructions by manipulating a single nonstructural factor. Moreover, this reduction in processing cost is accompanied by significant improvements in acceptability. This evidence favors the hypothesis that island-violating constructions involve numerous processing pressures that aggregate to drive processing difficulty above a threshold, resulting in unacceptability. We examine the implications of these findings for the grammar of filler-gap dependencies

Occupational Therapy Best Practice Addressing Anxiety-Related Behaviors: Extending Strategies into the Classroom

The purpose of this project was to develop a product, created by occupational therapists, for teachers and support staff that offers behavioral management strategies for students demonstrating anxiety related behaviors in the classroom. Research conducted by Nash, Schlösser, and Scarr (2016) revealed that teachers reported feeling underprepared to not only identify anxiety presenting in the classroom, but also to manage these disruptive behaviors resulting from anxiety. Thus, the product, titled Tips for Teachers, was developed to address this need and to increase collaboration between occupational therapists, teachers, and support staff. The hierarchical approach utilized in the current behavioral management system has not been found to be effective for students with anxiety as it is rewarding or punishing a student for a skill that they do not possess (Minahan and Schultz, 2015). Tips for Teachers uses the Ecology of Human Performance model (EHP) to organize alternative behavior management strategies into each of the five intervention categories. EHP is a model that helps therapists and other professionals to address individuals with consideration of contextual influences, rather than assuming an individual child is the problem (Sullivan, Johnson, Owens, & Connoway et al., 2014). The Tips for Teachers in-service and accompanying materials offers background information regarding anxiety, how it may present in the classroom, and how to address symptoms before they become problematic. The materials for this in-service include a detailed agenda, a facilitator outline, a PowerPoint presentation, a manual, a case study, and a satisfaction survey. The agenda breaks down the timeline and the topics to be covered during the in-service. PowerPoint slides are provided in a facilitator outline format to orient someone to the materials and prompt them through the PowerPoint, in addition to printed PowerPoint slides for the attendees that provide space for notes. The Tips for Teachers manual provides more thorough information and is intended for attendees to have a reference to utilize after the in-service. A case study is included that is intended to be used throughout the in-service for practice applying learned strategies, and a satisfaction survey will be used to determine if the attendees feel as if they benefited from the training

Improvisation and Transformation: Yes to the Mess

The field of organizational change has chiefly been studied from a teleological perspective. Most models of change emphasize action that is rational and goal oriented. What often gets overlooked and under theorized is the continuous, iterative nature of organizational life, the unplanned and serendipitous actions by and between people that lead to new discoveries and innovation. Recent research on organizational improvisation seeks to explore this area. In this chapter we will address two questions – what is the experience of improvisation and what are the conditions that support improvisation to flourish in organizations? In the first part of this paper, we look at the phenomenology of improvisation, the actual lived experience of those who improvise in the face of the unknown or in the midst of chaotic conditions. We will explore the strategies that some professional improvisers employ to deliberately create the improvisatory moment. We will then look at the dynamics of organizational life and explore the cultural beliefs, organizational structures, and leadership practices that support improvisation. We will draw primarily upon the model from Barrett (2012) that focuses on the how the nature of jazz improvisation and the factors that support improvisation can be transferred to leadership activities. This falls in the tradition of others who draw upon arts-based metaphors, including jazz music and theatrical improvisation, to suggest insights for leadership and ways of organizing. Since this is a book devoted to individual transformation as well as organizational transformation, we will also touch on the topic of how improvisation is a developmental project and explore the potential for improvisation to lead to personal transformation. We will attempt to move back and forth between both themes – organizational and personal transformation. Ultimately the two topics are not separate. Any significant organizational transformation begins with an improvisation. And any meaningful improvisatory move by a person is potentially a moment of self-discovery and an identity-shaping event

‘There Buds the Laurel’: Nature, Temporality and the Making of Place in the Cemeteries of Roman Italy

Using the necropolis environments of the Vesuvian region of Imperial period Italy as a case study, this paper examines the ways in which multiple, overlapping, and temporally specific senses of place were associated with Roman funerary landscapes. In particular, it explores the role of the agency of the natural environment–e.g. the more-than-human or ‘planty’ agency of trees, plants, flowers, and fruits–in the creation of these places, arguing that they are best understood as the dynamic product of in the moment experiences. Focusing on issues of temporality and sensory perception, it is demonstrated that, just as place was itself always in the process of becoming, so too were many of the elements which produced it. Consequently, this study offers a new perspective on the ephemerality of place which foregrounds the currently undervalued material agency of the more-than-human world in the construction of Roman experiences, identities, and knowledge

The role of phonology in visual word recognition: evidence from Chinese

Posters - Letter/Word Processing V: abstract no. 5024The hypothesis of bidirectional coupling of orthography and phonology predicts that phonology plays a role in visual word recognition, as observed in the effects of feedforward and feedback spelling to sound consistency on lexical decision. However, because orthography and phonology are closely related in alphabetic languages (homophones in alphabetic languages are usually orthographically similar), it is difficult to exclude an influence of orthography on phonological effects in visual word recognition. Chinese languages contain many written homophones that are orthographically dissimilar, allowing a test of the claim that phonological effects can be independent of orthographic similarity. We report a study of visual word recognition in Chinese based on a mega-analysis of lexical decision performance with 500 characters. The results from multiple regression analyses, after controlling for orthographic frequency, stroke number, and radical frequency, showed main effects of feedforward and feedback consistency, as well as interactions between these variables and phonological frequency and number of homophones. Implications of these results for resonance models of visual word recognition are discussed.postprin

Interactive effects of orthography and semantics in Chinese picture naming

Posters - Language Production/Writing: abstract no. 4035Picture-naming performance in English and Dutch is enhanced by presentation of a word that is similar in form to the picture name. However, it is unclear whether facilitation has an orthographic or a phonological locus. We investigated the loci of the facilitation effect in Cantonese Chinese speakers by manipulating—at three SOAs (2100, 0, and 1100 msec)—semantic, orthographic, and phonological similarity. We identified an effect of orthographic facilitation that was independent of and larger than phonological facilitation across all SOAs. Semantic interference was also found at SOAs of 2100 and 0 msec. Critically, an interaction of semantics and orthography was observed at an SOA of 1100 msec. This interaction suggests that independent effects of orthographic facilitation on picture naming are located either at the level of semantic processing or at the lemma level and are not due to the activation of picture name segments at the level of phonological retrieval.postprin

How Musical Oddballs Warp Psychological Time

Oddballs—low-probability, attention-capturing expectancy violations—are judged as longer than non-oddballs, but are temporal intervals that contain oddballs judged as longer than those that do not? In 2 experiments, we tested competing model predictions using a novel and covert measure of subjective duration—musical imagery reproduction. Participants verbally estimated and reproduced with musical imagery repeated, coherent, or incoherent familiar or unfamiliar chord sequences (3.5 s, 7 s, or 12 s) that either did or did not contain dynamic auditory oddballs. Participants verbally estimated repeated chord sequences that contained oddballs as shorter than those that did not, but reproduced with musical imagery incoherent chord sequences that contained oddballs as longer than those that did not. These findings suggest that (a) intervals that contain attention-capturing, high-priority events are judged as shorter than those that do not when people are engaged in relatively temporal information processing, but as longer than those that do not when people are engaged in relatively nontemporal information processing, and (b) temporal and nontemporal information processing are interdependent. These results support the resource allocation model of short interval time estimation. We discuss implications for attention- and memory-based models, dynamic attending theory, and the ongoing debate about the mechanisms driving the temporal oddball illusion

A Psychological Approach to Musical Form: The Habituation–Fluency Theory of Repetition

With the possible exception of dance and meditation, there appears to be nothing else in common human experience that is comparable to music in its repetitiveness (Kivy 1993; Ockelford 2005; Margulis 2013). Narrative artifacts like movies, novels, cartoon strips, stories, and speeches have much less internal repetition. Even poetry is less repetitive than music. Occasionally, architecture can approach music in repeating some elements, but only some- times. There appears to be no visual analog to the sort of trance–inducing music that can engage listeners for hours. Although dance and meditation may be more repetitive than music, dance is rarely performed in the absence of music, and meditation tellingly relies on imagining a repeated sound or mantra (Huron 2006: 267). Repetition can be observed in music from all over the world (Nettl 2005). In much music, a simple “strophic” pattern is evident in which a single phrase or passage is repeated over and over. When sung, it is common for successive repetitions to employ different words, as in the case of strophic verses. However, it is also common to hear the same words used with each repetition