'Tell all the truth, but tell it slant': a poetics of truth and reconciliation

There is a voice that tries to speak the truth. This essay will suggest that the discourse on the South African Truth and Reconciliation Commission (TRC) has perhaps ignored this most invisible of things, and has looked for the truth of the Commission everywhere except where it might be found, if indeed it can be found at all. To the extent that it is possible to oppose the truth of the voice to another truth, it may be useful to make use of a notion of poetics; even a sublime poetics

Strong and Weak Interpretations in Translating Chinese Poetry

Are classical Chinese and modern Chinese one language, or two? Is translating classical Chinese poetry the same as or different from translating modern Chinese poetry? I have earlier argued that modern Chinese poetry is in some ways a translation of premodern Chinese poetics through the filter of international poetics—but if this is the case, then should translation of classical and modern poetry into English be more similar than they are? Looking at Lydia Liu’s notion of the “supersign” alongside my experiences translating contemporary poets Ouyang Jianghe and Xi Chuan as well as Tang dynasty poet Li Shangyin, I discuss what I call “weak interpretations” and “strong interpretations” and how they play out in the translational alignment of classical and modern Chinese poetry with poetry in English today

WRITING UTOPIA NOW: Utopian Poetics In The Work Of Theresa Hak Kyung Cha

This thesis examines Theresa Hak Kyung Cha’s DICTEE (1982), Audience Distant Relative (1977) and Reveillé dans la Brume (Awakened in the Mist) (1977). The premise of the thesis is an exploration of the various ways in which these works both perform and gesture toward the possibility of a ‘utopian’ experience of nonalienation. In Cha’s vocabulary, this takes the form of ‘interfusion’ and is related to the role of the artist as alchemist. Cha employs formal and linguistic innovations in her text, mail art and performance works to invite active participation from her readers and audience in a gesture toward embodied intersubjectivity. Her grappling with the challenges relating to the articulation of subjectivity place her work at the centre of contemporary critical debates around subjectivity and innovative poetics. In particular, recent scholarship on race and the poetic avant-garde has called for cross-disciplinary approaches to reading DICTEE as a text that explores the intersections of subjectivity and its performance in contemporary innovative poetics. Developing a theory of Utopian Poetics from my reading of Ernst Bloch’s utopian philosophy, I explore the ways in which DICTEE and Cha’s other works perform a yearning for non-alienated subjectivity that remains necessarily open and incomplete. My reading of DICTEE, in particular, is primarily informed by my own practices of yoga and meditation, and these practices form the basis of both my scholarly and creative engagements with this research. This scholarly thesis comprises Part 1 of a two-part submission. Part 2 comprises my own creative experiments with UtopianPoetics

文学认知研究的精妙科学 = Wen xue ren zhi yan jiu de jing miao ke xue

This paper reviews some key issues in the current study of cognitive poetics． It first explores the range of cognitive poetics，emphasizing the centrality of textuality and texture in cognitive poetics． Then it follows to outline different approaches to cognitive poetics and put forward some important principles of cognitive poetics． Lastly，it concludes the aesthetic and ethic tendency in cognitive literary studies，assuming that the connection of meaning，feeling and moral relationships allows cognitive poetics to encompass an integrated account of literature，which in turn aspires towards a reasonable account of consciousness in literary reading

Dynamic capabilities, creative action and poetics

Research on dynamic capabilities explores how businesses change enables enterprises to remain competitive. However, theory on dynamic capabilities still struggles to capture novelty, the essence of change. This study argues that a full understanding of strategic change requires us to sharpen our focus on real people and experiences; in turn, we must incorporate other faculties, which almost always operate alongside our logical ones, into our theory. We must pay more attention to the "non-rational" sides of ourselves-including, but not limited to, our imaginations, intuitions, attractions, biographies, preferences, and aesthetic faculties and capabilities. We argue that all such faculties, on the one hand, are central to our abilities to comprehend and cope with complexity and, on the other hand, foster novel understandings, potential responses, and social creativity. This study introduces the possibility of an alternative form of inquiry that highlights the role of poetic faculties in strategic behavior and change

Shoah in Marian Pankowski’s Literary Art

The article centers on the theme of the Holocaust in the literary works of Marian Pankowski: its sources, relations with the concentration camp theme, particular works and their poetics, as well as the aesthetic, social and political problems related to the theme of the Holocaust