Micro protocol engineering for unstructured carriers: On the embedding of steganographic control protocols into audio transmissions

Network steganography conceals the transfer of sensitive information within unobtrusive data in computer networks. So-called micro protocols are communication protocols placed within the payload of a network steganographic transfer. They enrich this transfer with features such as reliability, dynamic overlay routing, or performance optimization --- just to mention a few. We present different design approaches for the embedding of hidden channels with micro protocols in digitized audio signals under consideration of different requirements. On the basis of experimental results, our design approaches are compared, and introduced into a protocol engineering approach for micro protocols.Comment: 20 pages, 7 figures, 4 table

Spread spectrum-based video watermarking algorithms for copyright protection

Merged with duplicate record 10026.1/2263 on 14.03.2017 by CS (TIS)Digital technologies know an unprecedented expansion in the last years. The consumer can now benefit from hardware and software which was considered state-of-the-art several years ago. The advantages offered by the digital technologies are major but the same digital technology opens the door for unlimited piracy. Copying an analogue VCR tape was certainly possible and relatively easy, in spite of various forms of protection, but due to the analogue environment, the subsequent copies had an inherent loss in quality. This was a natural way of limiting the multiple copying of a video material. With digital technology, this barrier disappears, being possible to make as many copies as desired, without any loss in quality whatsoever. Digital watermarking is one of the best available tools for fighting this threat. The aim of the present work was to develop a digital watermarking system compliant with the recommendations drawn by the EBU, for video broadcast monitoring. Since the watermark can be inserted in either spatial domain or transform domain, this aspect was investigated and led to the conclusion that wavelet transform is one of the best solutions available. Since watermarking is not an easy task, especially considering the robustness under various attacks several techniques were employed in order to increase the capacity/robustness of the system: spread-spectrum and modulation techniques to cast the watermark, powerful error correction to protect the mark, human visual models to insert a robust mark and to ensure its invisibility. The combination of these methods led to a major improvement, but yet the system wasn't robust to several important geometrical attacks. In order to achieve this last milestone, the system uses two distinct watermarks: a spatial domain reference watermark and the main watermark embedded in the wavelet domain. By using this reference watermark and techniques specific to image registration, the system is able to determine the parameters of the attack and revert it. Once the attack was reverted, the main watermark is recovered. The final result is a high capacity, blind DWr-based video watermarking system, robust to a wide range of attacks.BBC Research & Developmen

Audio Signal Processing Using Time-Frequency Approaches: Coding, Classification, Fingerprinting, and Watermarking

Audio signals are information rich nonstationary signals that play an important role in our day-to-day communication, perception of environment, and entertainment. Due to its non-stationary nature, time- or frequency-only approaches are inadequate in analyzing these signals. A joint time-frequency (TF) approach would be a better choice to efficiently process these signals. In this digital era, compression, intelligent indexing for content-based retrieval, classification, and protection of digital audio content are few of the areas that encapsulate a majority of the audio signal processing applications. In this paper, we present a comprehensive array of TF methodologies that successfully address applications in all of the above mentioned areas. A TF-based audio coding scheme with novel psychoacoustics model, music classification, audio classification of environmental sounds, audio fingerprinting, and audio watermarking will be presented to demonstrate the advantages of using time-frequency approaches in analyzing and extracting information from audio signals.</p

Watermarking Technique for Multimedia Documents in the Frequency Domain

In order to secure and maintain the authenticity and integrity of multimedia documents, we use digital watermarking. This discipline can be applied to images, audios, and videos. For this reason, and to be independent of the nature of the signal composing the document to be watermarked, we will propose in this chapter two watermarking techniques, one for the audio and another for the image to watermark a video containing the two components audio and image. MDCT is combined with Watson model and a motion detection algorithm in the image watermarking technique and is combined with a psychoacoustic model to elaborate the audio watermarking technique. For the two techniques, the bits of the mark will be duplicated to increase the capacity of insertion and then inserted into the least significant bit (LSB). We will use an error correction code (Hamming) on the mark for more reliability in the detection phase. To highlight our experimental results point of view robustness and imperceptibility, we will compare the proposed techniques with some other existing techniques

A robust audio watermarking scheme based on reduced singular value decomposition and distortion removal

This paper presents a blind audio watermarking algorithm based on the reduced singular value decomposition(RSVD). A new observation on one of the resulting unitary matrices is uncovered. The proposed scheme manipulates coefficients based on this observation in order to embed watermark bits. To preserve audio fidelity a threshold- based distortion control technique is applied and this is further supplemented by distortion suppression utilizing psychoacoustic principles. Test results on real music signals show that this watermarking scheme is in the range of imperceptibility for human hearing, is accurate and also robust against MP3 compression at various bit rates as well as other selected attacks. The data payload is comparatively high compared to existing audio watermarking schemes