JND-Based Perceptual Video Coding for 4:4:4 Screen Content Data in HEVC

The JCT-VC standardized Screen Content Coding (SCC) extension in the HEVC HM RExt + SCM reference codec offers an impressive coding efficiency performance when compared with HM RExt alone; however, it is not significantly perceptually optimized. For instance, it does not include advanced HVS-based perceptual coding methods, such as JND-based spatiotemporal masking schemes. In this paper, we propose a novel JND-based perceptual video coding technique for HM RExt + SCM. The proposed method is designed to further improve the compression performance of HM RExt + SCM when applied to YCbCr 4:4:4 SC video data. In the proposed technique, luminance masking and chrominance masking are exploited to perceptually adjust the Quantization Step Size (QStep) at the Coding Block (CB) level. Compared with HM RExt 16.10 + SCM 8.0, the proposed method considerably reduces bitrates (Kbps), with a maximum reduction of 48.3%. In addition to this, the subjective evaluations reveal that SC-PAQ achieves visually lossless coding at very low bitrates.Comment: Preprint: 2018 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2018

A Novel Macroblock Level Rate Control Method for Stereo Video Coding

To compress stereo video effectively, this paper proposes a novel macroblock (MB) level rate control method based on binocular perception. A binocular just-notification difference (BJND) model based on the parallax matching is first used to describe binocular perception. Then, the proposed rate control method is performed in stereo video coding with four levels, namely, view level, group-of-pictures (GOP) level, frame level, and MB level. In the view level, different proportions of bitrates are allocated for the left and right views of stereo video according to the prestatistical rate allocation proportion. In the GOP level, the total number of bitrates allocated to each GOP is computed and the initial quantization parameter of each GOP is set. In the frame level, the target bits allocated to each frame are computed. In the MB level, visual perception factor, which is measured by the BJND value of MB, is used to adjust the MB level bit allocation, so that the rate control results in line with the human visual characteristics. Experimental results show that the proposed method can control the bitrate more accurately and get better subjective quality of stereo video, compared with other methods

Visually lossless coding in HEVC : a high bit depth and 4:4:4 capable JND-based perceptual quantisation technique for HEVC

Due to the increasing prevalence of high bit depth and YCbCr 4:4:4 video data, it is desirable to develop a JND-based visually lossless coding technique which can account for high bit depth 4:4:4 data in addition to standard 8-bit precision chroma subsampled data. In this paper, we propose a Coding Block (CB)-level JND-based luma and chroma perceptual quantisation technique for HEVC named Pixel-PAQ. Pixel-PAQ exploits both luminance masking and chrominance masking to achieve JND-based visually lossless coding; the proposed method is compatible with high bit depth YCbCr 4:4:4 video data of any resolution. When applied to YCbCr 4:4:4 high bit depth video data, Pixel-PAQ can achieve vast bitrate reductions – of up to 75% (68.6% over four QP data points) – compared with a state-of-the-art luma-based JND method for HEVC named IDSQ. Moreover, the participants in the subjective evaluations confirm that visually lossless coding is successfully achieved by Pixel-PAQ (at a PSNR value of 28.04 dB in one test)

Subjective quality evaluation of foveated video coding using audio-visual focus of attention

This paper presents a foveated coding method using audio-visual focus of attention and its evaluation through extensive subjective experiments on both standard definition and high definition sequences. Regarding a sound-emitting region as the location drawing the human attention, the method applies varying quality levels in an image frame according to the distance of a pixel to the identified sound source. Two experiments are presented to prove the efficiency of the method. Experiment 1 examines the validity and effectiveness of the method in comparison to the constant quality coding for high quality conditions. In Experiment 2, the method is compared to the fixed bit rate coding for low quality conditions where coding artifacts are noticeable. The results demonstrate that the foveated coding method provides considerable coding gain without significant quality degradation, but uneven distributions of the coding artifacts (blockiness) by the method are often less preferred than the uniform distribution of the artifacts. Additional interesting findings are also discussed, such as content dependence of the performance of the method, the memory effect in multiple viewings, and the difference in the quality perception for frame size variations

Video compression algorithms for HEVC and beyond

PhDDue to the increasing number of new services and devices that allow the creation, distribution and consumption of video content, the amount of video information being transmitted all over the world is constantly growing. Video compression technology is essential to cope with the ever increasing volume of digital video data being distributed in today's networks, as more e cient video compression techniques allow support for higher volumes of video data under the same memory/bandwidth constraints. This is especially relevant with the introduction of new and more immersive video formats associated with signi cantly higher amounts of data. In this thesis, novel techniques for improving the e ciency of current and future video coding technologies are investigated. Several aspects that in uence the way conventional video coding methods work are considered. In particular, the properties and limitations of the Human Visual System are exploited to tune the performance of video encoders towards better subjective quality. Additionally, it is shown how the visibility of speci c types of visual artefacts can be prevented during the video encoding process, in order to avoid subjective quality degradations in the compressed content. Techniques for higher video compression e ciency are also explored, targeting to improve the compression capabilities of state-of-the-art video coding standards. Finally, the application of video coding technologies to practical use-cases is considered. Accurate estimation models are devised to control the encoding time and bit rate associated with compressed video signals, in order to meet speci c encoding time and transmission time restrictions