Parameter Optimization in Automatic Transcription of Music

Based on former work on automatic transcription of musical time series into sheet music (Ligges et al. (2002), Weihs and Ligges (2003, 2005)) in this paper parameters of the transcription algorithm are optimized for various real singers. Moreover, the parameters of various artificial singer models derived from the models of Rossignol et al. (1999) and Davy and Godsill (2002) are estimated. In both cases, optimization is carried out by the Nelder-Mead (1965) search algorithm. In the modelling case a hierarchical Bayes extension is estimated by WinBUGS (Spiegelhalter et al. (2004)) as well. In all cases, optimal parameters are compared to heuristic estimates from our former standard method. --

Parameter Optimization in Automatic Transcription of Music

Based on former work on automatic transcription of musical time series into sheet music (Ligges et al. (2002), Weihs and Ligges (2003, 2005)) in this paper parameters of the transcription algorithm are optimized for various real singers. Moreover, the parameters of various artificial singer models derived from the models of Rossignol et al. (1999) and Davy and Godsill (2002) are estimated. In both cases, optimization is carried out by the Nelder-Mead (1965) search algorithm. In the modelling case a hierarchical Bayes extension is estimated by WinBUGS (Spiegelhalter et al. (2004)) as well. In all cases, optimal parameters are compared to heuristic estimates from our former standard method

Invariances and Data Augmentation for Supervised Music Transcription

This paper explores a variety of models for frame-based music transcription, with an emphasis on the methods needed to reach state-of-the-art on human recordings. The translation-invariant network discussed in this paper, which combines a traditional filterbank with a convolutional neural network, was the top-performing model in the 2017 MIREX Multiple Fundamental Frequency Estimation evaluation. This class of models shares parameters in the log-frequency domain, which exploits the frequency invariance of music to reduce the number of model parameters and avoid overfitting to the training data. All models in this paper were trained with supervision by labeled data from the MusicNet dataset, augmented by random label-preserving pitch-shift transformations.Comment: 6 page