10,216 research outputs found

    Stay-at-home Fathers in Contemporary Urban China

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    This research investigates stay-at-home fathers (SAHFs) as an emerging gendered identity in contemporary urban China. Being a SAHF constitutes an unconventional gender role in China, which has been marginalised by longstanding prejudice against men who are not the main wage-earners in the family unit. My scrutiny of the discourse surrounding this new role contributes to existing literature on the social production of gender difference and hierarchy in urban China. This research is particularly significant now, at a time when gender inequalities in China coexist with an increasingly individualistic culture, and yet these inequalities remain largely unaddressed by government discourse and often reinforced through popular discourse. This research seeks to answer three questions: What motivates men to become SAHFs? How do they perceive, experience, and enact their role as SAHFs? How does the construction of SAHF masculinity intersect with changing representations of urban family life and masculinity in contemporary urban China? To address these three interrelated questions, I examine three sources of data about SAHFs – TV dramas, social media articles, and interviews – focusing on how SAHFs’ perceptions, experiences, and practices are understood both by SAHFs themselves and wider society. Current research on SAHFs has been predominantly focused on the Global North to the extent that this is the first research on SAHFs in mainland China that focuses on how multiple discourses contribute to the construction and reconstruction of familial masculinity and wider family relations. By highlighting the plurality and ongoing reconfiguration of masculinity that has emerged from my three data sources, I show how discourse produced by and about SAHFs not only sustains but also sometimes transforms conventional notions of gender. In doing so, my research adds new perspectives to existing literature on Chinese masculinities and family life, as well as studies of SAHFs and the family in other countries

    I was there!:Pop venues and festivals and their value in the ecosystem of live music

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    How the Migration Process drives the establishment of a Psychological Home: An Italian mixed methods study in the light of Community Psychology

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    The concept of "home" holds profound significance for individuals, yet its definition becomes complex amid changes in living environments, particularly for migrants. This doctoral project explores how migrants construct their psychological sense of home and its impact on well-being. Defense mechanisms, such as idealization or assimilation, play a pivotal role in shaping migrants' psychological sense of home, evolving over time. Despite recognizing the significance of home in migrants' lives, there is a research gap in understanding their psychological sense of home. The study adopts a community psychology approach to migration research, emphasizing relational aspects, contextual interactions, and intervention development. Italy's social scenario, marked by cultural pluralism, makes this approach particularly relevant. The thesis comprises five chapters, offering a theoretical framework, exploring the concept of home, presenting the research question, describing the Italian context, and detailing the methodology. The main studies include a literature review, qualitative interviews, and a quantitative study, each contributing to a comprehensive understanding of migrants' psychological sense of home. The final chapter integrates findings, elucidating the process of establishing a psychological home for migrants. It explores bridging gaps between individual and community-focused migration studies, highlights study limitations, suggests future research, and outlines practical implications. The study contributes valuable insights into the intricate relationship between migrants' psychological sense of home, well-being, and community interactions

    Displacement and the Humanities: Manifestos from the Ancient to the Present

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    This is the final version. Available on open access from MDPI via the DOI in this recordThis is a reprint of articles from the Special Issue published online in the open access journal Humanities (ISSN 2076-0787) (available at: https://www.mdpi.com/journal/humanities/special_issues/Manifestos Ancient Present)This volume brings together the work of practitioners, communities, artists and other researchers from multiple disciplines. Seeking to provoke a discourse around displacement within and beyond the field of Humanities, it positions historical cases and debates, some reaching into the ancient past, within diverse geo-chronological contexts and current world urgencies. In adopting an innovative dialogic structure, between practitioners on the ground - from architects and urban planners to artists - and academics working across subject areas, the volume is a proposition to: remap priorities for current research agendas; open up disciplines, critically analysing their approaches; address the socio-political responsibilities that we have as scholars and practitioners; and provide an alternative site of discourse for contemporary concerns about displacement. Ultimately, this volume aims to provoke future work and collaborations - hence, manifestos - not only in the historical and literary fields, but wider research concerned with human mobility and the challenges confronting people who are out of place of rights, protection and belonging

    Climate Change and Critical Agrarian Studies

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    Climate change is perhaps the greatest threat to humanity today and plays out as a cruel engine of myriad forms of injustice, violence and destruction. The effects of climate change from human-made emissions of greenhouse gases are devastating and accelerating; yet are uncertain and uneven both in terms of geography and socio-economic impacts. Emerging from the dynamics of capitalism since the industrial revolution — as well as industrialisation under state-led socialism — the consequences of climate change are especially profound for the countryside and its inhabitants. The book interrogates the narratives and strategies that frame climate change and examines the institutionalised responses in agrarian settings, highlighting what exclusions and inclusions result. It explores how different people — in relation to class and other co-constituted axes of social difference such as gender, race, ethnicity, age and occupation — are affected by climate change, as well as the climate adaptation and mitigation responses being implemented in rural areas. The book in turn explores how climate change – and the responses to it - affect processes of social differentiation, trajectories of accumulation and in turn agrarian politics. Finally, the book examines what strategies are required to confront climate change, and the underlying political-economic dynamics that cause it, reflecting on what this means for agrarian struggles across the world. The 26 chapters in this volume explore how the relationship between capitalism and climate change plays out in the rural world and, in particular, the way agrarian struggles connect with the huge challenge of climate change. Through a huge variety of case studies alongside more conceptual chapters, the book makes the often-missing connection between climate change and critical agrarian studies. The book argues that making the connection between climate and agrarian justice is crucial

    Choreographing tragedy into the twenty-first century

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    What makes a tragedy? In the fifth century BCE this question found an answer through the conjoined forms of song and dance. Since the mid-twentieth century, and the work of the Tanztheater Wuppertal Pina Bausch, tragedy has been variously articulated as form coming apart at the seams. This thesis approaches tragedy through the work of five major choreographers and a director who each, in some way, turn back to Bausch. After exploring the Tanztheater Wuppertal’s techniques for choreographing tragedy in chapter one, I dedicate a chapter each to Dimitris Papaioannou, Akram Khan, Trajal Harrell, Ivo van Hove with Wim Vandekeybus, and Gisùle Vienne. Bringing together work in Queer and Trans* studies, Performance studies, Classics, Dance, and Classical Reception studies I work towards an understanding of the ways in which these choreographers articulate tragedy through embodiment and relation. I consider how tragedy transforms into the twenty-first century, how it shapes what it might mean to live and die with(out) one another. This includes tragic acts of mythic construction, attempts to describe a sense of the world as it collapses, colonial claims to ownership over the earth, and decolonial moves to enact new ways of being human. By developing an expanded sense of both choreography and the tragic one of my main contributions is a re-theorisation of tragedy that brings together two major pre-existing schools, to understand tragedy not as an event, but as a process. Under these conditions, and the shifting conditions of the world around us, I argue that the choreography of tragedy has and might continue to allow us to think about, name, and embody ourselves outside of the ongoing catastrophes we face

    LIPIcs, Volume 251, ITCS 2023, Complete Volume

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    LIPIcs, Volume 251, ITCS 2023, Complete Volum

    Fictocritical Cyberfeminism: A Paralogical Model for Post-Internet Communication

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    This dissertation positions the understudied and experimental writing practice of fictocriticism as an analog for the convergent and indeterminate nature of “post-Internet” communication as well a cyberfeminist technology for interfering and in-tervening in metanarratives of technoscience and technocapitalism that structure contemporary media. Significant theoretical valences are established between twen-tieth century literary works of fictocriticism and the hybrid and ephemeral modes of writing endemic to emergent, twenty-first century forms of networked communica-tion such as social media. Through a critical theoretical understanding of paralogy, or that countercultural logic of deploying language outside legitimate discourses, in-volving various tactics of multivocity, mimesis and metagraphy, fictocriticism is ex-plored as a self-referencing linguistic machine which exists intentionally to occupy those liminal territories “somewhere in among/between criticism, autobiography and fiction” (Hunter qtd. in Kerr 1996). Additionally, as a writing practice that orig-inated in Canada and yet remains marginal to national and international literary scholarship, this dissertation elevates the origins and ongoing relevance of fictocriti-cism by mapping its shared aims and concerns onto proximal discourses of post-structuralism, cyberfeminism, network ecology, media art, the avant-garde, glitch feminism, and radical self-authorship in online environments. Theorized in such a matrix, I argue that fictocriticism represents a capacious framework for writing and reading media that embodies the self-reflexive politics of second-order cybernetic theory while disrupting the rhetoric of technoscientific and neoliberal economic forc-es with speech acts of calculated incoherence. Additionally, through the inclusion of my own fictocritical writing as works of research-creation that interpolate the more traditional chapters and subchapters, I theorize and demonstrate praxis of this dis-tinctively indeterminate form of criticism to empirically and meaningfully juxtapose different modes of knowing and speaking about entangled matters of language, bod-ies, and technologies. In its conclusion, this dissertation contends that the “creative paranoia” engendered by fictocritical cyberfeminism in both print and digital media environments offers a pathway towards a more paralogical media literacy that can transform the terms and expectations of our future media ecology
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