A first approach to understanding and measuring naturalness in driver-car interaction

With technology changing the nature of the driving task, qualitative methods can help designers understand and measure driver-car interaction naturalness. Fifteen drivers were interviewed at length in their own parked cars using ethnographically-inspired questions probing issues of interaction salience, expectation, feelings, desires and meanings. Thematic analysis and content analysis found five distinct components relating to 'rich physical' aspects of natural feeling interaction typified by richer physical, analogue, tactile styles of interaction and control. Further components relate to humanlike, intelligent, assistive, socially-aware 'perceived behaviours' of the car. The advantages and challenges of a naturalness-based approach are discussed and ten cognitive component constructs of driver-car naturalness are proposed. These may eventually be applied as a checklist in automotive interaction design.This research was fully funded by a research grant from Jaguar Land Rover, and partially funded by project n.220050/F11 granted by Research Council of Norway

Combining brain-computer interfaces and assistive technologies: state-of-the-art and challenges

In recent years, new research has brought the field of EEG-based Brain-Computer Interfacing (BCI) out of its infancy and into a phase of relative maturity through many demonstrated prototypes such as brain-controlled wheelchairs, keyboards, and computer games. With this proof-of-concept phase in the past, the time is now ripe to focus on the development of practical BCI technologies that can be brought out of the lab and into real-world applications. In particular, we focus on the prospect of improving the lives of countless disabled individuals through a combination of BCI technology with existing assistive technologies (AT). In pursuit of more practical BCIs for use outside of the lab, in this paper, we identify four application areas where disabled individuals could greatly benefit from advancements in BCI technology, namely,“Communication and Control”, “Motor Substitution”, “Entertainment”, and “Motor Recovery”. We review the current state of the art and possible future developments, while discussing the main research issues in these four areas. In particular, we expect the most progress in the development of technologies such as hybrid BCI architectures, user-machine adaptation algorithms, the exploitation of users’ mental states for BCI reliability and confidence measures, the incorporation of principles in human-computer interaction (HCI) to improve BCI usability, and the development of novel BCI technology including better EEG devices

MUSIC MOOD CLASSIFICATION USING CONVOLUTIONAL NEURAL NETWORKS

Grouping music into moods is useful as music is migrating from to online streaming services as it can help in recommendations. To establish the connection between music and mood we develop an end-to-end, open source approach for mood classification using lyrics. We develop a pipeline for tag extraction, lyric extraction, and establishing classification models for classifying music into moods. We investigate techniques to classify music into moods using lyrics and audio features. Using various natural language processing methods with machine learning and deep learning we perform a comparative study across different classification and mood models. The results infer that features from natural language processing are a valuable information source for mood classification. We use methods such as term-frequency/inverse-document frequency, continuous bag of words, distributed bag of words and pre-trained word embeddings to connect lyrical features to mood classes. Different arrangements of the mood labels for music are explored and compared. We establish that features from lyrics with natural language processing methods demonstrate high levels of accuracy using CNNs. Our final model achieves an accuracyof 71% compared to existing methods using SVMs that achieve and accuracy of 60%

Supervised and Unsupervised Learning of Audio Representations for Music Understanding

In this work, we provide a broad comparative analysis of strategies for pre-training audio understanding models for several tasks in the music domain, including labelling of genre, era, origin, mood, instrumentation, key, pitch, vocal characteristics, tempo and sonority. Specifically, we explore how the domain of pre-training datasets (music or generic audio) and the pre-training methodology (supervised or unsupervised) affects the adequacy of the resulting audio embeddings for downstream tasks. We show that models trained via supervised learning on large-scale expert-annotated music datasets achieve state-of-the-art performance in a wide range of music labelling tasks, each with novel content and vocabularies. This can be done in an efficient manner with models containing less than 100 million parameters that require no fine-tuning or reparameterization for downstream tasks, making this approach practical for industry-scale audio catalogs. Within the class of unsupervised learning strategies, we show that the domain of the training dataset can significantly impact the performance of representations learned by the model. We find that restricting the domain of the pre-training dataset to music allows for training with smaller batch sizes while achieving state-of-the-art in unsupervised learning -- and in some cases, supervised learning -- for music understanding. We also corroborate that, while achieving state-of-the-art performance on many tasks, supervised learning can cause models to specialize to the supervised information provided, somewhat compromising a model's generality

Compositional processes of Xylafrique: A Contemporary Art Composition based on the Dagaaba gyil of Ghana.

In recent years, theorist and creative ethnomusicologists have been stressing on the use of elements in indigenous music to achieve syncretism in musical compositions. This article examines the compositional processes of Xylafrique, a contemporary art composition based on Dagaaba gyil of Ghana. It delineates traditional elements in relation to conventions of xylophone musical genre of the Dagaaba.  It highlights the compositional applications of both Western and African music based on Webster’s model of creative thinking, Nketia’s syncretic approach theory and the bi-musicality and African Pianism theories of Euba. Xylafrique provides a theoretical platform that aids the study of traditional music that could be adapted for other non-Western music traditions. It exposes selected traditional idioms of Dagaaba gyil genre to the world of composition. The composition adds to the repertoire of art music and therefore envisaged that it will foster creativity in not only students studying composition but art composers who use traditional elements in constructing their imaginative ideas in creating music. Keywords: Xylafrique, gyil, Dagaaba, syncretic, bi-musicality, African-pianis