149,086 research outputs found
Montage : eine Bibliographie
Kompiliert von Hans J. Wulff Inhalt: 1. Montage 2. Montageexperiment
The Montage Image Mosaic Service: Custom Image Mosaics On-Demand
The Montage software suite has proven extremely useful as a general engine for reprojecting, background matching, and mosaicking astronomical image data from a wide variety of sources. The processing algorithms support all common World Coordinate System (WCS) projections and have been shown to be both astrometrically accurate and flux conserving. The background ‘matching’ algorithm does not remove background flux but rather finds the best compromise background based on all the input and matches the individual images to that. The Infrared Science Archive (IRSA), part of the Infrared Processing and Analysis Center (IPAC) at Caltech, has now wrapped the Montage software as a CGI service and provided a compute and request management infrastructure capable of producing approximately 2 TBytes / day of image mosaic output (e.g. from 2MASS and SDSS data). Besides the basic Montage engine, this service makes use of a 16-node LINUX cluster (dual processor, dual core) and the ROME request management software developed by the National Virtual Observatory (NVO). ROME uses EJB/database technology to manage user requests, queue processing and load balance between users, and managing job monitoring and user notification. The Montage service will be extended to process userdefined data collections, including private data uploads
Montage: a grid portal and software toolkit for science-grade astronomical image mosaicking
Montage is a portable software toolkit for constructing custom, science-grade
mosaics by composing multiple astronomical images. The mosaics constructed by
Montage preserve the astrometry (position) and photometry (intensity) of the
sources in the input images. The mosaic to be constructed is specified by the
user in terms of a set of parameters, including dataset and wavelength to be
used, location and size on the sky, coordinate system and projection, and
spatial sampling rate. Many astronomical datasets are massive, and are stored
in distributed archives that are, in most cases, remote with respect to the
available computational resources. Montage can be run on both single- and
multi-processor computers, including clusters and grids. Standard grid tools
are used to run Montage in the case where the data or computers used to
construct a mosaic are located remotely on the Internet. This paper describes
the architecture, algorithms, and usage of Montage as both a software toolkit
and as a grid portal. Timing results are provided to show how Montage
performance scales with number of processors on a cluster computer. In
addition, we compare the performance of two methods of running Montage in
parallel on a grid.Comment: 16 pages, 11 figure
Vincente Minnelli : eine Bibliographie
Die meisten dieser Aufnahmen enstammen Katalogen und den Bibliographien aus Büchern über Minnelli. Eine erste Fassung der Bibliographie wurde als bibliographische Beilage der 'Montage / AV' (Beil. 1, 1993) vorgelegt
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CASE STUDY 3: Literature and Film - Reading Film: An Angel at My Table
A research case study within a chapter entitled, 'Literary Research and Other Media'; exploring the relationship between film adaptation, life writing and examining in particular the use of montage, with reference to Sergei Eisenstein's theories of montage and Jane Campion's film adaptation of Janet Frame's memoir, 'An Angel at My Table'
The Application of the Montage Image Mosaic Engine To The Visualization Of Astronomical Images
The Montage Image Mosaic Engine was designed as a scalable toolkit, written
in C for performance and portability across *nix platforms, that assembles FITS
images into mosaics. The code is freely available and has been widely used in
the astronomy and IT communities for research, product generation and for
developing next-generation cyber-infrastructure. Recently, it has begun to
finding applicability in the field of visualization. This has come about
because the toolkit design allows easy integration into scalable systems that
process data for subsequent visualization in a browser or client. And it
includes a visualization tool suitable for automation and for integration into
Python: mViewer creates, with a single command, complex multi-color images
overlaid with coordinate displays, labels, and observation footprints, and
includes an adaptive image histogram equalization method that preserves the
structure of a stretched image over its dynamic range. The Montage toolkit
contains functionality originally developed to support the creation and
management of mosaics but which also offers value to visualization: a
background rectification algorithm that reveals the faint structure in an
image; and tools for creating cutout and down-sampled versions of large images.
Version 5 of Montage offers support for visualizing data written in HEALPix
sky-tessellation scheme, and functionality for processing and organizing images
to comply with the TOAST sky-tessellation scheme required for consumption by
the World Wide Telescope (WWT). Four online tutorials enable readers to
reproduce and extend all the visualizations presented in this paper.Comment: 16 pages, 9 figures; accepted for publication in the PASP Special
Focus Issue: Techniques and Methods for Astrophysical Data Visualizatio
The ear against the eye : Vertov’s symphony
Vertov defined the basic qualities of his Cine-Eye by means of a simple negation: it sees what remains inaccessible to the human eye. This means that in his films we see media-based and media-produced images that have nothing to do with the imitation of human perception. According to Vertov, such filmic, telescopic, or microscopic perception develops, educates, and expands the viewer’s analytical abilities. Thus, we have on the one hand a media-induced perception and on the other a new assemblage or montage of the fragments of this mediated perception. This new montage is based on a specific interaction and follows poetic rather than prosaic rules. It is freed from such constraints as time, space, causality, or speed. In other words it is based on properly media-specific qualities and, following the terminology of the Russian Futurists who influenced Vertov in his youth, it constitutes zaum or transrationality
MOSAIX: a tool to built large mosaics from GALEX images
Large sky surveys are providing a huge amount of information for studies of
the interstellar medium, the galactic structure or the cosmic web. Setting into
a common frame information coming from different wavelengths, over large fields
of view, is needed for this kind of research. GALEX is the only nearly all-sky
survey at ultraviolet wavelengths and contains fundamental information for all
types of studies. GALEX field of view is circular embedded in a squared matrix
of 3840 x 3840 pixels. This fact makes it hard to get GALEX images properly
overlapped with the existing astronomical tools such as Aladin or Montage. We
developed our own software for this purpose. In this article, we describe this
software and makes it available to the community.Comment: 7 pages, including 8 figures, accepted by Astrophysics and Space
Scienc
Le montage : de la vision à l’action
Cet article a pour ambition de montrer en quoi le montage, que l'on décrit souvent comme l'essence du langage cinématographique, est un dispositif de médiation de la vision et de l'action. Walter Benjamin, en élargissant les analyses de Eisenstein sur le « montage des attractions », fut un des premiers théoriciens à souligner que le choc visuel du montage obligeait le spectateur à réagir sur le plan politique et à adopter un comportement progressiste.The aim of this article is to show how montage, often described as the essence of cinematographic language, constitutes an apparatus for the mediation of vision and action. Walter Benjamin, building on Eisenstein's analysis of the "montage of attractions," was one of the first theorists to stress that the visual shock of montage obliges the spectator to react politically and to adopt a progressive mode of behaviour
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