William Sharp, masterclass, February 3, 1998

This is the concert program of the William Sharp, masterclass performance on Tuesday, February 3, 1998 at 6:30 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were the following by Franz Schubert: Rastlose Liebe, An die Musik, Ganymed, Die Forelle, Wohin?, and Du bist die Ruh. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

String Department Masterclass, March 15, 1995

This is the concert program of the String Department Masterclass performance on Wedesday, March 15, 1995 at 7:30 p.m., at the Marshall Room, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonate in B major, K. 378 by Wolfgang Amadeus Mozart, Sonata No. 1 in G minor by Johann Sebastian Bach, and Sonata No. 1 in G minor by Johann Sebastian Bach. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

String Department Masterclass, February 1, 1995

This is the concert program of the String Department Masterclass performance on Wednesday, February 1, 1995 at 7:00 p.m., at the Marshall Room, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata for solo violin and Violin Concerto No. 1 in D major by Sergei Prokofiev, Concerto for Doublebass, op. 3 by Sergei Koussevitzky, and Concerto for Viola and Orchestra by William Walton. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Undergraduate Masterclass with Carlo Bergonzi, February 1, 1990

This is the concert program of Undergraduate Masterclass with Carlo Bergonzi performance on Thursday, February 1, 1990 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Questo amor, from Edgar by Giacomo Puccini, Noi donne poverine, from La Finta Giardiniera by Wolfgang Amadeus Mozart, Ma rendi pur contento by Vincenzo Bellini, O del mio dolce ardor by Christoph Willibald Gluck, Perchè dolce, caro bene by Stefano Donaudy, O mio babbino caro, from Gianni Schicchi by Giacomo Puccini, Come Paride vezzoso, from L'Elisir d'Amore by Gaetano Donizetti, and Non so più cosa son, from Le Nozze di Figaro by Wolfgang Amadeus Mozart. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

London Creative and Digital Fusion

date-added: 2015-03-24 04:16:59 +0000 date-modified: 2015-03-24 04:16:59 +0000date-added: 2015-03-24 04:16:59 +0000 date-modified: 2015-03-24 04:16:59 +0000The London Creative and Digital Fusion programme of interactive, tailored and in-depth support was designed to support the UK capital’s creative and digital companies to collaborate, innovate and grow. London is a globally recognised hub for technology, design and creative genius. While many cities around the world can claim to be hubs for technology entrepreneurship, London’s distinctive potential lies in the successful fusion of world-leading technology with world-leading design and creativity. As innovation thrives at the edge, where better to innovate than across the boundaries of these two clusters and cultures? This booklet tells the story of Fusion’s innovation journey, its partners and its unique business support. Most importantly of all it tells stories of companies that, having worked with London Fusion, have innovated and grown. We hope that it will inspire others to follow and build on our beginnings.European Regional Development Fund 2007-13