A proposta de uma ecologia decolonial pensada por Malcom Ferdinand

Book review FERDINAND, Malcom. Uma ecologia decolonial: pensar a partir do mundo caribenho. São Paulo: Editora Ubu, 2022.Reseña de FERDINAND, Malcom. Uma ecologia decolonial: pensar a partir do mundo caribenho. São Paulo: Editora Ubu, 2022.Resenha de FERDINAND, Malcom. Uma ecologia decolonial: pensar a partir do mundo caribenho. São Paulo: Editora Ubu, 2022

Faculty Concert, Wednesday, March 21, 2001

This is the concert program of the Faculty Concert of Anthony Di Bonaventura on Wednesday, March 21, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata in G Major, K. 523, Sonata in D Major, K. 45, Sonata in D Major, K. 487, and Sonata in A Major, K. 39 by Domenico Scarlatti; Fantasie in C Major, Op. 17 by Robert Schumann; and Etude-Tableau in E-flat Major, Op. 33 No.6, Etude-Tableau in G Minor, Op. 33 No. 7, Prelude in C Minor, Op. 23 No. 7, Prelude in E-flat Major, Op. 23 No. 6, Etude-Tableau in C Major, Op. 33 No. 2, Prelude in D Major, Op. 23 No. 4, and Etude-Tableau in D Major, Op. 39 No 9. by Sergei Rachmaninoff. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

An empirical research on the messages transmitted by the universities mottos

The purpose of this paper is to present some results of our empirical research on the messages transmitted by the universities mottos. In a global market for higher education, universities must compete for students re-thinking their offer, and their attractors. One of these attractors is the motto of the university, which suggests an inspiring message. Not all universities have chosen a motto, but many of them have done it. We considered 365 such mottos and we performed a frequency analysis of their components. That means, we analysed the most frequent words used and the key meanings associated with them. These meanings are found also in the vision and mission statements of the chosen universities.higher education, meanings, mottos, universities.

ENJEUX ENVIRONNEMENTAUX, PROTECTION SOCIALE ET INÉGALITÉS SOCIALES

Dossier coordonné par Floran Augagneur et Jeanne FagnaniNational audiencePrésentation du dossier "ENJEUX ENVIRONNEMENTAUX, PROTECTION SOCIALE ET INÉGALITÉS SOCIALES" édité et coordonné par Floran Augagneur (Conseiller scientifique à la Fondation Nicolas Hulot) et Jeanne Fagnani pour la Revue Française des Affaires Sociales (DREES, Ministère des Affaires sociales, de la santé et des droits des femmes). Dossier composé de huit articles et de 4 points de vue dont trois entretiens avec N. Hulot, l'économiste Juan Martinez Alier et le philosophe Fabrice Flipo

Circus

From 1833 when two ropewalkers performed in Sydney, circus skills have provided popular entertainment. By the 1850s thousands watched circus performances outdoors and in purpose-built theatres. The travelling circus was prompted by goldrush crowds far from the cities, and became the default when circus men found it was easier to change audiences than to change repertoires. Sydney seasons were regular annual engagements for many of Australia's circuses well into the twentieth century. Strong links were formed with international performers, and exchanges between the American and Australian circus worlds were frequent

Spartan Daily, April 18, 1986

Volume 86, Issue 52https://scholarworks.sjsu.edu/spartandaily/7441/thumbnail.jp

Old School Catalog 1907-08, Chicago College of Dental Surgery

https://scholar.valpo.edu/oldschoolcatalogs/1026/thumbnail.jp

Pierre Molinier, le corps réinventé

International audienceBeyond the presupposition isolating the male of the feminine, Pierre Molinier's self-portraits claim an aesthetics of the third gender, that of the neutral. This inserting into voluntary margins underlines the ambivalence between presence and absence of the sexual cleavage. At the origin of this "between two genders", there is a liberation from sexual "normality". From the sixties, his work focuses on his very body. Dedicated exclusively to the eroticism, his self-portraits are exploited thanks to the photomontage which also breaks the possibilities inferred by the photographic medium. The photographic practice (re)positions the body as a territory to be reinvented. Worked again and treated until it appears as an idealized image of self, the body re-questions the codes of gender and, through this practice, the conflict between the identity of gender and the identity of sex of the individual. This reflection on the sexual identity actually invites to wonder about what is at stake in a body reconstructed by means of the demolition of the visual medium.Au-delà du présupposé isolant le masculin du féminin, les autoportraits de Pierre Molinier revendiquent une esthétique d'un troisième genre, celui du neutre. Cette mise en marge volontaire souligne l'ambivalence entre présence et absence du clivage sexuel. À l'origine de cet " entre deux genres ", se tient un affranchissement de la " normalité " sexuelle. À compter des années soixante, son oeuvre se focalise sur son corps. Dédiés exclusivement à l'érotisme, ses autoportraits sont exploités grâce au photomontage qui transgresse ainsi lui aussi les possibilités induites par le médium photographique. La pratique photographique (re)positionne ainsi le corps comme un territoire à réinventer. Retravaillé et manipulé jusqu'à figurer une image idéale de lui-même, le corps réinterroge les codes du genre et, à travers elle, la discordance entre l'identité de genre et l'identité de sexe de l'individu. Cette réflexion sur l'identité sexuelle invite de fait à s'interroger sur les enjeux d'un corps reconstruit au moyen de la déconstruction du support visuel

Old School Catalog 1910-11, Chicago College of Dental Surgery

https://scholar.valpo.edu/oldschoolcatalogs/1017/thumbnail.jp