A Death in the Cottage : Spiritual and Economic Improvement in Romantic-Era Scottish Death Narratives

Peer reviewedPostprin

The Sonnet and its Travels

As well as being one of the oldest and best known of all poetic forms, the sonnet is also one of the most widely travelled. Critical studies of the sonnet in English have traced its historical development from its Italian predecessors, through its domestication in Elizabethan England, to its remarkable popularity among modern British, Irish, and American poets. There is still much to learn, however, about the geography of the sonnet. This essay looks at some of the ways in which the sonnet has been shaped in places distant from its familiar European cultural domain: in Roy Campbell's South Africa, Allen Curnow's New Zealand, and Derek Walcott's St Lucia. It claims that, paradoxically, the intense compression of the sonnet form generates a powerful preoccupation with worldwide vision. It also proposes that the shape and size of the sonnet makes it an especially attractive form for poet-translators, and that the circulation of translations, imitations, and versions of sonnets greatly enhances the geographical mobility of the form. The essay concludes that some of the most innovative experiments with the sonnet form, by writers such as Don Paterson and Paul Muldoon, have been those concerned with latitude, and with the crossing of cultural and geographical boundaries

Newbigging Pottery Musselburgh, Scotland c 1800 - c 1930 Ceramic Resource Disc 1

The Newbigging ceramic material, listed and photographed on the enclosed disk has been assigned to the National Museums of Scotland and was catalogued using accession numbers (FD 2004.1.1 to 507. This small and fairly commonplace ceramic assemblage derives from a pottery of 19th and early 20th century date. The shards have been divided by fabric type, form and decoration into 6 folders and 58 files. The majority of the pottery was recovered during a small rescue excavation and salvage operation funded by Historic Scotland. Most of the on site work was carried out by Alison McIntyre, Alan Radley and the author over a three week period at the end of December 1987 and beginning of January 198

The Dead in English Urban Society c. 1689-1840

This thesis is predicated upon a rejection of the existing characterisation of attitudes towards the dead in the eighteenth century. In current thinking this period witnessed the first signs of a reduction in the extent to which people had contact with the dead. However, this assumption is supported by very little research. In focusing on proximity and exposure to the dead body at an ‘everyday’ level this thesis tempers the century’s association with distance and change by revealing a high level of proximity and very significant continuities with both the preceding and proceeding periods. Utilising sources from London, Bristol and York it follows the dead body from the point of death through to its eventual resting place, concentrating in particular on the impact of the newly-emerged undertaking trade and burial practice in the century and a half prior to the widespread establishment of extramural cemeteries and eventual outlawing of burial in towns. The following key questions are addressed: how were spaces shared between the living and the dead; where exactly were the dead present; who had contact with them; and in what ways. The result is a picture which demonstrates that during the long eighteenth century the living shared their private and public urban spaces with the dead to a significant extent. The attitudes governing treatment of the dead body revealed in the process are shown to be at once timeless and period-specific. Foremost among these is the concept of ‘decency’. It is shown that this idea, whilst far from unique to the eighteenth century, had a particular contemporary significance shaped by social and economic factors and their effects on the class structure and urban environment. At the same time, visible in all aspects of treatment of the dead is a pragmatism born of limitations on time and, in particular, space which did not always sit easily with notions of decency, particularly once the dead were underground.AHR

Blackworld, v. 45, i. 02

v. : ill. ; 38-43 cm (original analog pub.),Black world, v.45;i.2https://commons.library.stonybrook.edu/blackworld/1212/thumbnail.jp