The "Absence" of Family in 19th-Century Irish Presbyterian Clerical Biographies

Spanning from Augustine to present time - the articles in this volume present methodological aspects on biographical work in different genres and from different angles. The difficulties in biographical research and writing are discussed, as well as the results and contextual settings of old and new biographies, and the new, critical reading of biographies in our time. The 22 articles on biographical material from Finland to South Africa, and from Ireland to Lithuania, with some concentration on Sweden, is the result of the work of researchers active in the Commission International d'Histoire et d'Etudes du Christianism (CIHEC), at the Royal Swedish Academy of Letters, History and Antiquities, and other invited researchers, representing research areas such as general history, history of literature, and Slavic studies. The articles discuss biographies on medieval saints, 20thc popes, a Russian patriarch, the Presbyterian clergy, Saami narratives, and the Holocaust theme. The common theme is the relevance of spiritual and ecclesiastical biographies to Church history in a wider sense, varying in time and confession

Undergraduate & Graduate Commencement Exercises Program, May 20, 1978.

Bryant University Undergraduate & Graduate Commencement Exercises Program, May 20, 1978

The Spirit of Verdi: Bel Canto Evening: Songs and Arias, March 26, 2013

This is the concert program of the The Spirit of Verdi: Bel Canto Evening: Songs and Arias performance on Tuesday, March 26, 2013 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Cara, cara e dolce by Alessandro Scarlatti, Delizie contente by Pietro Francesco Cavalli, Cangia, cangia tue voglie by Giovanni Fasolo, Qualle fiamma che m'accende by Benedetto Marcello, Bel nume che adoro by Giambattista Cimador, Non t'accostar all'urna by Franz Schubert, Il sogno by Saverio Mercadante, Amor, voce del cielo by Gaetano Donizetti, La ricordanza by Vincenzo Bellini, L'esule and Mi lagnerò tacendo by Gioacchino Rossini, Il sospiro by Gaetano Donizetti, Come un di mi fea felice by Gaetano Braga, Stornello and Cupe e il sepolcro e mutolo by Giuseppe Verdi, and I marinai by Gioacchino Rossini. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

1916 Virginian

https://digitalcommons.longwood.edu/yearbooks/1060/thumbnail.jp

Ellalou Dimmock Honors Voice Recital, November 13, 2012

This is the concert program of the Ellalou Dimmock Honors Voice Recital performance on Tuesday, November 13, 2012 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were From Chants d'Auvergne by Joseph Canteloube, Cuatro Madrigales Amatorios by Joaquin Rodrio, Siete Canciones Populares Españolas by Mauel de Falla, Tarentelle (Monnier) by Gabriel Fauré, Three Songs by Georges Bizet, Catalogue de Fleurs by Darius Milhaud, and Quatre Chansons de Jeunesse by Claude Debussy. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Hair

Program for the 2012 production of Hairhttps://digitalcommons.daemen.edu/musicalfare_programs/1145/thumbnail.jp

Trinity Tablet, June 22-28, 1899 (Commencement Special)

https://digitalrepository.trincoll.edu/tablets/1464/thumbnail.jp