I Hope

As I have gotten older, I have learned that no matter how hard I try, I am never going to be able to repay my mother for everything that she did for me. The blood, sweat, and tears she put into nurturing the sick and troublesome, five-year-old me, the rebellious and lazy fifteen-year-old me, and the clumsy, and sometimes lost me now, are insurmountable. I know she had more trouble raising me than she was supposed to. I know her first five years of being a mother did not include taking me to the park, sitting down on a park bench, and having a family picnic in the sun. Most of it was watching me struggle on the white sheet of the hospital bed. That is why I have always felt obligated to be her perfect child, to be a daughter so good that no one would be able to say that she had not done a good job raising me. And it was an obligation that I was very happy to fulfill, because I honestly loved being in the mold that she put me in. [excerpt

Practicing Hope

In this essay, I consider how the theological virtue of hope might be practiced. I will first explain Thomas Aquinas’s account of this virtue, including its structural relation to the passion of hope, its opposing vices, and its relationship to the friendship of charity. Then, using narrative and character analysis from the film The Shawshank Redemption, I examine a range of hopeful and proto-hopeful practices concerning both the goods one hopes for and the power one relies on to attain those goods. In particular, I show how the film’s picture of the role friends and friendship play in catalyzing hope is a compelling metaphor for Christian hope’s reliance on Go

Socially engaged art: the conscience of urban development

Book synopsis: Emotional Cartography is a collection of essays from artists, designers, psychogeographers, cultural researchers, futurologists and neuroscientists, brought together by Christian Nold, to explore the political, social and cultural implications of visualising intimate biometric data and emotional experiences using technology

Language

The world's greatest playwright is as alive today as he was 400 years ago. His works reflect the political and domestic concerns of contemporary society and are read widely by students, adapted into lavish films, and staged in stunning new productions each year. His words have become commonplaces of the English language and continue to shape our view of the world. And while his works teach us much about ourselves, they also illuminate the world of the Elizabethan and Jacobean England in which he lived and wrote. The most exhaustive and authoritative work of its kind, this fully illustrated encyclopedia draws upon the expertise of a distinguished editor, internationally renowned advisory and editorial board, and hundreds of stellar contributors to chronicle Shakespeare's life, works, world, and legacy. Nearly 4,000 alphabetically arranged entries cover individual works, important actors, leading thinkers and theorists, influential modern adaptations, and numerous historical and contemporary social, political, cultural, and intellectual topics, such as Catholicism, costumes and clothing, jazz, lesbianism, madness, race, science, Shakespeare in the Arab world, and Shakespeare online. The entries, ranging from 50 to over 5,000 words, cite works for further reading, and the encyclopedia closes with appendices listing DVDs, fiction, and children's and young adult literature; an extensive bibliography of print and electronic resources for student research; and a comprehensive index

Middletonian stylistics

Surveys Middleton's use of language

Shakespeare and Language

Written by a team of leading international scholars, this Companion is designed to illuminate Shakespeare's works through discussion of the key topics of Shakespeare studies. Twenty-one brand new essays provide lively and authoritative approaches to recent scholarship and criticism for readers keen to expand their knowledge and appreciation of Shakespeare. The book contains stimulating chapters on traditional topics such as Shakespeare's biography and the transmission of his texts. Individual readings of the plays are given in the context of genre as well as through the cultural and historical perspectives of race, sexuality and gender, and politics and religion. Essays on performance survey the latest digital media as well as stage and film. Throughout the volume, contributors discuss Shakespeare in a global as well as a national context, a dramatist with a long and constantly mutating history of reception and performance. (All chapters are completely new for this second edition and include contributions from some of the world's pre-eminent Shakespeareans.