Space and the Atom: On the Popular Geopolitics of Cold War Rocketry

This paper considers the imbricated domains of space exploration and Cold War geopolitics by following the trajectory of the 'Corporal', the world's first guided missile authorised to carry a nuclear warhead. It examines the popular geopolitics of rocketry as both a technology of mass destruction and as a vehicle for the transcendent dreams of extra-terrestrial discovery. Avoiding both technical and statist accounts, the paper shows how these technologies of Cold War strategic advantage were activated and sustained through popular media and everyday experience. Particular attention is given to such mundane activities as children's play, citing the example of die-cast miniature toys of the Corporal. Through such apparently modest means, nuclear weapons were made intelligible in, and transposable to, a domestic context. The paper is also situated within a wider emerging literature on geographies and geopolitics of outer space.</p

COMMUNICATIONS AND GEOPOLITICS

This article presents the great connection which exists between the technological development which has reverberation in communication field and how a state can exercise its power on international stage, how can consolidate its will and power, and how cancommunication, geopolitics, state power, maritime states, land states

Feminist Geopolitics: Material States

No abstract available

A quiet politics of being together: Miriam and Rose

This paper draws on fieldwork with a befriending scheme that pairs refugees, asylum seekers and local residents in the north east of England. It explores the ways in which a ‘quiet politics’ of encounter, embedded in intimate relationships, is caught up in and productive of complex inter-scale geographies, highlighting the ebbs and flows across security and insecurity. Critically, it foregrounds the relationality of emotions in enabling and maintaining intimate-geopolitics

RUSSIA AND ITS PIPELINE WEAPON

In this paper we intend to present the new power which is given to Russia upon EU due to her great natural resources and due to her control upon pipelines. Now Moscow can exert influence upon countries in Europe not through its revolutionary zeal and its tanks and army, but through its resources. And she knows how to use them and how make the EU dependent on her will: this is a new geopolitics, a 21-th century geopolitics, which is centered upon the control of gas pipelines in Central Asian states and upon EU states' great dependence on Russian pipeline system.energy independence, gas wars, Nabucco pipeline, pipelines, Russia

Introduction : gender and geopolitics in the Eurovision Song Contest

From the vantage point of the early 1990s, when the end of the Cold War not only inspired the discourses of many Eurovision performances but created opportunities for the map of Eurovision participation itself to significantly expand in a short space of time, neither the scale of the contemporary Eurovision Song Contest (ESC) nor the extent to which a field of “Eurovision research” has developed in cultural studies and its related disciplines would have been recognisable. In 1993, when former Warsaw Pact states began to participate in Eurovision for the first time and Yugoslav successor states started to compete in their own right, the contest remained a one-night-per-year theatrical presentation staged in venues that accommodated, at most, a couple of thousand spectators and with points awarded by expert juries from each participating country. Between 1998 and 2004, Eurovision’s organisers, the European Broadcasting Union (EBU), and the national broadcasters responsible for hosting each edition of the contest expanded it into an ever grander spectacle: hosted in arenas before live audiences of 10,000 or more, with (from 2004) a semi-final system enabling every eligible country and broadcaster to participate each year, and with (between 1998 and 2008) points awarded almost entirely on the basis of telephone voting by audiences in each participating state. In research on Eurovision as it stands today, it would almost go without saying that Eurovision and the performances it contains have reflected, communicated and been drawn into narratives of national and European identity which were and are – by their very nature as a nexus between imaginaries of culture and territory – geopolitical

The geopolitics of oil in a carbon-constrained world

Aviel Verbruggen and Thijs Van de Graaf posit that the dominant view of oil geopolitics as a struggle over scarce reserves is lopsided. Assuming that strict carbon limits will be imposed as a result of expected climate change, they believe oil markets will face a structural glut. The geopolitics of oil revolves around abundance-induced conflict, with rival oil producers competing to serve the shrinking oil market