Dimensions of Grace: Factor Analysis of Three Grace Scales

Measuring grace is challenging. Prior research found the Grace Scale (GS), Richmont Grace Scale (RGS), and The Amazing Grace Scale (TAGS) to be reliable, have promising convergent and divergent validity, and to inter-correlate strongly. However, they may tap different constructs, or grace may be multidimensional (Bufford, Blackburn, Sisemore, & Bassett, 2015). Here two exploratory factor analyses of the combined items showed five factors: experiencing God’s grace, costly grace, grace to self, grace from others, and grace to others, partially paralleling Watson, Chen and Sisemore (2011). Items from all three scales loaded on Factor 1, only items from the RGS loaded on Factor 2. The remaining factors were mostly GS items and a few RGS items. The three scales measure somewhat different constructs. Preliminary validity for the five factors is promising. Regressions showed that combinations of the other four proposed scales accounted for at most about one third of the variance on any given grace factor. The five factors showed different patterns of relationships to criterion variables. We propose a 36 item Dimensions of Grace Scale combining items from all three scales for further exploration

GRACE gravity solutions validated by in-situ ocean bottom pressure in different regions of the global ocean

The GRACE satellite mission provides gravity field estimates of the Earth with unprecedented accuracy. Nevertheless,the realistic detection of oceanic mass redistribution remains challenging due to comparatively small signalamplitude, aliasing by tides and other short-term variability, and smoothing of small spatial scales. To verify thecapability of GRACE to measure oceanic mass variability, a validation with in-situ timeseries of Ocean BottomPressure (OBP) timeseries is essential.Here, different GRACE gravity fields provided by the GRACE Science Data System (CSR, GFZ, JPL), GRGS,ITG and others are compared with more than 140 timeseries of OBP sensors deployed throughout all oceans.The performance of the different GRACE products to capture oceanic mass variability is assessed by a weighedcorrelation analysis, taking into account the length and data quality of the in-situ time series. Both Gaussianfiltering and an ocean-model derived spatial pattern filtering method are used for the GRACE data, whereas forthe in-situ timeseries, different de-tiding and de-trending methods are applied to reduce aliasing and sensor drift.The analysis aims (a) to quantify the skill of different GRACE products and to quantify the advances made byrecent GRACE gravity field releases with improved data processing, and (b) to identify regions where GRACEperforms exceptionally well (e.g. high latitudes), and in which parts of the oceans GRACE fails to detect real OBPvariability. Spatial patterns related to the performance of GRACE may help to predict the quality of spacebornegravity measurements also for those oceanic regions where no in-situ data are available. This is critical for thefuture use of GRACE to remotely determine water mass redistribution in all oceans

Cynthia and Parodies

Includes: Cynthia , by Grace Ferguson and Parodies , by Gene Smith and Grace Ferguso

GRACE REED’S SUPERIORITY OVER SAMANTHA REED IN HUNTLEY FITZPATRICK’S MY LIFE NEXT DOOR

This extended essay tries to analyze superiority complex from the character of Grace Reed in Huntley Fitzpatrick’s novel My Life Next Door. In writing this paper, the writer uses library researc that is done by reading books, articles, or any written visual documents related to the topics. While in answering questions, the writer tries to analyze intrinsic aspect and extrinsic aspect with Alfred Adler’s individual psychology theory about superiority and inferiority complex. The purpose of this study is to show the kinds of Grace Reed’s superiority over Samantha Reed, the causes on why superiority is exist in Grace Reed’s character and to the effects of Grace’s Reed superiority towards Samantha Reed. The result show that Grace Reed’s superiority can be seen from how Grace Reed behave in everyday life, the factors from the circumstances and the conflicts that happened to the character

Capstone 2019 Art and Art History Senior Projects

This booklet profiles Art Senior Projects by Angelique J. Acevedo, Arin Brault, Bailey Harper, Sue Holz, Yirui Jia, Jianrui Li, Annora B. Mack, Emma C. Mugford, Inayah D. Sherry, Jacob H. Smalley, Laura Grace Waters and Laurel J. Wilson. This booklet profiles Art History Senior Projects by Gabriella Bucci, Melissa Casale, Bailey Harper, Erin O\u27Brien and Laura Grace Waters