1,002 research outputs found
Pushing the Limits of 3D Color Printing: Error Diffusion with Translucent Materials
Accurate color reproduction is important in many applications of 3D printing,
from design prototypes to 3D color copies or portraits. Although full color is
available via other technologies, multi-jet printers have greater potential for
graphical 3D printing, in terms of reproducing complex appearance properties.
However, to date these printers cannot produce full color, and doing so poses
substantial technical challenges, from the shear amount of data to the
translucency of the available color materials. In this paper, we propose an
error diffusion halftoning approach to achieve full color with multi-jet
printers, which operates on multiple isosurfaces or layers within the object.
We propose a novel traversal algorithm for voxel surfaces, which allows the
transfer of existing error diffusion algorithms from 2D printing. The resulting
prints faithfully reproduce colors, color gradients and fine-scale details.Comment: 15 pages, 14 figures; includes supplemental figure
Digital Color Imaging
This paper surveys current technology and research in the area of digital
color imaging. In order to establish the background and lay down terminology,
fundamental concepts of color perception and measurement are first presented
us-ing vector-space notation and terminology. Present-day color recording and
reproduction systems are reviewed along with the common mathematical models
used for representing these devices. Algorithms for processing color images for
display and communication are surveyed, and a forecast of research trends is
attempted. An extensive bibliography is provided
Evaluation of the color image and video processing chain and visual quality management for consumer systems
With the advent of novel digital display technologies, color processing is increasingly becoming a key aspect in consumer video applications. Today’s state-of-the-art displays require sophisticated color and image reproduction techniques in order to achieve larger screen size, higher luminance and higher resolution than ever before. However, from color science perspective, there are clearly opportunities for improvement in the color reproduction capabilities of various emerging and conventional display technologies. This research seeks to identify potential areas for improvement in color processing in a video processing chain. As part of this research, various processes involved in a typical video processing chain in consumer video applications were reviewed. Several published color and contrast enhancement algorithms were evaluated, and a novel algorithm was developed to enhance color and contrast in images and videos in an effective and coordinated manner. Further, a psychophysical technique was developed and implemented for performing visual evaluation of color image and consumer video quality. Based on the performance analysis and visual experiments involving various algorithms, guidelines were proposed for the development of an effective color and contrast enhancement method for images and video applications. It is hoped that the knowledge gained from this research will help build a better understanding of color processing and color quality management methods in consumer video
Towards Real World HDRTV Reconstruction: A Data Synthesis-based Approach
Existing deep learning based HDRTV reconstruction methods assume one kind of
tone mapping operators (TMOs) as the degradation procedure to synthesize
SDRTV-HDRTV pairs for supervised training. In this paper, we argue that,
although traditional TMOs exploit efficient dynamic range compression priors,
they have several drawbacks on modeling the realistic degradation: information
over-preservation, color bias and possible artifacts, making the trained
reconstruction networks hard to generalize well to real-world cases. To solve
this problem, we propose a learning-based data synthesis approach to learn the
properties of real-world SDRTVs by integrating several tone mapping priors into
both network structures and loss functions. In specific, we design a
conditioned two-stream network with prior tone mapping results as a guidance to
synthesize SDRTVs by both global and local transformations. To train the data
synthesis network, we form a novel self-supervised content loss to constraint
different aspects of the synthesized SDRTVs at regions with different
brightness distributions and an adversarial loss to emphasize the details to be
more realistic. To validate the effectiveness of our approach, we synthesize
SDRTV-HDRTV pairs with our method and use them to train several HDRTV
reconstruction networks. Then we collect two inference datasets containing both
labeled and unlabeled real-world SDRTVs, respectively. Experimental results
demonstrate that, the networks trained with our synthesized data generalize
significantly better to these two real-world datasets than existing solutions
Objective and subjective assessment of perceptual factors in HDR content processing
The development of the display and camera technology makes high dynamic range (HDR) image become more and more popular. High dynamic range image give us pleasant image which has more details that makes high dynamic range image has good quality. This paper shows us the some important techniques in HDR images. And it also presents the work the author did. The paper is formed of three parts. The first part is an introduction of HDR image. From this part we can know why HDR image has good quality
Non-Iterative Tone Mapping With High Efficiency and Robustness
This paper proposes an efficient approach for tone mapping, which provides a high perceptual image quality for diverse scenes. Most existing methods, optimizing images for the perceptual model, use an iterative process and this process is time consuming. To solve this problem, we proposed a new layer-based non-iterative approach to finding an optimal detail layer for generating a tone-mapped image. The proposed method consists of the following three steps. First, an image is decomposed into a base layer and a detail layer to separate the illumination and detail components. Next, the base layer is globally compressed by applying the statistical naturalness model based on the statistics of the luminance and contrast in the natural scenes. The detail layer is locally optimized based on the structure fidelity measure, representing the degree of local structural detail preservation. Finally, the proposed method constructs the final tone-mapped image by combining the resultant layers. The performance evaluation reveals that the proposed method outperforms the benchmarking methods for almost all the benchmarking test images. Specifically, the proposed method improves an average tone mapping quality index-II (TMQI-II), a feature similarity index for tone-mapped images (FSITM), and a high-dynamic range-visible difference predictor (HDR-VDP)-2.2 by up to 0.651 (223.4%), 0.088 (11.5%), and 10.371 (25.2%), respectively, compared with the benchmarking methods, whereas it improves the processing speed by over 2611 times. Furthermore, the proposed method decreases the standard deviations of TMQI-II, FSITM, and HDR-VDP-2.2, and processing time by up to 81.4%, 18.9%, 12.6%, and 99.9%, respectively, when compared with the benchmarking methods.11Ysciescopu
Vision models for wide color gamut imaging in cinema
Gamut mapping is the problem of transforming the colors of image or video content so as to fully exploit the color palette of the display device where the content will be shown, while preserving the artistic intent of the original content's creator. In particular, in the cinema industry, the rapid advancement in display technologies has created a pressing need to develop automatic and fast gamut mapping algorithms. In this article, we propose a novel framework that is based on vision science models, performs both gamut reduction and gamut extension, is of low computational complexity, produces results that are free from artifacts and outperforms state-of-the-art methods according to psychophysical tests. Our experiments also highlight the limitations of existing objective metrics for the gamut mapping problem
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