Guanxi and the organization of Chinese new year festivals in England

This article explores how Chinese diaspora communities use guanxi, a unique Chinese interpretation of personal relationships, in the organization of Chinese New Year (CNY) festivals in England. A case-study approach that incorporated mixed qualitative methods was used to investigate the interactions and interrelationships between the ethnic Chinese communities involved in the organization of CNY festivals in five English cities. The article argues that Chinese diaspora communities use their guanxi to establish collaboration at CNY festivals. However, the process of organizing CNY festivals has also exposed divisions among Chinese communities. The article proposes that guanxi has important implications for the relationships among Chinese diaspora communities in the context of CNY festivals. Although it facilitates collaboration and promotes solidarity among Chinese communities, it may also intensify competition for power. Diaspora festivals in general are a neglected area of research and this article is the first to study the organization of Chinese New Year festivals in detail

Indigenous Film Festivals as Eco-Testimonial Encounter: The 2011 Native Film + Video Festival

In struggles for political and cultural recognition many Indigenous groups employ visual media to make their concerns heard. Amongst these various channels for media activism are Indigenous film festivals which, in the words of festival coordinator Amalia Cόrdova, work to convey ‘a sense of solidarity with Indigenous struggles’. Cόrdova’s essay on Indigenous film festivals appears in the collection Film Festivals and Activism (2012). In the introduction to the collection co-editor Leshu Torchin writes about activist festivals as testimonial encounters or fields of witnessing where the films offer testimony and the audiences serve as witnessing publics, ‘viewers [who] take responsibility for what they have seen and become ready to respond’. To better understand how Indigenous film festivals embody these activist imperatives as eco-activism I consider the case of the 2011 Native American Film and Video Festival (NAFVF) with its special eco-themed focus Mother Earth in Crisis. In my analysis of NAFVF I consider both the testimonies of the films and the festival context in which they are placed; by doing so I add to the growing scholarship in ecocinema studies which within the last ten years has become a legitimate and crucial aspect of ecocriticism’s purview – though surprisingly, with little attention devoted to film festivals. Through this analysis, by articulating what I term the oblique testimony, I argue that Indigenous film festivals are often strongly reflective of the environmental concerns and hopes of Native peoples and suggest ecological engagements that place them in the terrain of environmental film festivals. [excerpt

Buildings or Festivals?

Marco Vitale ist wissenschaftlicher Mitarbeiter in Alter Geschichte (Epigraphie, Numismatik) in Basel und Zürich. Er wurde 2010 promoviert mit einer Untersuchung zur Verwaltung der hellenistischen und römischen Asia Minor (Eparchie und Koinon). Er veröffentlichte eine weitere Monografie zum antiken Syrien (Koinon Syrias). Seine jüngste Veröffentlichung, die Habilitationsschrift, erschien 2017 (Das Imperium in Wort und Bild)

Why people attend science festivals : interests, motivations and self-reported benefits of public engagement with research

As a form of public engagement, science festivals have rapidly expanded in size and number over recent years. However, as with other domains of informal public engagement that are not linked to policy outcomes, existing research does not fully address science festivals’ impacts and popularity.This study adduces evidence from surveys and focus groups to elucidate the perspectives of visitors at a large UK science festival. Results show that visitors value the opportunities science festivals afford to interact with scientific researchers and to encounter different types of science engagement aimed at adults, children and families. The most significant self-reported impact of attending a science festival was the development of increased interest and curiosity about new areas of scientific knowledge within a socially stimulating and enjoyable setting

Outdoor music festivals: Cacophonous consumption or melodious moderation?

Large outdoor music festivals have emerged as part of a general expansion of licensed recreational activities, but in research terms they have been largely impenetrable due to commercial sensitivities. These sensitivities notwithstanding, the number and scale of such events necessitate a greater understanding of alcohol and drug use and the potential to promote normative protective behaviours in this context. This study examines self-reported alcohol and drug behaviours of 1589 attendees at a music festival in Scotland during the summer of 2008. Similarities between the outdoor rock music festivals and the dance club scene are considered alongside the challenges associated with risk reduction in these settings. Results show that alcohol was consumed by the majority of samples; however, negative consequences were reported by a minority of respondents, suggesting evidence of controlled hedonism within a situation traditionally associated with unrestrained excess. Similarly, the majority of samples did not use drugs. The majority also report a number of self-regulating protective behaviours suggesting that alcohol and drug use is contained within a developing social culture of ‘controlled intoxication’. Results further suggest that although music festivals are transitory events, there is a degree of consistency amongst attendees. Music festivals may therefore be atypical but potentially effective environments to increase protective behaviours using normative messaging and modern communications media. This study was resourced exclusively by local alcohol and drug partnerships

Book review: Music festivals and regional development inAustralia

Throughout the world, the number of festivals has grown exponentially in the last two decades as people celebrate local and regional cultures, but perhaps more importantly as local councils and other groups seek to use festivals to promote tourism and to stimulate rural development. This book discusses broad issues affecting music festivals globally, especially in the context of rural revitalisation, drawing on research which traces the overall growth of festivals of various kinds. Paul Benneworth commends the authors for making their landmark contribution in an open, accessible, and ultimately intellectually satisfying way

Forms of World Literature and the Taipei Poetry Festival

In poetry anthologies and works of literary criticism, the authority to select which literature can become “world” literature often lies with a single editor or theorist. This essay contrasts those centralizations of authority with the more egalitarian structure of international poetry festivals. Using the 2016 Taipei Poetry Festival as an example, the essay reads the impact of the form of the festival on its audience’s experience of translation, the local in the transnational, and intercultural solidarity. The essay then argues that boredom is a formal flaw in contemporary festivals, and advocates that translations be performed in local vernaculars

FESTIVAL SENI SEBUAH RITUAL BARU

In many places around the globe, cultural festival has been part of the old traditions conducted in conjunction with religious ceremony and other celebrations. The secular art festival, however, is relatively new ritual to many places. Aiming to investigate what makes an art festival a new ritual, this paper examines three important aspects of the festivals by looking at Indonesia, especially Bali, as a focus of discussion. This includes: the existence of festivals and art festivals in the community; the different types of the festivals, and the multi dimensions of festivals. A short discussion of a village festival is also included in this paper. The conclusion of this paper suggests that while festival has been an old tradition in many cultures, secular art festivals, are a cultural product of the modern time. Due to their importance, many cultures in many countries have conducted elaborate art festival annually make the festival a new ritual to the local people

Community Festivals : Involvement and Inclusion

This paper presents a part of a more detailed study into the organisation of a communityfestival in the East Midlands of the UK. The focus is on how the central steering groupimposed a restricted sense of culture onto the festival and how the local communitieswere distanced from the processes. The literature on festivals is critically reviewed before the issues of involvement and inclusion are examined. The in depth researchchallenges some of the claims which are made for the benefits of festivals in theliterature, particularly those related to cultural identity

An impact evaluation framework: Local government community festivals

This article brings together the author's previous research and consultancy along with a review of literature from several disciplines to develop a framework that summarizes the concepts, methods, and processes required to successfully evaluate the impacts of local government community festivals. Events and festivals are a relatively underresearched area but have experienced a growing amount of public sector expenditure. The framework developed and presented here is in response to the need to encourage greater evaluation of this activity and in doing so recognize the complexity of the process. The impacts of many such festivals are diverse (economic, social, environmental), far reaching (local, national, international), and long term. The evaluation of these impacts, therefore, requires an understanding of the concepts involved and the development of a range of tools and methods. The proposed framework is informed by the empirical research, theory, and practice in the areas of information systems, marketing communications, event studies, and public sector evaluation. Bringing together these distinct but related fields of study has enabled the development of a comprehensive and novel approach to event impact evaluation. Copyright © 2009 Cognizant Comm. Corp