86 research outputs found
Estimation of Scribble Placement for Painting Colorization
Image colorization has been a topic of interest since
the mid 70’s and several algorithms have been proposed that
given a grayscale image and color scribbles (hints) produce a colorized image. Recently, this approach has been introduced in the field of art conservation and cultural heritage, where B&W photographs of paintings at previous stages have been colorized. However, the questions of what is the minimum number of scribbles necessary and where they should be placed in an image remain unexplored. Here we address this limitation using an iterative algorithm that provides insights as to the relationship between locally vs. globally important scribbles. Given a color image we randomly select scribbles and we attempt to color the
grayscale version of the original.We define a scribble contribution measure based on the reconstruction error. We demonstrate our approach using a widely used colorization algorithm and images from a Picasso painting and the peppers test image. We show that areas isolated by thick brushstrokes or areas with high textural variation are locally important but contribute very little to the
overall representation accuracy. We also find that for the case of Picasso on average 10% of scribble coverage is enough and that flat areas can be presented by few scribbles. The proposed method can be used verbatim to test any colorization algorithm
Two Decades of Colorization and Decolorization for Images and Videos
Colorization is a computer-aided process, which aims to give color to a gray
image or video. It can be used to enhance black-and-white images, including
black-and-white photos, old-fashioned films, and scientific imaging results. On
the contrary, decolorization is to convert a color image or video into a
grayscale one. A grayscale image or video refers to an image or video with only
brightness information without color information. It is the basis of some
downstream image processing applications such as pattern recognition, image
segmentation, and image enhancement. Different from image decolorization, video
decolorization should not only consider the image contrast preservation in each
video frame, but also respect the temporal and spatial consistency between
video frames. Researchers were devoted to develop decolorization methods by
balancing spatial-temporal consistency and algorithm efficiency. With the
prevalance of the digital cameras and mobile phones, image and video
colorization and decolorization have been paid more and more attention by
researchers. This paper gives an overview of the progress of image and video
colorization and decolorization methods in the last two decades.Comment: 12 pages, 19 figure
Scribble-based gradient mesh recoloring
Previous gradient mesh recoloring methods usually have dependencies on an additional reference image and the rasterized gradient mesh. To circumvent such dependencies, we propose a user scribble-based recoloring method, in which users are allowed to annotate gradient meshes with a few color scribbles. Our approach builds an auxiliary mesh from gradient meshes, namely control net, by taking both colors and local color gradients at mesh points into account. We then develop an extended chrominance blending method to propagate the user specified colors over the control net. The recolored gradient mesh is finally reconstructed from the recolored control net. Experiments validate the effectiveness of our approach on multiple gradient meshes. Compared with various alternative solutions, our method has no color bleedings nor sampling artifacts, and can achieve fast performance
Deep Video Color Propagation
Traditional approaches for color propagation in videos rely on some form of
matching between consecutive video frames. Using appearance descriptors, colors
are then propagated both spatially and temporally. These methods, however, are
computationally expensive and do not take advantage of semantic information of
the scene. In this work we propose a deep learning framework for color
propagation that combines a local strategy, to propagate colors frame-by-frame
ensuring temporal stability, and a global strategy, using semantics for color
propagation within a longer range. Our evaluation shows the superiority of our
strategy over existing video and image color propagation methods as well as
neural photo-realistic style transfer approaches.Comment: BMVC 201
Example-based image colorization using locality consistent sparse representation
—Image colorization aims to produce a natural looking color image from a given grayscale image, which remains a challenging problem. In this paper, we propose a novel examplebased image colorization method exploiting a new locality consistent sparse representation. Given a single reference color image, our method automatically colorizes the target grayscale image by sparse pursuit. For efficiency and robustness, our method operates at the superpixel level. We extract low-level intensity features, mid-level texture features and high-level semantic features for each superpixel, which are then concatenated to form its descriptor. The collection of feature vectors for all the superpixels from the reference image composes the dictionary. We formulate colorization of target superpixels as a dictionary-based sparse reconstruction problem. Inspired by the observation that superpixels with similar spatial location and/or feature representation are likely to match spatially close regions from the reference image, we further introduce a locality promoting regularization term into the energy formulation which substantially improves the matching consistency and subsequent colorization results. Target superpixels are colorized based on the chrominance information from the dominant reference superpixels. Finally, to further improve coherence while preserving sharpness, we develop a new edge-preserving filter for chrominance channels with the guidance from the target grayscale image. To the best of our knowledge, this is the first work on sparse pursuit image colorization from single reference images. Experimental results demonstrate that our colorization method outperforms state-ofthe-art methods, both visually and quantitatively using a user stud
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