Convolutional Gated Recurrent Neural Network Incorporating Spatial Features for Audio Tagging

Environmental audio tagging is a newly proposed task to predict the presence or absence of a specific audio event in a chunk. Deep neural network (DNN) based methods have been successfully adopted for predicting the audio tags in the domestic audio scene. In this paper, we propose to use a convolutional neural network (CNN) to extract robust features from mel-filter banks (MFBs), spectrograms or even raw waveforms for audio tagging. Gated recurrent unit (GRU) based recurrent neural networks (RNNs) are then cascaded to model the long-term temporal structure of the audio signal. To complement the input information, an auxiliary CNN is designed to learn on the spatial features of stereo recordings. We evaluate our proposed methods on Task 4 (audio tagging) of the Detection and Classification of Acoustic Scenes and Events 2016 (DCASE 2016) challenge. Compared with our recent DNN-based method, the proposed structure can reduce the equal error rate (EER) from 0.13 to 0.11 on the development set. The spatial features can further reduce the EER to 0.10. The performance of the end-to-end learning on raw waveforms is also comparable. Finally, on the evaluation set, we get the state-of-the-art performance with 0.12 EER while the performance of the best existing system is 0.15 EER.Comment: Accepted to IJCNN2017, Anchorage, Alaska, US

Learning spectral-temporal features with 3D CNNs for speech emotion recognition

In this paper, we propose to use deep 3-dimensional convolutional networks (3D CNNs) in order to address the challenge of modelling spectro-temporal dynamics for speech emotion recognition (SER). Compared to a hybrid of Convolutional Neural Network and Long-Short-Term-Memory (CNN-LSTM), our proposed 3D CNNs simultaneously extract short-term and long-term spectral features with a moderate number of parameters. We evaluated our proposed and other state-of-the-art methods in a speaker-independent manner using aggregated corpora that give a large and diverse set of speakers. We found that 1) shallow temporal and moderately deep spectral kernels of a homogeneous architecture are optimal for the task; and 2) our 3D CNNs are more effective for spectro-temporal feature learning compared to other methods. Finally, we visualised the feature space obtained with our proposed method using t-distributed stochastic neighbour embedding (T-SNE) and could observe distinct clusters of emotions

Utilizing Domain Knowledge in End-to-End Audio Processing

End-to-end neural network based approaches to audio modelling are generally outperformed by models trained on high-level data representations. In this paper we present preliminary work that shows the feasibility of training the first layers of a deep convolutional neural network (CNN) model to learn the commonly-used log-scaled mel-spectrogram transformation. Secondly, we demonstrate that upon initializing the first layers of an end-to-end CNN classifier with the learned transformation, convergence and performance on the ESC-50 environmental sound classification dataset are similar to a CNN-based model trained on the highly pre-processed log-scaled mel-spectrogram features.Comment: Accepted at the ML4Audio workshop at the NIPS 201

Deep Learning for Audio Signal Processing

Given the recent surge in developments of deep learning, this article provides a review of the state-of-the-art deep learning techniques for audio signal processing. Speech, music, and environmental sound processing are considered side-by-side, in order to point out similarities and differences between the domains, highlighting general methods, problems, key references, and potential for cross-fertilization between areas. The dominant feature representations (in particular, log-mel spectra and raw waveform) and deep learning models are reviewed, including convolutional neural networks, variants of the long short-term memory architecture, as well as more audio-specific neural network models. Subsequently, prominent deep learning application areas are covered, i.e. audio recognition (automatic speech recognition, music information retrieval, environmental sound detection, localization and tracking) and synthesis and transformation (source separation, audio enhancement, generative models for speech, sound, and music synthesis). Finally, key issues and future questions regarding deep learning applied to audio signal processing are identified.Comment: 15 pages, 2 pdf figure