Psychoacoustic Considerations in Surround Sound with Height

This paper presents recent research findings in the psychoacoustics of 3D multichannel sound recording and rendering. The addition of height channels in new reproduction formats such as Auro-3D, Dolby Atmos and 22.2, etc. enhances the perceived spatial impression in reproduction. To achieve optimal acoustic recording and signal processing for such formats, it is first important to understand the fundamental principles of how we perceive sounds reproduced from vertically oriented stereophonic loudspeakers. Recent studies by the authors in this field provide insights into how such principles can be applied for practical 3D recording and upmixing. Topics that are discussed in this paper include the interchannel level and time difference relationships in terms of vertically induced interchannel crosstalk, the effectiveness of the precedence effect in the vertical plane, the aspect of tonal coloration resulting from vertical stereophonic reproduction, the effect of vertical microphone spacing on envelopment, the effect of interchannel decorrelation, and the use of spectral cues for extending vertical image spread

Reviews on Technology and Standard of Spatial Audio Coding

Market  demands  on a more impressive entertainment media have motivated for delivery of three dimensional  (3D) audio content to  home consumers  through Ultra  High  Definition  TV  (UHDTV), the next generation of TV broadcasting, where spatial  audio  coding plays  fundamental role. This paper reviews fundamental concept on spatial audio coding which includes technology, standard, and application. Basic principle of object-based audio reproduction system  will also be elaborated, compared  to  the  traditional channel-based system, to provide good understanding on this popular interactive audio reproduction system which gives end users flexibility to render  their  own preferred  audio composition.Keywords : spatial audio, audio coding, multi-channel audio signals, MPEG standard, object-based audi

Subjective evaluation of an emerging theory of low-frequency sound source localization in closed acoustic spaces

An earlier reported theory of low-frequency sound-source localization within closed acoustic spaces proposed that virtual image acuity is strongly dependent on sufficient inter-arrival time between a direct sound and its first reflection. This current study aims to test the theory’s predictions by subjective experiment where participants are required to indicate perceived sound source direction, but without knowledge of loudspeaker location. Test signals of frequencies 40 Hz to 115 Hz take the form of either windowed sine or square waves. Results confirm broad agreement with theoretical expectations and support the conjecture, contrary to common expectation, that low-frequency sound localization within the context of closed acoustic spaces is possible, although strongly dependent on system configuration and size of a listening space

Use of baited remote underwater video (BRUV) and motion analysis for studying the impacts of underwater noise upon free ranging fish and implications for marine energy management

© 2016 Elsevier Ltd Free-ranging individual fish were observed using a baited remote underwater video (BRUV) system during sound playback experiments. This paper reports on test trials exploring BRUV design parameters, image analysis and practical experimental designs. Three marine species were exposed to playback noise, provided as examples of behavioural responses to impulsive sound at 163–171 dB re 1 μPa (peak-to-peak SPL) and continuous sound of 142.7 dB re 1 μPa (RMS, SPL), exhibiting directional changes and accelerations. The methods described here indicate the efficacy of BRUV to examine behaviour of free-ranging species to noise playback, rather than using confinement. Given the increasing concern about the effects of water-borne noise, for example its inclusion within the EU Marine Strategy Framework Directive, and the lack of empirical evidence in setting thresholds, this paper discusses the use of BRUV, and short term behavioural changes, in supporting population level marine noise management

Backward Compatible Spatialized Teleconferencing based on Squeezed Recordings

Commercial teleconferencing systems currently available, although offering sophisticated video stimulus of the remote participants, commonly employ only mono or stereo audio playback for the user. However, in teleconferencing applications where there are multiple participants at multiple sites, spatializing the audio reproduced at each site (using headphones or loudspeakers) to assist listeners to distinguish between participating speakers can significantly improve the meeting experience (Baldis, 2001; Evans et al., 2000; Ward & Elko 1999; Kilgore et al., 2003; Wrigley et al., 2009; James & Hawksford, 2008). An example is Vocal Village (Kilgore et al., 2003), which uses online avatars to co-locate remote participants over the Internet in virtual space with audio spatialized over headphones (Kilgore, et al., 2003). This system adds speaker location cues to monaural speech to create a user manipulable soundfield that matches the avatar’s position in the virtual space. Giving participants the freedom to manipulate the acoustic location of other participants in the rendered sound scene that they experience has been shown to provide for improved multitasking performance (Wrigley et al., 2009). A system for multiparty teleconferencing requires firstly a stage for recording speech from multiple participants at each site. These signals then need to be compressed to allow for efficient transmission of the spatial speech. One approach is to utilise close-talking microphones to record each participant (e.g. lapel microphones), and then encode each speech signal separately prior to transmission (James & Hawksford, 2008). Alternatively, for increased flexibility, a microphone array located at a central point on, say, a meeting table can be used to generate a multichannel recording of the meeting speech A microphone array approach is adopted in this work and allows for processing of the recordings to identify relative spatial locations of the sources as well as multichannel speech enhancement techniques to improve the quality of recordings in noisy environments. For efficient transmission of the recorded signals, the approach also requires a multichannel compression technique suitable to spatially recorded speech signals