Insta-Appropriation: Finding Boundaries for the Second Circuit’s Fair Use Doctrine After Campbell

Copyright law’s current fair use landscape is riddled with unclear standards and old considerations forced upon new media. This is especially problematic in the context of digital appropriation of art from online social media platforms—an issue highlighted by Richard Prince’s exhibit “New Portraits,” in which he appropriated strangers’ Instagram photos for his own profit. Unless this situation is remedied, digital content creators will effectively lose their statutory copyright protections. Thus, when considering digital appropriation cases, courts should require a transformation of content rather than purpose, should elevate the weight of the fourth statutory factor, and should reinstate the “comment upon” standard for works of parody and satire. Other scholars have proposed changes to the fair use doctrine, but none adequately protect first-order digital content creators. As such, this Note proposes a reinterpretation of the fair use factors in light of digital appropriation and social media

When Chaos Meets Computers

This paper focuses on an interesting phenomenon when chaos meets computers. It is found that digital computers are absolutely incapable of showing true long-time dynamics of some chaotic systems, including the tent map, the Bernoulli shift map and their analogues, even in a high-precision floating-point arithmetic. Although the results cannot directly generalized to most chaotic systems, the risk of using digital computers to numerically study continuous dynamical systems is shown clearly. As a result, we reach the old saying that "it is impossible to do everything with computers only".Comment: 7 pages, 5 figure

Insta-Appropriation: Finding Boundaries for the Second Circuit’s Fair Use Doctrine After Campbell

Copyright law’s current fair use landscape is riddled with unclear standards and old considerations forced upon new media. This is especially problematic in the context of digital appropriation of art from online social media platforms—an issue highlighted by Richard Prince’s exhibit “New Portraits,” in which he appropriated strangers’ Instagram photos for his own profit. Unless this situation is remedied, digital content creators will effectively lose their statutory copyright protections. Thus, when considering digital appropriation cases, courts should require a transformation of content rather than purpose, should elevate the weight of the fourth statutory factor, and should reinstate the “comment upon” standard for works of parody and satire. Other scholars have proposed changes to the fair use doctrine, but none adequately protect first-order digital content creators. As such, this Note proposes a reinterpretation of the fair use factors in light of digital appropriation and social media

Access Interfaces for Open Archival Information Systems based on the OAI-PMH and the OpenURL Framework for Context-Sensitive Services

In recent years, a variety of digital repository and archival systems have been developed and adopted. All of these systems aim at hosting a variety of compound digital assets and at providing tools for storing, managing and accessing those assets. This paper will focus on the definition of common and standardized access interfaces that could be deployed across such diverse digital respository and archival systems. The proposed interfaces are based on the two formal specifications that have recently emerged from the Digital Library community: The Open Archive Initiative Protocol for Metadata Harvesting (OAI-PMH) and the NISO OpenURL Framework for Context-Sensitive Services (OpenURL Standard). As will be described, the former allows for the retrieval of batches of XML-based representations of digital assets, while the latter facilitates the retrieval of disseminations of a specific digital asset or of one or more of its constituents. The core properties of the proposed interfaces are explained in terms of the Reference Model for an Open Archival Information System (OAIS).Comment: Accepted paper for PV 2005 "Ensuring Long-term Preservation and Adding Value to Scientific and Technical data" (http://www.ukoln.ac.uk/events/pv-2005/