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    Spartan Daily, October 17, 2002

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    Volume 119, Issue 35https://scholarworks.sjsu.edu/spartandaily/10679/thumbnail.jp

    11-06-90 (The Liberty Champion, Volume 8, Issue 11)

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    v. 43, no. 9, November 18, 1977

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    Spartan Daily, October 30, 1989

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    Volume 93, Issue 40https://scholarworks.sjsu.edu/spartandaily/7900/thumbnail.jp

    Evangelical Friend, November 1977 (Vol. 11, No. 3)

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    Howard MacyDid God make weekends? Page 2 John and Barbara BrantinghamMissionary Voice: Taiwan\u27s typhoon. Page 6 Richard J. FosterThank you, daddy! Page 9 S. M. Van ScoyEight Bible basics for a richer life. Page 10 Jack L. WillcutsWhen the going gets tough, the tough call in consultants. Page 11 Regular FeaturesThe Face of the World 12First Day News 13Over the Teacup 12 Once upon a Time 17Books 18Friends Concerns 19 Friends Gather 23Friends Record 26Superintendent\u27s Page 28https://digitalcommons.georgefox.edu/nwym_evangelical_friend/1111/thumbnail.jp

    Spartan Daily, November 16, 1994

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    Volume 103, Issue 54https://scholarworks.sjsu.edu/spartandaily/8624/thumbnail.jp

    Permafrost, Vol. 20 (1998)

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    This issue of Permafrost was funded by grants from the Alaska State Council on the Arts and the Associated Students of the University of Alaska.[Poetry] --(Bob Dylan in Mexico) A Jacona Prayer -- Road On the Earth -- Birds / Matthew Raymond -- From a Journal: Dooker's Hollow -- Above the Ranch -- At the Oyster Bar / David Koehn -- Running in the Fog -- Adding the Phrase "In Bed" -- To All My Chinese Cookie Fortunes / Richard Robbins -- Kentucky Blues -- Your Face in the Painting / Ron Whitehead -- Money / Peter Wild -- My Own Writing -- TV Babey Pete / Peter Orlovsky -- Dull in Duplicate / Marianne Milton -- * -- * / Simon Perchik -- Filling The Distance -- Let Me / C.C. Cottongin -- The Saguaro Cactus / Richard Broderick -- Waterways -- Brier's Attempt to Land on a Cat's Eye / Jim Wayne Miller -- Perhaps the Wind, Perhaps Memory -- The Darkening Sky -- Dust / Blas Manuel De Luna -- Untitled -- Fifth Grade Truth / Ted Gehrke -- Dying has its own details / Lenae Nofziger -- Cargo / Eva Day -- War Letters -- Three a.m. / Allison Cobb -- 14th Street Station / E. Ethelbert Miller -- Beauty / David Dodd Lee -- Green / Kristin Kovacic -- House Sestina -- Nearing the End of Your Fifteenth Year / Heather Brittain Bergstrom -- Salve -- A Solid White Wish -- Will / W. Loran Smith -- I Am Missing Your Voice / Jacqueline Lyons [Fiction] -- Ode to a 1961 Teenage Whore / Robert Peters -- The Staff Meeting / Lucile Lichtblau -- Wallenda Descending / Christopher Bernard -- When Cassius Clay / Lesa Luders [Nonfiction] -- 13 Ways of Looking at a Pick-up Truck / M.K. Johnson -- 13 Ways of Looking at Jack Kerouac / Brian Foye -- Race in the South: Reconciling Black and White Histories Through Country Music / Jordan Green -- 13 Steps For Revising / Allen Ginsberg [Letters] -- to his Mother (11/14/56) / Peter Orlovsky -- to his Mother (4/25/57) / Peter Orlovsky -- Jean Genet [Artwork] Self Portrait I -- Jagger -- Self Portrait II -- Nude -- UltraViolet / Andy Warhol -- Creep Show / Deirdre Scaggs -- Flish II -- Melancholia / Ned Cannon -- Untitled / Thomas Merton -- Crucified Woman -- Juniper -- Infinity / Paul Quenon -- Ginsberg, 1992 / Charlie Coddingto

    Dear Dad… Brian Brake writes home to his father, Jack Brake

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    This article draws on 20 postcards from a private collection which have only recently come to light, written by New Zealand-born photographer Brian Brake to his father Jack Brake in the 1950s, and therefore during the years when he was establishing himself as a photo-journalist. Although the collection is not large in number, the messages written on the backs of these postcards provide a wonderful opportunity to locate Brian Brake’s whereabouts during these years and retrace the significant events in his life at this time in his own words. Importantly, the postcards cover the critical period immediately prior to Brake undertaking the filming of his remarkable visual documentary, Monsoon, in India during the northern summer months of 1960. It would be this assignment that would establish his name as a world-class photo-journalist.</jats:p

    Grimoire 1984

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    https://digitalcommons.lasalle.edu/grimoire/1007/thumbnail.jp
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