Anselm’s Metaphysics of Nonbeing

In his eleventh century dialogue De Casu Diaboli, Anselm seeks to avoid the problem of evil for theodicy and explain the fall of Satan as attributable to Satan’s own self-creating wrongful will. It is something, as such, for which God as Satan’s divine Creator cannot be held causally or morally responsible. The distinctions on which Anselm relies presuppose an interesting metaphysics of nonbeing, and of the nonbeing of evil in particular as a privation of good, worthy of critical philosophical investigation in its own right. Anselm’s concept of nonbeing does not resolve the philosophical problem of evil implied by Satan’s fall from grace, but is shown perhaps more unexpectedly to enable Anselm’s proof for the inconceivable nonexistence of God as the greatest conceivable intended object of thought to avoid Kant’s Critique of Pure Reason objection to the general category of ”ontological’ arguments

Frege's Intellectual Life As a Logicist Project

I critically discuss Dale Jacquette’s Frege: A Philosophical Biography. First, I provide a short overview of Jacquette’s book. Second, I evaluate Jacquette’s interpretation of Frege’s three major works, Begriffsschrift, Grundlagen der Arithmetik and Grundgesetze der Arithmetik; and conclude that the author does not faithfully represent their content. Finally, I offer some technical and general remarks

An Objection to Naturalism and Atheism from Logic

I proffer a success argument for classical logical consequence. I articulate in what sense that notion of consequence should be regarded as the privileged notion for metaphysical inquiry aimed at uncovering the fundamental nature of the world. Classical logic breeds necessitism. I use necessitism to produce problems for both ontological naturalism and atheism

The Reinvention Of Genius Wagner's Transformation Of Schopenhauer's Aesthetics In “Beethoven”

Wagner's treatise Beethoven (1870), written to celebrate the centenary of Beethoven's birth, is one of his most influential theoretical works. Its influence on Nietzsche's Birth of Tragedy is well known, and Gustav Mahler regarded it as one of the most profound writings on music he knew, on a par with Schopenhauer's theory on the subject. Wagner's main concern in this text is to bring his theory of opera into line with his recent 'conversion' to Schopenhauer's philosophy. It contains an account of the relation of music and drama which emphasizes the superiority and dominance of music, true to the philosopher's ideas on this subject. This aspect of Beethoven is in fact the main focus of most commentaries devoted to this wor

From Biological to Synthetic Neurorobotics Approaches to Understanding the Structure Essential to Consciousness (Part 3)

This third paper locates the synthetic neurorobotics research reviewed in the second paper in terms of themes introduced in the first paper. It begins with biological non-reductionism as understood by Searle. It emphasizes the role of synthetic neurorobotics studies in accessing the dynamic structure essential to consciousness with a focus on system criticality and self, develops a distinction between simulated and formal consciousness based on this emphasis, reviews Tani and colleagues' work in light of this distinction, and ends by forecasting the increasing importance of synthetic neurorobotics studies for cognitive science and philosophy of mind going forward, finally in regards to most- and myth-consciousness

For Our Information, March & May 1958, Vol. X, no. 7-8

An official publication of the ILR School, Cornell University, “for the information of all faculty, staff and students.