Enacting the multiple spaces and times of portuguese migration to France in YouTube humor: chronotopic analysis of Ro et Cut’s Vamos a Portugal

We examine the production and contested reception of a YouTube comedic performance by France-based comedic duo, Ro et Cut, involving Portuguese migrants in France. Specifically, we analyze Vamos a Portugal, a video which depicts one Portuguese migrant family’s preparation for their annual summer return trip from France to the Portuguese “homeland.” We use Bakhtin’s notion of chronotope, i.e., discursive formulations of space, time, and person mobilizable in interaction, to analyze how performers and commenters construct spatiotemporally situated images of Portuguese migrants, while simultaneously positioning themselves spatio-temporally in relation to these images. In particular, we compare how France-based Lusodescendant and nonmigrant Portuguese commenters construct and react to the video. Many Lusodescendant commenters embrace the video as evoking a nostalgic personal, familial, and Portuguese past, from the perspective of an urban French present. However, nonmigrant Portuguese viewers in Portugal reject the video as evoking an outmoded and illegitimate version of Portuguese culture, from the perspective of a contemporary Portuguese present. Our comparison of the chronotopes through which differently positioned commenters interpret the video illuminates the contested politics surrounding performances of Portuguese migrant and national culture in the diaspora in France versus in Portugal.info:eu-repo/semantics/publishedVersio

Oregon Wine History Project™ Interview Transcript: David Adelsheim

This document is a transcription of the interview with winemaker David Adelsheim conducted by Jeff D. Peterson on July 7, 2010 as part of the Oregon Wine History Project™. David Adelsheim discusses the early days of the Oregon wine industry and gives his personal account of how he came to grow grapes and produce wines in the Willamette Valley. Assisting in the production of this interview were videographers Barrett Dahl and Mark Pederson; exhibit and collections coordinators Barrett Dahl, Sara Juergensen, and Keni Sturgeon (faculty advisor); and project historical researchers Dulce Kersting and Lissa Wadewitz (faculty advisor). The duration of the interview is 50 minutes and 58 seconds

Guest Artist Recital: Peter Hill, November 1, 2008

This is the concert program of the guest artist recital of Peter Hill on Saturday, November 1, 2008 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were La Colombe, Morceau de Lecture à Vue, Pièce pour le Tombeau de Paul Dukas, Fantasie pour Violon et Piano, Vocalise-Etude, Regard de la Vierge, Regard de l'Esprit de Joie, Le Baiser de l'Enfant-Jésus, Regard de l'Église d'Amour, La Chouette Hulotte, and L'Alouete Lulu by Olivier Messiaen. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Growing up in the new age

This issue of Fieldstudy was published as part of the Growing up in the New Age project. It features the archive photographs of Dave Walkling, made in a 1970s' squatted house in South London and at the Kirkdale Free School. It also presents the photographs of Marjolaine Ryley, who was a child in living in the collective housing photographed by Walkling. Ryley has collected Walkling's photographs, and her own new series is a mediation on history and memory

Marks of French influence in Goethe's works.

Thesis (M.A.)--Boston Universit

Notions and subnotions in information structure

Three dimensions can be distinguished in a cross-linguistic account of information structure. First, there is the definition of the focus constituent, the part of the linguistic expression which is subject to some focus meaning. Second and third, there are the focus meanings and the array of structural devices that encode them. In a given language, the expression of focus is facilitated as well as constrained by the grammar within which the focus devices operate. The prevalence of focus ambiguity, the structural inability to make focus distinctions, will thus vary across languages, and within a language, across focus meanings

Spain and Portugal: Films and Videorecordings at the University of Pittsburgh

This list of the University of Pittsburgh Collection of Spain: films and videorecordings contains materials housed in the following locations: 1) Hillman Library (HILL) - Center for Instructional Development & Distance Education, G-20 2) MUSIC LIBRARY - Music Building at the corner of Fifth Avenue and Tennyson Ave. 3) Greensburg Campus – (GREEN) - Millstein Library 4) Johnstown Campus Library (JOHN) - Owen Library 5) Bradford Campus (BRAD) - Hanley Librar

Muir String Quartet, January 17, 2006

This is the concert program of the Muir String Quartet performance on Friday, January 27, 2006 at 12:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were B flat Duo, K. 424 by Wolfgang Amadeus Mozart and Horn Quintet, K. 407 by W. A. Mozart. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

[sound icon] Tribute to Elliot Carter, March 23, 2013

This is the concert program of the [sound icon] Tribute to Elliot Carter performance on Saturday, March 23, 2013 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were ASKO Concerto by Elliott Carter, Flight out of Mine by John Aylward, Epicadenza by Stefano Gervasoni, and Centripedalocity by Anthony Cheung. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund