Mapping intangibilities in creative tourism territories through tangible objects: a methodological approach for developing creative tourism offers

What can people express about their places through the objects that they valorise and link to their territory? Can objects create narratives about a place's identity and collect significant cultural information that locate people in their places? Can such cultural mapping be a useful tool in the design of creative tourist offers? The Project CREATOUR held a series of Idea Laboratories with several entities that provide creative tourism experiences, approaching cultural mapping through objects as a tool for regional actors to discover what is 'so special' about their places, a way to link tourism offers with the community where they take place. These exercise lead participants to remark on the importance and idiosyncrasy of their regions and evidenced the importance of cultural mapping to a more sustainable offer and the overall marketing of destinations. Mapping intangibilities through tangible objects helped to capture what gives meaning to particular places.Fundação para a Ciência e Tecnologia CREATOUR - 16437 COMPETE2020, POR Lisboainfo:eu-repo/semantics/publishedVersio

Culture modulates implicit ownership-induced self-bias in memory

The relation of incoming stimuli to the self implicitly determines the allocation of cognitive resources. Cultural variations in the self-concept shape cognition, but the extent is unclear because the majority of studies sample only Western participants. We report cultural differences (Asian versus Western) in ownership-induced self-bias in recognition memory for objects. In two experiments, participants allocated a series of images depicting household objects to self-owned or other-owned virtual baskets based on colour cues before completing a surprise recognition memory test for the objects. The ‘other’ was either a stranger or a close other. In both experiments, Western participants showed greater recognition memory accuracy for self-owned compared with other-owned objects, consistent with an independent self-construal. In Experiment 1, which required minimal attention to the owned objects, Asian participants showed no such ownership-related bias in recognition accuracy. In Experiment 2, which required attention to owned objects to move them along the screen, Asian participants again showed no overall memory advantage for self-owned items and actually exhibited higher recognition accuracy for mother-owned than self-owned objects, reversing the pattern observed for Westerners. This is consistent with an interdependent self-construal which is sensitive to the particular relationship between the self and other. Overall, our results suggest that the self acts as an organising principle for allocating cognitive resources, but that the way it is constructed depends upon cultural experience. Additionally, the manifestation of these cultural differences in self-representation depends on the allocation of attentional resources to self- and other-associated stimuli

Hierarchical structuring of Cultural Heritage objects within large aggregations

Huge amounts of cultural content have been digitised and are available through digital libraries and aggregators like Europeana.eu. However, it is not easy for a user to have an overall picture of what is available nor to find related objects. We propose a method for hier- archically structuring cultural objects at different similarity levels. We describe a fast, scalable clustering algorithm with an automated field selection method for finding semantic clusters. We report a qualitative evaluation on the cluster categories based on records from the UK and a quantitative one on the results from the complete Europeana dataset.Comment: The paper has been published in the proceedings of the TPDL conference, see http://tpdl2013.info. For the final version see http://link.springer.com/chapter/10.1007%2F978-3-642-40501-3_2

Introduction: Legal Form and Cultural Symbol – Music, Copyright and Information Studies

Writers in information and communication studies often assume the stability of objects under investigation: network nodes, databases, information. Legal writers in the intellectual property tradition often assume that cultural artefacts exist as objects prior to being governed by copyright law. Both assumptions are fallacious. This introduction conceptualises the relationship of legal form and cultural symbol. Starting from an understanding of copyright law as part of systems of production (in the sense of Peterson 1976), it is argued that copyright law constructs the artefacts it seeks to regulate as objects that can be bought and sold. In doing so, the legal and aesthetic logic of cultural symbols may clash, as in the case of digital music (the central focus of this special issue)

Protection of valuable areas of local cultural heritage in sustainable development. Cultural parks in the Lodz Region

Cultural park is one of the forms, in which valuable areas and historical establishments are protected under the Polish law. Protection covers “space” in its entirety with elements of wild nature and man-made structures. Such spaces have been shaped by the history of human interventions into a unique and original cultural landscape, a complex spatial structure consisting of: passages (rivers, channels, roads, and borders), plains (meadows, fields, water reservoirs, and forests), and objects (natural objects and monuments). They ensure sustainability of development processes. In circumstances created by globalisation, investment pressure, and seeking short-term benefits, comprehensive protection of valuable cultural areas acquires special importance from the point of view of sustainable growth. The paper aims to identify valuable areas of local cultural heritage in the context of sustainable development on the example of cultural parks established in the Lodz voivodeship

Transit: An analysis of networked criminal groups and criminal opportunities at transit ports

Like the path of many contraband commodities, trafficked cultural objects cross countless legal borders and intersect with the legitimate market world at a number of critical transit junctures, which supports the concept of a single “grey” market. These transit settings, where different elements of trafficking networks must converge, are sites of vulnerability for criminals and opportunity for law enforcement intervention. For this discussion, the case study of Subhash Kapoor’s trafficking network will be used as a frame of reference throughout the essay to support the idea that a port, as an interface in the global supply chain, is a critical site for analysis and understanding of international trafficking in cultural objects. What follows is a discussion of conceptualisations of organised crime in late modernity, a spatial analysis of the global cultural heritage trade, and an overview of the securitisation and role of sea ports in trade

Insiders and Outsiders: The Case for Alaska Reclaiming Its Cultural Property

Because of the historically troubling treatment of American Indians by the United States government, the nation’s native populations have been largely unable to control their cultural identities. Cultural property laws provide a framework for transferring stolen art and cultural objects to their native owners in an attempt to return cultural sovereignty to native communities. Despite Alaska’s large and thriving native population, Alaska Natives have trailed behind other states’ native populations in asserting their cultural property rights. This Note considers the current cultural property framework and its evolution in an effort to understand why Alaska Natives are not seeking return of their cultural objects to the same extent as other native groups

Metadata Augmentation for Semantic- and Context- Based Retrieval of Digital Cultural Objects

Cultural objects are increasingly stored and generated in digital form, yet effective methods for their indexing and retrieval still remain an open area of research. The main problem arises from the disconnection between the content-based indexing approach used by computer scientists and the description-based approach used by information scientists. There is also a lack of representational schemes that allow the alignment of the semantics and context with keywords and low-level features that can be automatically extracted from the content of these cultural objects. This paper presents an integrated approach to address these problems, taking advantage of both computer science and information science approaches. The focus is on the rationale and conceptual design of the system and its various components. In particular, we discuss techniques for augmenting commonly used metadata with visual features and domain knowledge to generate high-level abstract metadata which in turn can be used for semantic and context-based indexing and retrieval. We use a sample collection of Vietnamese traditional woodcuts to demonstrate the usefulness of this approach

The ethno-wiki project: ethnographic museums in Wikimedia commons

The ethno-wiki project is an initiative to use Wikimedia as a tool to save vulnerable heritage collections of non-western cultures and revive the research on ethnographic artefacts. The project may be able to create a network of small ethnographic collections in different parts of the world, which despite having no money to spend on object databases, still want to become a part of the digital community in order to be less unknown; a network which might also include source communities of ethnographic artefacts in European collections. The idea behind the project is that information should be given in the language(s) of the country of the museum or collection, in English and –if possible- in the language of the ethnographic group that made the objects. The aim to translate information into the native language will enable the descendants of the makers of ethnographical objects to comment on the given information. In this way, people will be able to add that information that they find is important. As their way of looking at things is different than that of western researches and/or admirers of ethnographic artefacts, a discussion will take place between these two groups. What Westerners call an “ethnographical object” is often “an ancestor” in indigenous terms. This exchange of knowledge certainly will contribute to strength of this wikimedia project and will give way to new research. Also this wikimedia project allows for the creation of ‘virtual museums’ within Wikimedia enabling objects disseminated in numerous museums in different continents to be brought togheter. The initiative plans to include objects of ethnographic museums in Wikimedia Commons aiming at the reduction of irreversible loss of cultural diversity. The systematic integration of objects, in particular 'hidden' objects in the reserves of scattered museums, facilitates scientific research on the ethnographic past and the material expression of cultural traditions

New Ways of Thinking About Cultural Property: A Critical Appraisal of the Antiquities Trade Debates

In debates over the trade in archaeological objects or antiquities, on one end are those who believe that everyone has a shared interest in and claim to the common heritage of humanity, and thus support a vibrant and legal trade in cultural materials. On the other end are those who believe that cultural objects have special significance for specific groups and thus support the efforts of such groups to regulate their trade and seek their repatriation. The aim of this Essay is to critically examine the components of each group\u27s arguments--their goals, assumptions, and inconsistencies--and try, where possible, to identify what implicit concerns may be driving their current stances in the debate. For it is only when we unpack the individual positions and arguments of the different stakeholders in the antiquities debates that we may move the discussion forward from its current stalemate and develop more nuanced policies, which not only may represent pragmatic solutions, but might better satisfy the many interests involved